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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Rite of Marriage, Second Edition

Fr. David Friel · March 13, 2016

MPLEMENTATION of the revised rite of marriage has been set. The text, now entitled the Order of Celebrating Matrimony, is mandatory for use beginning December 30, 2016, the Feast of the Holy Family of Jesus, Mary, and Joseph. The new texts may optionally be used beginning September 8, 2016.

So, what is actually new in this second edition? There are a number of revised elements, as well as a couple of new additions.

First, as noted above, the name of the ritual book has been changed from Rite of Marriage to Order of Celebrating Matrimony. Additionally, the opening notes (or Praenotanda) have been significantly expanded to further explain the theology of Holy Matrimony (now composed of 44 paragraphs, compared with the 18 in the first edition).

Following the entrance procession, the ritual now calls for an introduction to be given by the celebrant. Two sample addresses will appear in the ritual. Just over a year ago, I attended a workshop by Msgr. Richard Hilgartner, executive director of the USCCB Secretariat for Divine Worship. During the workshop, he read to us one of these sample addresses, and it impressed me as a very beautiful and understandable précis on the theology of Holy Matrimony.

The new order makes it clearer that the Penitential Act is to be omitted and that the Gloria is always included at a nuptial Mass. This latter change originally came into force with the 2011 Roman Missal, but it is now being clarified.

The exchange of consent will incorporate two changes. First, there will be a new alternate form that calls upon Abraham, Isaac, and Jacob, together with Adam and Eve. Additionally, immediately after the consent is given, a dialogue has been added between the priest & people. The celebrant will say, “Let us bless the Lord,” and the whole assembly will be invited to respond, “Thanks be to God.”

The special remembrance of the newly married couple that was already supplied for the Roman Canon has been matched by similar inclusions for Eucharistic Prayers II and III. There will also be two separate sets of recommended general intercessions included in the rite.

Finally, within each of the four nuptial blessings, there will now be an explicit epiclesis that says: “Send down on them the grace of the Holy Spirit and pour your love into their hearts, that they may remain faithful in the Marriage covenant.”

HIS NEW EDITION will also incorporate two new appendices and two new adaptations. The first new appendix is called an “Order of Blessing an Engaged Couple.” This might be used with benefit as part of parish Pre-Cana programs. The other new appendix will be called the “Order of Blessing a Married Couple within Mass on the Anniversary of Marriage.” Included herein will be sample formulae for the renewal of vows and the blessing of rings (either for the original rings or for new rings).

The two new adaptations will be in addition to the one adaptation already approved in the present ritual (the optional phrasing for the exchange of consent that mentions “for richer or poorer,” etc.). The new adaptations will be for the blessing and giving of the arras (coins) and the blessing and placing of the lazo (veil), both traditions that are popular among couples of Mexican, Filipino, and Spanish descent.

For more information on the significance of the arras and lazo traditions, I highly recommend a very informative article by Michael P. Foley published in Antiphon, journal of the Society for Catholic Liturgy. His article appears in Vol. 18 (2014), no. 2, pp. 115-143, coincidentally two articles before my own article on the Propriety of the Propers.

Apart from the rubric concerning the singing of the Gloria, which has been in force for some time now, these new changes do not seem to affect much regarding the music at nuptial Masses and ceremonies. The changes are, however, significant. It remains to be seen what the published versions of this second edition will look like.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Catholic Wedding Nuptial Mass Music, Nuptial Mass, Society for Catholic Liturgy, USCCB Secretariat of Divine Worship Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Simplified Accomp. • Schubert’s “Ave Maria.”
    Sometimes the organist must simultaneously serve as the CANTOR. (Those who work in the field of church music know exactly what I’m talking about.) One of our contributors composed this simplified keyboard accompaniment for Franz Schubert’s “Ave Maria,” a piece which is frequently requested for Catholic funerals and weddings. In terms of the discussion about whether that piece is too theatrical (‘operatic’) for use in Church, I will leave that discussion to others. All I know is, many church musicians out there will appreciate this simplified version.
    —Jeff Ostrowski
    “Reminder” — Month of April (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Accompaniment (Easter Hymn)
    Number 36 in the Brébeuf Hymnal is “At the Lamb’s high feast we sing,” an English translation for Ad Cenam Agni Próvidi (which was called “Ad Régias Agni Dapes” starting in 1631). As of this morning, you can download a simplified keyboard accompaniment for it. Simply click here and scroll to the bottom. Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult—which explains why choirmasters appreciate these simplified keyboard accompaniments. Sadly, many readers will click that link but forget to scroll to the bottom where the simplified PDF file is located.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

Random Quote

Far from dreading an encounter with the Iroquois, Fr. Garnier often told us he would be quite content to fall into their hands and remain their prisoner if—while they were torturing him—he at least had a chance of instructing them as long as his torments lasted. If they allowed him to live, it would afford him a golden opportunity to work for their conversion, which was now impossible, since the gateway to their country was closed as long as they were our enemies.

— Father Ragueneau (Jesuit Relations)

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