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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Positive Impact Of Parish Events

Dr. Alfred Calabrese · June 30, 2016

384 bell tower S CATHOLIC MUSICIANS we are fortunate that there are an increasing number of wonderful symposiums, workshops, colloquia, and festivals in this country and abroad that provide us the opportunity to learn about the availability and performance of music appropriate for the sacred liturgy. Most of these gatherings are sponsored by national or international organizations whose reach and impact is vast. We are blessed that such organizations exist and are run so well. But can something on a smaller scale happen at the parish level?

Work and family issues have kept me from posting here for the last couple of months. But I now want to share with you two back-to-back events that I was fortunate enough to be involved with that took place in May. Both were parish-driven events that had a profound impact on the people that attended and on the life of the parishes in which they were held.

The first was the conference that my colleagues and I at St. Rita in Dallas convened, “High Above the Stars: Sainthood, Beauty, and Catholic Artistic Expression.” I had written previously about this conference and world premiere here on this site. The second was the Sacred Music Symposium held by the FSSP parish in West Hollywood, where I was honored to have been asked by Jeffrey Ostrowski to serve as one of the clinicians and conductors. Both of these events were initiated at the parish level and fed the musical and spiritual needs of, together, well over 1,000 souls.

I bring this up not to advertise or to self-congratulate, but to encourage. David Clayton, one of the distinguished speakers at our Dallas conference, was, as he said, “blown away” that such a major event could take place at the parish level. He told me that this was the way things could and should be done, that this was a model for others to try. I felt the same way about the Sacred Music Symposium in LA. It was a wonderful experience for everyone. Not every parish needs to produce a major conference, create a website, advertise nationally, and take two years to do it. But here are some things that can be done at the parish level: commission a new three-minute motet or a new piece of art; organize a reading session of seasonal choral music; invite a chant expert to come in for a Saturday morning workshop for choir directors; hold a three to five day summer camp for children; bring in a lecturer from a local university to talk to the parish about your patron saint; dig through the church archives and organize a talk or small conference about the history and architecture of your church. These are only some ideas, and many of them would pay for themselves.

Is this a lot of work? Yes. Will you lose some sleep before it’s finished? Yes. Will it be worth it? Absolutely. I am convinced, after my experiences in May with these two events, that David Clayton is right. Things like this can and should happen at the parish level. This is where we can really feel God’s presence and blessing on our efforts.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Alfred Calabrese

Dr. Alfred Calabrese is Director of Music and Liturgy at St. Rita Catholic Church in Dallas, TX. He and his wife have two children.—(Read full biography).

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President’s Corner

    Season’s End Repertoire
    Looking at the REPERTOIRE SHEET until the end of the choral season, I see that I’ve fallen behind schedule. (The last three months have been extraordinarily busy.) As you know, I have been providing organ harmonies for all the ENTRANCE CHANTS—as well as rehearsal videos—and you can see I’m behind where I planned to be. Now I must make up lost ground. However, the choir picks up the ENTRANCE CHANT with ease, so I’m sure it will all work out. My ‘unofficial’ harmonizations are being posted each week at the flourishing feasts website.
    —Jeff Ostrowski
    PDF Download • “Funeral Procession”
    From a mediæval Book of Hours, I was sent this glorious depiction of a Roman Catholic funeral procession by Simon Bening (d. 1561). The image resolution is extremely high. I’m not sure I know of a more beautiful illustration of a mediæval church. And I love how the servers are wearing red and pink cassocks!
    —Jeff Ostrowski
    Simplified Accomp. • Schubert’s “Ave Maria.”
    Sometimes the organist must simultaneously serve as the CANTOR. (Those who work in the field of church music know exactly what I’m talking about.) One of our contributors composed this simplified keyboard accompaniment for Franz Schubert’s “Ave Maria,” a piece which is frequently requested for Catholic funerals and weddings. In terms of the discussion about whether that piece is too theatrical (‘operatic’) for use in Church, I will leave that discussion to others. All I know is, many church musicians out there will appreciate this simplified version.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

Random Quote

“Our Christian people regard with great joy everything that contributes to the splendor of the ceremonies. Jesus—who was poor in His private life—received ointment on His feet. See Thomas Aquinas (Prima Secundae, q. 102, art. 5, ad 10) and the holy Curé of Ars. The Church has always loved beautiful churches, and so forth. We must preserve our sacred patrimony and make sure sacred objects do not become secular possessions.”

— Abbot & Council Father denouncing “noble simplicity” during Vatican II

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