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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Fr. Magiera Reviews The Campion Hymnal

Corpus Christi Watershed · January 12, 2017

|The following review was posted on the St. Joseph Parish Facebook:


475 Campion Missal IMAGE HE CAMPION Missal/Hymnal is just about the best general worship resource for people who attend the Traditional Latin Mass. Why? Well, first of all, Sunday is the primary day of worship for the Catholic in the week, and this book is a complete SUNDAY MISSAL, containing Mass Propers for every Sunday of the year. Not only that, it has the Propers for any Holy Day that can (if necessary) replace a Sunday Mass, such as All Saints, the Immaculate Conception, and Christmas. In fact, this book contains the propers of all First Class Feasts—even those that are not Holy Days of Obligation—and five important Second Class feasts, such as Candlemas and the Transfiguration. It also contains the Nuptial Mass, Funeral Mass, and the celebration of the Sacrament of Confirmation. Moreover, the complete Mass ordinaries are provided—in Latin and English, of course—from the beginning Sign of the Cross through the Last Gospel, for both the Solemn Mass and the Low Mass. Both of these renderings are accompanied by beautiful photos so even the novice should be able to follow the Mass rather easily.

With regard to music, it contains all 18 Chant Masses (Gregorian chant settings of the Mass ordinary), all six Credos, over 150 hymns in English, and 16 simple Gregorian Chants. It even contains proper Prefaces and the special Communicantes and Hanc Igitur—the third and fourth prayers, respectively, of the Canon of the Mass—which may vary according to the liturgical season (for example, Christmas and Pentecost). In its pages are several devotions and prayers as well. Throughout the volume, you can find scattered illustrations, photos, and reproductions of historical manuscripts. To top it all off, it has various indices, including a hymn tune title index and a hymn tune metrical index, for those who might take a scholarly interest.

What this all means is that, for Sundays, First Class Feasts and a few Second Class Feasts, you can leave your hand missals at home. Nothing to bring with you, nothing to misplace or, worse, lose. Check it out at Campion Website.

                                  Fr. Magiera
                                  St. Joseph Catholic Church
                                  Rockdale, IL

Father Michael Magiera, FSSP—formerly a professional opera singer—has often been featured by the Catholic media (e.g. here and here). His first Mass, offered in 2005 in Philadelphia’s Cathedral Basilica of Sts. Peter and Paul, was quite spectacular, and had around 40 clerics who attended in choro. This photograph shows the packed Cathedral.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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President’s Corner

    Music List • (2nd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 2nd Sunday of Lent (1 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its somber INTROIT is particularly striking—using a haunting tonality—but the COMMUNION with its fauxbourdon verses is also quite remarkable. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    Like! Like! Like!
    You won’t believe who recently gave us a “like” on the Corpus Christi Watershed FACEBOOK PAGE. Click here (PDF) to see who it was. We were not only sincerely honored, we were utterly flabbergasted. This was truly a resounding endorsement and unmistakable stamp of approval.
    —Jeff Ostrowski
    Which Mass?
    In 1905, when the Vatican Commission on Gregorian Chant began publishing the EDITIO VATICANA—still the Church’s official edition— they assigned different Masses to different types of feasts. However, they were careful to add a note (which began with the words “Qualislibet cantus hujus Ordinarii…”) making clear “chants from one Mass may be used together with those from others.” Sadly, I sometimes worked for TLM priests who weren’t fluent in Latin. As a result, they stubbornly insisted Mass settings were ‘assigned’ to different feasts and seasons (which is false). To understand the great variety, one should examine the 1904 KYRIALE of Dr. Peter Wagner. One should also look through Dom Mocquereau’s Liber Usualis (1904), in which the Masses are all mixed up. For instance, Gloria II in his book ended up being moved to the ‘ad libitum’ appendix in the EDITIO VATICANA.
    —Jeff Ostrowski

Quick Thoughts

    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“I vividly remember going to church with him in Bournemouth. He was a devout Roman Catholic and it was soon after the Church had changed the liturgy (from Latin to English). My grandfather obviously didn’t agree with this and made all the responses very loudly in Latin while the rest of the congregation answered in English. I found the whole experience quite excruciating, but my grandfather was oblivious. He simply had to do what he believed to be right.”

— Simon Tolkien (2003)

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