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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Has Our Catholic Culture Been Completely Dismantled?

Dr. Alfred Calabrese · August 31, 2016

160 Calabrese RECENTLY watched a two-part special on JFK that focused on his early political campaigns through to his presidency. My wife and I noted that his speech, and that of his colleagues and opponents, was nothing like the political discourse of today. Their words were almost always refined and elegant. They were masters of the language. It was beautiful to hear, and it was inspiring. Kennedy’s speeches in particular, with phrases such as “ask not what your country can do for you, ask what you can do for your country,” or “sending a man to the moon and returning him safely to the earth, not because it is easy but because it is hard” and “we must never forget that art is not a form of propaganda; it is a form of truth” were important because they assumed that most listeners would understand that striving for excellence is important and that not everything should be so watered down as to be easy or require no effort.

Kennedy (no matter what you think of his politics) spoke in a way that befitted his office. His speech had a cadence and rhythm that made it elevated and aspirational. Further, his wife beautified the White House so that all would recognize it as an almost ‘sacred’ place, worthy of only the best our culture had to offer. She invited the most important musicians and artists to perform there, not because it was her preference, but because it showed that a great country should support and sustain its culture. The use of language, the promotion of beauty, and the aspirational speech galvanized the people of the nation. A bar was raised that made the people proud of their country, aware of their rich cultural heritage, and helped all to appreciate excellence. Today, many would say that we no longer care about excellence, art, beauty, and a sense of the sacred; that we no longer know how to use elevated and respectful speech; and that we have squandered the pride of our rich cultural heritage. Many would say that our country has suffered greatly for these losses.

Our Church has lost many of the same things.

Our Catholic aspirations are much higher than even those of a great nation. Our aspiration is to get to heaven—period. Many people who will read this article have already experienced these losses. They know about the climate and discourse in so many of our parishes and on the internet. Still others will never have known about our rich cultural heritage except by attending a symposium or seminar.

So here is the question: has the kind of speech that has been foisted on the liturgy under the guise of ‘contemporary’ music, and has the loss of great art and architecture, the dismissal of a refined and elegant language, and the lack of aspirational speech focused on excellence led to a dismantling of our Catholic culture?

Excellence, beauty, elegant speech, lofty ideas. Where can these be found? What is our Catholic culture? Perhaps excellence and beauty can be found in the sacred music of chant and polyphony, which the Church tells us should hold pride of place in our liturgies. Perhaps elevated and inspirational language can be found in the sung dialogues of the priest and people, and in the newly refined Collects of the Roman Missal. Perhaps a sense of the sacred can be revived in the way the priests, deacons, and servers might comport themselves during Mass. Perhaps our culture can be saved by allowing people to once again experience the wonder of traditional vestments, by adorning our churches with beautiful art, by building new churches with architecture worthy of a sacred place, and by singing chant and sacred polyphony on a regular basis. Perhaps the 50-year experiment of singing “songs” with words about us, instead of sacred words about God, has led us to lose our focus. Perhaps.

“We must never forget that art is not a form of propaganda; it is a form of truth.”

Perhaps this is about truth.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Alfred Calabrese

Dr. Alfred Calabrese is Director of Music and Liturgy at St. Rita Catholic Church in Dallas, TX. He and his wife have two children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 4 May 2026
    A few days ago, the CORPUS CHRISTI WATERSHED Facebook page posted this Gregorian Chant quiz regarding a rubric for the SEQUENCE for the feast of Corpus Christi: “Lauda Sion Salvatórem.” There is no audience more intelligent than ours—yet surprisingly nobody has been able to guess the rubric. Drop me an email with the right answer, and I’ll affirm your brilliance to everyone I encounter!
    —Jeff Ostrowski
    “Rare Photographs” • Hannibal Bugnini
    On 2 September 2025, we included in this article extremely rare photographs of Archbishop Hannibal Bugnini taken in Iran circa 1979. Bugnini had initially been banished by the pope to Uruguay, but he refused to obey. [This is interesting, since Bugnini relied upon ‘blind obedience’ when it came to modifications of the ancient liturgy.] After he refused to obey the order from the pope, Hannibal Bugnini was banished to Iran. You can also watch a short video of Hannibal Bugnini in Iran, dated 10 November 1979. That’s about a week after the USA embassy hostage crisis began in Tehran, and Pope Saint John Paul II had sent the leader of the Iranian Revolution a special letter.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski
    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski

Random Quote

A priest celebrating the Mass “ad orientem” is no more turning his back on the people than a teacher leading her students in the “Pledge of Allegiance” is slighting them by turning her back on them and facing the flag with them.

— Archbishop Salvatore Cordileone (6 April 2025)

Recent Posts

  • “Reminder” — Month of May (2026)
  • “Englished” Gregorian Chant • 5 Considerations
  • Simplified Version • “Canon in D” (Pachelbel)
  • PDF Download • “Organ Accompaniment”
  • “Gregorian Chant Quiz” • 4 May 2026

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