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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Discouragement and Hope

Richard J. Clark · December 15, 2017

HE FEAST of Saint John of the Cross (Dec. 14) brings to mind a fragment of a favorite hymn (text by Charles William Everest): Take up thy cross, and follow Christ, Nor think till death to put it down.

Nor think till death to put it down.

This line is sometimes all I can remember.

DISCOURAGEMENT

Life is filled with unexpected discouragement. So much so, that one must expect it, and be prepared to adapt in order to survive. And working as a musician for the Roman Catholic Church is filled with fully predictable discouragement. The Universal Church is infamous for perpetuating an uphill battle to uphold its own musical and liturgical standards. The very Church that shaped nearly all of Western Music over the course of more than a millennium arguably sold out its musical soul in a few short years—a blink of the eye within its own history.

To compound such a global view, the discouraging news plays out locally quite accordingly. I have learned that no position however high profile or prestigious, no amount of longevity, and no accomplishments no matter how extraordinary render one immune from liturgical, musical, and even pastoral ignorance. Colleagues with decades of experience building up beautiful programs are routinely dismissed in further creative endeavors. I witness colleagues who have suffered physical, no less emotional problems from dysfunctional or even toxic work environments in the Church. Changes in leadership or other aspects of one’s professional environment can lead to serious vulnerability.

But this is life. Everyone deals with it in every profession. And the Church is run by humans as flawed and as sinful as me. It’s a wonder the Church has not imploded despite all its efforts to do so.

Yet the Church survives. Faith not only survives but thrives. That the Church is eternal is perhaps proof enough of the Divine. Is this hope?


HOPE

Despite such a cheerless account, so many musicians remain faithful and loyal servants of the Church throughout a lifetime. They relentlessly persist in making and creating extraordinary beauty in service of God and God alone regardless of challenge. By dogged determination, they will this beauty to come into existence. Despite having their hands tied in various aspects, art for God persists. As a result, prayer persists. Beauty perseveres because they love God and they love the Church. This is hope.

Furthermore, I witness colleagues who are deeply supportive of each other. Why? Because they know no other way. As one great musician said to me, “If we don’t support each other, who will?” This is love. This love breeds hope.

Such hopeful love is infectious. I can always rely on the support of artists—beautiful people who also possess the insight to know the tangible value of beauty.

Despite any moments of discouragement, I can rely on the beauty created by other musicians and artists to elevate my soul. One day may be bleak. But run a choir rehearsal and by the end of it, my spirit is reliably elevated to its highest point. So much so, that I rarely sleep well after a choir rehearsal. I am so energized and filled with joy that sleep is elusive. But hope is not!

I am filled with gratitude, because the love expressed by other musicians who strive for beauty for God, easily overrides the inevitable discouragement and roadblocks one will encounter. We never hope alone. Nor should we delude ourselves that all depends on us. Instead, we are dependent upon God who lifts us us in our darkest moments.


PRAYER

Overcoming discouragement is not just about riding a “high.” Furthermore, prayer is not just about the “buzz.” Prayer must be habitual, relentless, and persistent. Preparing and creating beauty for God is prayer, and prayer is powerful. Prayer is like Simon who helps carry the cross. This power that helps carry the cross is hope.

We each are called to carry a cross. Not that this justifies unjust treatment or enduring an unprofessional environment. However, we are always tested, and as such strengthened to do God’s will at every turn.

To carry a cross out of love for God and for the Church is to proclaim hope. And think not until death to put this hope of Christ down.

Soli Deo gloria

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Samaritánæ” (3rd Sunday of Lent)
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF • “Cantus Mariales” (192 pages)
    Andrea Leal has posted an absolutely pristine scan of CANTUS MARIALES (192 pages) which can be downloaded as a PDF file. To access this treasure, navigate to the frabjous article Andrea posted Monday. The file is being offered completely free of charge. The beginning pages of the book have something not to be missed: viz. a letter from Pope Saint Pius X to Dom Pothier, in which the pope calls Abbat Pothier “a man versed above all others in the science of liturgy, and to whom the cause of Gregorian chant is greatly indebted.”
    —Jeff Ostrowski

Quick Thoughts

    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski
    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski

Random Quote

Goupil deserves the name of martyr not only because he has been murdered by the enemies of God and His Church while laboring in ardent charity for his neighbor, but most of all because he was killed for being at prayer and notably for making the Sign of the Cross.

— St. Isaac Jogues (after the martyrdom of Saint René Goupil)

Recent Posts

  • “National Survey” (Order of Christian Funerals) • By the USCCB Secretariat of Divine Worship
  • “Samaritánæ” (3rd Sunday of Lent)
  • Grotesque Pairing • “Passion Chorale”
  • PDF Download • “Ubi Caritas” (SATB)
  • PDF • “Cantus Mariales” (192 pages)

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