About this blogger:
A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004), and did graduate work in Musicology. He serves as choirmaster for the new FSSP parish in Los Angeles, where he resides with his wife and children.
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“The problem of the new Missal resides in its departure from the continuous history which was going on before and after Pius V, and that it creates definitely a new book (although with old material). Its appearance is accompanied by a type of prohibition of what was traditional, being such a type of prohibition alien to the ecclesiastical history of law and of liturgy. From my personal knowledge of the conciliar debates and from the repeated reading of the speeches of the Fathers of the Council, I can say with certainty, that this was not intended by them.”
— Cardinal Ratzinger, Letter to Wolfgang Waldstein (14 December 1976)

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Dazzling Canon • “Adoremus in Aeternum”
published 23 April 2016 by Jeff Ostrowski

OPE SAINT JOHN PAUL II wrote famously on 22 November 2003: “Regarding liturgical music, I make my own the rule of Saint Pius X: The more closely a composition for church approaches in its movement, inspiration, and savor the Gregorian melodic form, the more sacred and liturgical it becomes; and the more out of harmony it is with that supreme model, the less worthy it is of the temple.”

A perfect example is the following contrafactum, in which Guerrero brilliantly transforms a Gregorian melody (“Beata Mater”) into a canon between Soprano and Alto:

    * *  PDF Download • “Adorémus in Aetérnum” (Guerrero)

REHEARSAL VIDEOS :

EQUAL VOICES : YouTube   •   Mp3 Audio

SOPRANO : YouTube   •   Audio

ALTO : YouTube   •   Audio

TENOR : YouTube   •   Audio

BASS : YouTube   •   Audio


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