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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Discouragement and Hope

Richard J. Clark · December 15, 2017

HE FEAST of Saint John of the Cross (Dec. 14) brings to mind a fragment of a favorite hymn (text by Charles William Everest): Take up thy cross, and follow Christ, Nor think till death to put it down.

Nor think till death to put it down.

This line is sometimes all I can remember.

DISCOURAGEMENT

Life is filled with unexpected discouragement. So much so, that one must expect it, and be prepared to adapt in order to survive. And working as a musician for the Roman Catholic Church is filled with fully predictable discouragement. The Universal Church is infamous for perpetuating an uphill battle to uphold its own musical and liturgical standards. The very Church that shaped nearly all of Western Music over the course of more than a millennium arguably sold out its musical soul in a few short years—a blink of the eye within its own history.

To compound such a global view, the discouraging news plays out locally quite accordingly. I have learned that no position however high profile or prestigious, no amount of longevity, and no accomplishments no matter how extraordinary render one immune from liturgical, musical, and even pastoral ignorance. Colleagues with decades of experience building up beautiful programs are routinely dismissed in further creative endeavors. I witness colleagues who have suffered physical, no less emotional problems from dysfunctional or even toxic work environments in the Church. Changes in leadership or other aspects of one’s professional environment can lead to serious vulnerability.

But this is life. Everyone deals with it in every profession. And the Church is run by humans as flawed and as sinful as me. It’s a wonder the Church has not imploded despite all its efforts to do so.

Yet the Church survives. Faith not only survives but thrives. That the Church is eternal is perhaps proof enough of the Divine. Is this hope?


HOPE

Despite such a cheerless account, so many musicians remain faithful and loyal servants of the Church throughout a lifetime. They relentlessly persist in making and creating extraordinary beauty in service of God and God alone regardless of challenge. By dogged determination, they will this beauty to come into existence. Despite having their hands tied in various aspects, art for God persists. As a result, prayer persists. Beauty perseveres because they love God and they love the Church. This is hope.

Furthermore, I witness colleagues who are deeply supportive of each other. Why? Because they know no other way. As one great musician said to me, “If we don’t support each other, who will?” This is love. This love breeds hope.

Such hopeful love is infectious. I can always rely on the support of artists—beautiful people who also possess the insight to know the tangible value of beauty.

Despite any moments of discouragement, I can rely on the beauty created by other musicians and artists to elevate my soul. One day may be bleak. But run a choir rehearsal and by the end of it, my spirit is reliably elevated to its highest point. So much so, that I rarely sleep well after a choir rehearsal. I am so energized and filled with joy that sleep is elusive. But hope is not!

I am filled with gratitude, because the love expressed by other musicians who strive for beauty for God, easily overrides the inevitable discouragement and roadblocks one will encounter. We never hope alone. Nor should we delude ourselves that all depends on us. Instead, we are dependent upon God who lifts us us in our darkest moments.


PRAYER

Overcoming discouragement is not just about riding a “high.” Furthermore, prayer is not just about the “buzz.” Prayer must be habitual, relentless, and persistent. Preparing and creating beauty for God is prayer, and prayer is powerful. Prayer is like Simon who helps carry the cross. This power that helps carry the cross is hope.

We each are called to carry a cross. Not that this justifies unjust treatment or enduring an unprofessional environment. However, we are always tested, and as such strengthened to do God’s will at every turn.

To carry a cross out of love for God and for the Church is to proclaim hope. And think not until death to put this hope of Christ down.

Soli Deo gloria

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 4 May 2026
    A few days ago, the CORPUS CHRISTI WATERSHED Facebook page posted this Gregorian Chant quiz regarding a rubric for the SEQUENCE for the feast of Corpus Christi: “Lauda Sion Salvatórem.” There is no audience more intelligent than ours—yet surprisingly nobody has been able to guess the rubric. Drop me an email with the right answer, and I’ll affirm your brilliance to everyone I encounter!
    —Jeff Ostrowski
    “Rare Photographs” • Hannibal Bugnini
    On 2 September 2025, we included in this article extremely rare photographs of Archbishop Hannibal Bugnini taken in Iran circa 1979. Bugnini had initially been banished by the pope to Uruguay, but he refused to obey. [This is interesting, since Bugnini relied upon ‘blind obedience’ when it came to modifications of the ancient liturgy.] After he refused to obey the order from the pope, Hannibal Bugnini was banished to Iran. You can also watch a short video of Hannibal Bugnini in Iran, dated 10 November 1979. That’s about a week after the USA embassy hostage crisis began in Tehran, and Pope Saint John Paul II had sent the leader of the Iranian Revolution a special letter.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski
    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski

Random Quote

The Princess of the Palatinate once described German Protestantism to Louis XIV with this formula: “In our country, everyone makes up his own little religion.” Every priest, or almost every priest, is at this point today. All the faithful have to say is “Amen.” They are still blessed when the pastor’s religion does not change every Sunday, at the whim of his reading, the foolery he has seen others at, or at his own pure fancy.

— Professor Louis Bouyer (1968)

Recent Posts

  • “Reminder” — Month of May (2026)
  • “Englished” Gregorian Chant • 5 Considerations
  • Simplified Version • “Canon in D” (Pachelbel)
  • PDF Download • “Organ Accompaniment”
  • “Gregorian Chant Quiz” • 4 May 2026

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