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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Cardinal Sarah’s Missing Paragraph…

Jeff Ostrowski · October 3, 2016

ISHOP RENÉ GRACIDA recently posted an article (“I Used To Be A Human Being”) on his personal blog. The author was someone I never heard of—Andrew Sullivan—but I found his article intriguing (and eerily true). Speaking of cell phone addiction, I personally have never been a fan of photography during Mass, and if you carefully examine the speech given by Cardinal Sarah on 5 July 2016, you’ll notice that he condemns in the strongest terms priests taking pictures during Mass. 1

Cardinal Sarah initially said nothing about the laity taking pictures at Mass.

But after the conference ended, Cardinal Sarah published a revised version that included this paragraph:

It is equally a scandal and profanation for the lay faithful to take photographs during the celebration of the Holy Eucharist. They should participate through prayer and not by spending their time taking photos!

The explanation given was that he did not have time to deliver the full comments. 2 However, because pictures were taken during a Mass offered by Cardinal Sarah at the conference where his comments were delivered—and this photograph is particularly beautiful—his comments require interpretation.

In my view, taking judicious photographs at Mass seems acceptable if the intention is to show our brothers and sisters that a particular parish might be worth exploring, and that reverence for the Blessed Sacrament can be found there. This should be only be done with the celebrant’s permission.

Apropos recordings at Mass, the FSSP.la choir was asked to sing for an 8:00am Saturday Mass during a conference by the Society for Catholic Liturgy, which ended last Saturday.

Here we are warming up:


The following are snippets from the actual Mass. Somebody had a pocket recorder in the Soprano section, which means the Soprano line sometimes comes through too loud. I apologize for the poor quality of the recording, but I hope anyone looking to join a Roman Catholic choir will give us a look:

    * *  Mp3 “Live” • KYRIE (Guerrero)

    * *  Mp3 “Live” • GLORIA (Viadana)

    * *  Mp3 “Live” • ALLELUIA (Guerrero)

    * *  Mp3 “Live” • HYMN TO THE SACRED TRINITY (Guerrero)

    * *  Mp3 “Live” • SANCTUS (Guerrero)

    * *  Mp3 “Live” • AGNUS DEI (Guerrero)

In spite of my aversion to photography during Mass (SEE ABOVE), I did snap a quick shot:

973 Society for Catholic Liturgy


Afterwards I was sorry more wasn’t recorded. Some of the contemporary pieces (as well as the SATB hymns) were sung very well. But that’s how the cookie crumbles!



NOTES FROM THIS ARTICLE:

1   If you scroll to the very bottom of an article by Daniel Craig, you’ll see the shocking photograph that may have been the catalyst for Cardinal Sarah’s comments.

2   Some have suggested Cardinal Sarah omitted that paragraph in order not to offend those at the conference, because photographs were being taken—just as they are routinely taken at the Vatican. While I have no reason to doubt the official explanation, I couldn’t help noticing that the missing paragraph would have required only about 11 seconds to include.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Photographs At Mass, Photos During Mass, Reform of the Reform, Robert Cardinal Sarah, Society for Catholic Liturgy Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Atténde Dómine”
    Although it isn’t nearly as ancient as other hymns in the plainsong repertoire, Atténde Dómine, et miserére, quía peccávimus tíbi (“Look down, O Lord, and have mercy, for we have sinned against Thee”) has become one of the most popular hymns for LENT—perhaps because it was included in the famous Liber Usualis of Solesmes. This musical score (PDF file) has an incredibly accurate version in English, as well as a nice version in Spanish, and also the original Latin. Although I don’t claim to have a great singing voice, this morning I recorded this rehearsal video.
    —Jeff Ostrowski
    Music List • (1st Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I’ve prepared for this coming Sunday—22 February 2026—the 1st Sunday of Lent (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the outstanding feasts website alongside the official texts in Latin. I spent an enormous amount of time preparing this ORDER OF MUSIC—because the children’s choir will join us—and some of its components came out great. For example, the COMMUNION ANTIPHON with Fauxbourdon is utterly resplendent, yet still ‘Lenten’.
    —Jeff Ostrowski
    2-Voice Arrangement for Lent
    Those seeking a two-voice arrangement for LENT and PASSIONTIDE should click here and scroll down. It’s based on number 775 in the Brébeuf Hymnal, with an enchanting melody written by Kevin Allen (the legendary American composer of sacred music). That text—“Pendens In Crucis Cornibus”—is often used for the Feast of our Lady of Sorrows. That link is important because, in addition to the musical score, it provides free rehearsal videos for each individual voice: something volunteer choirs appreciate!
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“We decided to entrust this work to learned men of our selection. They very carefully collated all their work with the ancient codices in Our Vatican Library and with reliable, preserved or emended codices from elsewhere. Besides this, these men consulted the works of ancient and approved authors concerning the same sacred rites; and thus they have restored the Missal itself to the original form and rite of the holy Fathers.”

— ‘Pope St. Pius V (Quo Primum, 1570)’

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  • Music List • (1st Sunday of Lent)

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