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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Colloquium 2016 • Day 2

Fr. David Friel · June 22, 2016

OLLOQUIUM participants had a wonderful day on Tuesday. For those who have never attended a Colloquium, the general format involves morning chant rehearsals and afternoon polyphony rehearsals. Mixed in are usually a keynote address and a variety of breakout sessions. In the late afternoon, the chant and polyphony choirs sing the music they have been rehearsing for the day’s Mass.

The chant choir I chose this year is the one led by Wilko Brouwers. I have sung with him before, and my strongest recollection is that he is a man of many images. In our first rehearsal, he came through with several new images to help express certain points he was making. I’ll share with you just two of them.

First, Maestro Wilko was speaking to us about the natural pace of the chant. He encouraged us to think of every chant as a reaching out to what lies beyond, as if, he said, the most important note is just ahead, just around the next corner. In that way, the chanting stays lively throughout and maintains good pace.

The second image he gave concerns how to handle incipits. We were singing an introit, and when it came to the psalm verse, he paused our group of cantors at the incipit. Sometimes, he warned us, there is a tendency to give too much attention to these initial clusters of notes. When singing a psalm tone, though, Brouwers encouraged us to begin with a certain buoyancy that longs to reach the reciting tone. He compared singing the incipit to holding a ball under water and releasing it. Just as the ball moves in a clear and eager direction toward the surface, so should the chanter have a destination beyond the incipit in mind.

In the breakouts, I attended the new music session, moderated by David Hughes. There were no ladies in attendance, but a few talented male singers enabled us to sing through some SATB pieces. One piece I especially enjoyed was a setting of the Reproaches by Dr. Peter Kwasniewski. Once the piece is polished to his satisfaction, I hope someday he will publish this new work.

Mass was celebrated beautifully by Fr. Jason Schumer, who has served as a professor of liturgy at Kenrick-Glennon Seminary. In his homily, he reminded us of deeply significant words from the Second Vatican Council’s Constitution on the Sacred Liturgy. He referenced this statement of the council fathers:

Every liturgical celebration, because it is an action of Christ the priest and of His Body which is the Church, is a sacred action surpassing all others; no other action of the Church can equal its efficacy by the same title and to the same degree. (Sacrosanctum Concilium #7)

It is important for us to remember that nothing we do in life is greater than the worship we offer to God. It is the constant worship of God, after all, that is the life of heaven.

Much more lies in store during our days in Saint Louis. I look forward to sharing my highlights soon!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Church Music Association of America CMAA, Gregorian Chant, Sacred Music Colloquium Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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President’s Corner

    “Samaritánæ” (3rd Sunday of Lent)
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF • “Cantus Mariales” (192 pages)
    Andrea Leal has posted an absolutely pristine scan of CANTUS MARIALES (192 pages) which can be downloaded as a PDF file. To access this treasure, navigate to the frabjous article Andrea posted Monday. The file is being offered completely free of charge. The beginning pages of the book have something not to be missed: viz. a letter from Pope Saint Pius X to Dom Pothier, in which the pope calls Abbat Pothier “a man versed above all others in the science of liturgy, and to whom the cause of Gregorian chant is greatly indebted.”
    —Jeff Ostrowski

Quick Thoughts

    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski
    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski

Random Quote

“For the Pharisees, and all the Jews, except they wash their hands, eat not, holding the tradition of the elders”—is that English idiom? “For the Nazis, and all the Germans, except they say Heil Hitler! meet not in the street, holding their lives valuable”—is that English idiom?

— Monsignor Ronald Knox

Recent Posts

  • “National Survey” (Order of Christian Funerals) • By the USCCB Secretariat of Divine Worship
  • “Samaritánæ” (3rd Sunday of Lent)
  • Grotesque Pairing • “Passion Chorale”
  • PDF Download • “Ubi Caritas” (SATB)
  • PDF • “Cantus Mariales” (192 pages)

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