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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Positive Impact Of Parish Events

Dr. Alfred Calabrese · June 30, 2016

384 bell tower S CATHOLIC MUSICIANS we are fortunate that there are an increasing number of wonderful symposiums, workshops, colloquia, and festivals in this country and abroad that provide us the opportunity to learn about the availability and performance of music appropriate for the sacred liturgy. Most of these gatherings are sponsored by national or international organizations whose reach and impact is vast. We are blessed that such organizations exist and are run so well. But can something on a smaller scale happen at the parish level?

Work and family issues have kept me from posting here for the last couple of months. But I now want to share with you two back-to-back events that I was fortunate enough to be involved with that took place in May. Both were parish-driven events that had a profound impact on the people that attended and on the life of the parishes in which they were held.

The first was the conference that my colleagues and I at St. Rita in Dallas convened, “High Above the Stars: Sainthood, Beauty, and Catholic Artistic Expression.” I had written previously about this conference and world premiere here on this site. The second was the Sacred Music Symposium held by the FSSP parish in West Hollywood, where I was honored to have been asked by Jeffrey Ostrowski to serve as one of the clinicians and conductors. Both of these events were initiated at the parish level and fed the musical and spiritual needs of, together, well over 1,000 souls.

I bring this up not to advertise or to self-congratulate, but to encourage. David Clayton, one of the distinguished speakers at our Dallas conference, was, as he said, “blown away” that such a major event could take place at the parish level. He told me that this was the way things could and should be done, that this was a model for others to try. I felt the same way about the Sacred Music Symposium in LA. It was a wonderful experience for everyone. Not every parish needs to produce a major conference, create a website, advertise nationally, and take two years to do it. But here are some things that can be done at the parish level: commission a new three-minute motet or a new piece of art; organize a reading session of seasonal choral music; invite a chant expert to come in for a Saturday morning workshop for choir directors; hold a three to five day summer camp for children; bring in a lecturer from a local university to talk to the parish about your patron saint; dig through the church archives and organize a talk or small conference about the history and architecture of your church. These are only some ideas, and many of them would pay for themselves.

Is this a lot of work? Yes. Will you lose some sleep before it’s finished? Yes. Will it be worth it? Absolutely. I am convinced, after my experiences in May with these two events, that David Clayton is right. Things like this can and should happen at the parish level. This is where we can really feel God’s presence and blessing on our efforts.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Alfred Calabrese

Dr. Alfred Calabrese is Director of Music and Liturgy at St. Rita Catholic Church in Dallas, TX. He and his wife have two children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    ‘Bogey’ of the Half-Educated: Paraphrase
    Father Adrian Porter, using the cracher dans la soupe example, did a praiseworthy job explaining the difference between ‘dynamic’ and ‘formal’ translation. This is something Monsignor Ronald Knox explained time and again—yet even now certain parties feign ignorance. I suppose there will always be people who pretend the only ‘valid’ translation of Mitigásti omnem iram tuam; avertísti ab ira indignatiónis tuæ… would be “You mitigated all ire of you; you have averted from your indignation’s ire.” Those who would defend such a translation suffer from an unfortunate malady. One of my professors called it “cognate on the brain.”
    —Jeff Ostrowski
    Father Cuthbert Lattey • “The Hebrew MSS”
    Father Cuthbert Lattey (d. 1954) wrote: “In a large number of cases the ancient Christian versions and some other ancient sources seem to have been based upon a better Hebrew text than that adopted by the rabbis for official use and alone suffered to survive. Sometimes, too, the cognate languages suggest a suitable meaning for which there is little or no support in the comparatively small amount of ancient Hebrew that has survived. The evidence of the metre is also at times so clear as of itself to furnish a strong argument; often it is confirmed by some other considerations. […] The Jewish copyists and their directors, however, seem to have lost the tradition of the metre at an early date, and the meticulous care of the rabbis in preserving their own official and traditional text (the ‘massoretic’ text) came too late, when the mischief had already been done.” • Msgr. Knox adds: “It seems the safest principle to follow the Latin—after all, St. Jerome will sometimes have had a better text than the Massoretes—except on the rare occasions when there is no sense to be extracted from the Vulgate at all.”
    —Jeff Ostrowski
    “Music List” • 9 Nov. (Dedic. Lateran)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 9 November 2025, which is the Dedication of the Lateran Basilica. If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the sensational feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

“The Night Office—Nocturns or Matins—except for Holy Week, Easter Octave, and Christmas, has never appeared in the Vatican edition. The larger part of the mediaeval repertory for the Office thus remains still unpublished in the Vatican edition, and is likely to remain so, for the obvious reason that almost no cathedral chapters or monastic choirs sing the Night Office regularly today.”

— John Merle Boe (1968)

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