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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

World Meeting of Families 2015 & the Papal Visit to Philadelphia — Part 2 of 2

Fr. David Friel · October 18, 2015

T HAS BEEN one month since the World Meeting of Families began here in Philadelphia. Last week, I shared some behind-the-scenes photos of the events. This week, as promised, I will share with you the final words of admonition from Msgr. Marini before the papal Masses began.

Several months of planning go into a papal liturgy, particularly when it is to be celebrated abroad during an Apostolic journey. The first plans for the recent liturgies in Washington D.C., New York, and Philadelphia were presented to Msgr. Marini’s office in the spring. In early September, Marini and several assistants travelled to each city to see the various places that would be used for the liturgies and to make necessary changes. Then, during the week of the Holy Father’s visit, several more practices were held before each liturgy, each time resulting in further adjustments and refinements.

Msgr. Guido Marini serves as the chief Master of Ceremonies for liturgical celebrations in the presence of the Holy Father. There are also eight additional MC’s who assist with papal liturgies. Among them, Msgr. Marini is known as “the Maestro.” Accompanying Marini on the visit to Cuba and the USA were Msgr. Vincenzo Peroni and Msgr. John Cihak.

Before the large papal Masses in the Cathedral Basilica of Ss. Peter & Paul and on the Benjamin Franklin Parkway, Msgr. Marini met briefly with the seminarian servers and deacons in the sacristy to offer some final reflections before the start of the liturgies. As the MC working with the deacons, I had the opportunity to listen in to the Maestro’s final encouragement. The fervorino was similar both days, with Marini speaking in Italian as Msgr. Cihak translated into English. What follows are not direct quotes, but a good paraphrase of the three major points made by Marini:

1. We are preparing in a few moments to enter into the sacred liturgy. At this particular Mass, we will also be in the presence of the Holy Father, Pope Francis, which can cause us to be nervous. But I encourage you to enter into this Mass with a spirit of humility and faith. In many ways, the world looks upon the Holy Father as just another celebrity, no different from great athletes and rockstars and other famous personages. But that is not how we, as people of faith, look upon him. The Holy Father is the successor of Saint Peter, the Vicar of Christ on earth. When the Holy Father speaks, he speaks for God, and so we listen with what St. Paul calls “the obedience of faith.” It is a great honor to be in the presence of Peter and an even greater honor to serve the liturgy.

2. The sacred liturgy is much like the scene of the burning bush. You remember how in the Book of Exodus, the Lord reveals Himself through a bush that is flaming, yet not consumed. That image is a symbol of God’s self-revelation, His personal manifestation of Himself to mankind. This happens also in the sacred liturgy. God reveals Himself to us so that we might come to know Him and love Him more deeply.

3. There is another passage in Exodus that teaches us about the meaning of the liturgy. In Exodus 34, Moses goes before the Lord, face-to-face. Upon returning to the people, Moses face is seen to be radiant. It is still filled with the fullness of God’s light. It is shining with the splendor of God, which Moses had experienced in a moment of privileged encounter. This is what happens in the sacred liturgy. We should serve the liturgy (and leave the liturgy) with a certain radiance. It should stir up within us a deep, interior joy—not an ebullient joy that attracts attention to itself, but the sort of joy that humbly reflects upon the favors received from God.

These reflections are profound in themselves. What struck me most about them, though, was not their actual content, but their spirit. With moments to go before the beginning of very large, high-profile Masses, the focus of Msgr. Marini’s remarks was not on practical details. In fact, his focus was entirely impractical and spiritual. Having attended to so many practical details in the months & days & hours leading up to these liturgies, the papal MC challenged each of us to go deeper and to experience the sacred liturgy in the same way Moses experienced the burning bush. He used these moments not as a time for reminders and corrections, but as a time for prayer and spiritual encouragement.

Sacred musicians, sacristans, MC’s, and so many others who take part in preparing liturgies at the parish level could learn from Msgr. Marini’s good example. Let’s put forth our best efforts and be diligent in all of our preparations, for sure. When we enter the sacred liturgy, however, remember that the essence of what we do remains a spiritual reality.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Msgr Guido Marini, Pope Francis Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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President’s Corner

    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    “Samaritánæ” (3rd Sunday of Lent)
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That is the university Fulton J. Sheen went to, as well as Dr. Myrna Keough.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski
    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed

Random Quote

Thus in 1905 the Vatican Kyriale appeared with rhythmic signs and the following legend: “Præsens exemplar, rhythmicis signis a Solesmensibus monachis ornatum, typicae Vaticanæ editioni de cætero plane conforme repertum est.” (This copy, provided with rhythmic signs by the monks of Solesmes, completely agrees in every other respect with the Vatican original.)

— Dom Gregory Hügle, OSB

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