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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Composing Saves My Life

Richard J. Clark · May 20, 2016

OMETIMES I HAVE a lot on my mind. We all do. All the time. Sometimes prayer is hard to come by—even when we are in church all the time. (Present in body, but the spirit is asleep like the apostles at Gethsemane.)

There are struggles that preoccupy our lives. There are crosses to bear—crosses unique to each one of us. Interestingly, those crosses are the very things that God calls us to carry in order to serve him better.

Then I look at the crosses others must carry and I realize mine is but a feather. It gives me more than enough strength to carry on. It had better.

As if that was not enough, at discouraging moments, I am pleasantly surprised by sudden opportunities to compose something new, and see it through to the end. As a father of four and working two church jobs, having ample time to compose is something of a miracle. Miracles do happen, and they routinely save my life. For nothing awakens my soul or me happier than composing.

UT COMPOSING IS A HUGE STRUGGLE for me. It is not a blissful, rapturous process. The image of composers in a trance is total garbage—at least it is for me. When I begin writing, the music is dreadful. Horrible. A colossal waste of your time. Perhaps it is complete hubris that I can come up with something of value. Then by sheer will I chip away at the wretched dumpster fire of incongruence on the page. But there is a sense of purpose—a sense of deep longing. I keep faith that frustration and futility is part of the process. Slowly one or two hopeful elements emerge. Maybe one or two more will follow. And so on.

Here is the purpose that languidly surfaces with each revised note: Composing is a form of prayer. It is a form of service to God, the Church, and if we are fortunate, to humanity. It points to something greater and not to oneself. I hope.

This week, I’ve been fortunate to dig into some projects in the midst of some professional and personal interruptions. It is a joyful reminder that God is at the very center of my life. He is in charge of it all. Not me. For this I am relieved and grateful, because If I’m in charge, my soul would look like the veritable dumpster fire that are my initial drafts of composition. Like the creative process, the purification and refinement of one’s souls is a process too.

I have some work to do. So do you. God calls and sustains you because he loves you.

Soli Deo gloria

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Reminder” — Month of December (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Dr. Mahrt explains the ‘Spoken’ Propers
    In 1970, the Church promulgated a new version of the Roman Missal. It goes by various names: Ordinary Form, Novus Ordo, MISSALE RECENS, and so on. If you examine the very first page, you’ll notice that Pope Saint Paul VI explains the meaning of the ‘Spoken Propers’ (which are for Masses without singing). A quote by Dr. William P. Mahrt is also included in that file. The SPOKEN PROPERS—used at Masses without music—are sometimes called The Adalbert Propers, because they were created in 1969 by Father Adalbert Franquesa Garrós, one of Hannibal Bugnini’s closest friends (according to Yves Chiron).
    —Jeff Ostrowski
    PDF • “Music List” (1st Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 30 November 2025, which is the 1st Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is quite memorable, and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

“What matters is to prefer God to all else; to be ready to sacrifice all, rather than commit one sin.”

— Cardinal Merry Del Val (shortly before his death)

Recent Posts

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  • “Translations Approved for Liturgical Use”
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  • Dr. Mahrt explains the ‘Spoken’ Propers

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