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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Benedict XVI’s Message At Cardinal Meisner’s Funeral

Corpus Christi Watershed · July 15, 2017

119 Pope Benedict XVI A BLOG called “Fidem in terra” has translated into English a message from Pope Emeritus Benedict XVI, delivered by his personal secretary, Archbishop Georg Gänswein. The Funeral of Joachim Cardinal Meisner took place on Saturday, 15 July 2017, in the Cathedral of Cologne, which some say is the world’s most beautiful cathedral. The Mass was celebrated by Cardinal Woelki, who succeeded Cardinal Meisner as Archbishop of Cologne.

T THIS HOUR, when the church of Cologne and faithful from further a field gathered to say goodbye to Cardinal Joachim Meisner, my heart and thoughts are with you also, and gladly accepting the invitation of Cardinal Woelki, I wish to address a word of remembrance to you.

When I heard of the death of Cardinal Meisner last Wednesday, I did not want to believe it. The day before we had talked on the phone. His gratitude for the fact that he had been on vacation after he had participated in the beatification of Bishop Teofilius Matulionis in Vilnius on Sunday before (June 25) was clear in his his voice. The love for the Church in the neighboring countries in the East, which had suffered under the Communist persecution, as well as the gratitude for the withstanding the sufferings of that time, shaped his life. And so is it is no coincidence that the last visit to his life was one to a Confessor of the Faith in those countries.

What particularly impressed me in that last talk with the retired Cardinal, was the loosened joy, the inner joy, and the confidence he had found. We know that this passionate shepherd and pastor found it difficult to leave his post, especially at a time in which the Church stands in particularly pressing need of convincing shepherds who can resist the dictatorship of the spirit of the age and who live and think the faith with determination. However, what moved me all the more was that, in this last period of his life, he learned to let go and to live out of a deep conviction that the Lord does not abandon His Church, even when the boat has taken on so much water as to be on the verge of capsizing.

Two things in recent times which pleased him more than anything:

(1) On the one hand, he has always told me how deeply he in the Sacrament of Penance, how young people, especially young men, are experiencing the grace of forgiveness—the Gift, they have found the life that only God can give.

(2) The other thing that has always touched him and gave him joy, was the quiet growth of Eucharistic Adoration. At the World Youth Day in Cologne yhis was a central point for him—that there was Adoration, a silence in which only the Lord spoke to the heart. Some Pastoral and Liturgal experts felt that such silence in looking at the Lord can not be achieved with such a huge number of people. Some were also of the opinion that Eucharistic Adoration was overtaken as such, by the Mass, since the Lord would be received in Eucharistic bread and not be looked at. But that this Bread can not be eaten like any food, and that the Eucharistic sacrament “welcomes” all dimensions of our existence – that reception must be worship, has now become very clear. Thus, the time of Eucharistic Adoration at the Cologne World Youth Day has become an interior event, which remained unforgettable to the Cardinal.

When, on his last morning, Cardinal Meisner did not appear at Mass, he was found dead in his room. His Breviary had slipped out of his hands: he was praying as he died, looking at the Lord, talking to the Lord. The death that was given to him, shows once again how he lived: looking at the Lord and talking to him. So we can confidently recommend his soul to the goodness of God. Lord, we thank thee for the testimony of thy servant Joachim. Let him be intercessors for the Church of Cologne, and on the whole Be earthly! Requiescat in pace!


You can also download the original German.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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Corpus Christi Watershed

President’s Corner

    PDF Download • “For Pentecost Sunday”
    Yesterday morning, I recorded myself singing the ENTRANCE CHANT for Pentecost Sunday while simultaneously accompanying myself on the pipe organ. Click here to see how that came out. At the end of the antiphon, there’s a triple Allelúja and I just love the chord at the end of the 2nd iteration. The organ accompaniment—along with the musical score for singers—can be downloaded free of charge at the flourishing feasts website. For the record, the antiphon on Pentecost Sunday doesn’t come from a psalm; it comes from the book of Wisdom.
    —Jeff Ostrowski
    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 4 May 2026
    A few days ago, the CORPUS CHRISTI WATERSHED Facebook page posted this Gregorian Chant quiz regarding a rubric for the SEQUENCE for the feast of Corpus Christi: “Lauda Sion Salvatórem.” There is no audience more intelligent than ours—yet surprisingly nobody has been able to guess the rubric. Drop me an email with the right answer, and I’ll affirm your brilliance to everyone I encounter!
    —Jeff Ostrowski

Quick Thoughts

    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski
    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski

Random Quote

Ralph Vaughan Williams “was an atheist during his later years at Charterhouse and at Cambridge, though he later drifted into a cheerful agnosticism: he was never a professing Christian.”

— Dr. William Mahrt, CMAA President (2021)

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