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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Church Must Be Countercultural

Dr. Alfred Calabrese · October 15, 2015

321DraperTallLaren3 NE DAY A YEAR OR SO AGO a priest was consulting with a bride on her upcoming wedding. She couldn’t understand why he wasn’t allowing a popular song to be sung during her nuptial Mass. The title sounded sort of sacred, something about ‘raising you up.’ And it was a nice melody, everybody knew it, and it meant a lot to her, and…The young priest finally asked her, “Would you like to have the Ave Maria sung at your reception?” Then she understood that there’s a time and a place for everything. And despite what the popular culture tells us, all things are not equal.

Letting the popular culture into the Mass is dangerous. The Church has been and needs to be countercultural. Consider the generation of Catholics who came of age in the heyday immediately following the implementation of Vatican II. I find it both interesting and ironic that many from that period thought of themselves as countercultural. They were cutting edge, agents of change, new and exciting. The future lay before them and they were shaping it. No innovation was too great for the seismic shift they envisioned for the Catholic Church.

All around this swirl of activity the secular culture was changing as well. In the Church, a vacuum of available music was filled with pop and folk inspired songs. I remember walking into church one summer Sunday and seeing kids from my high school standing up in front with guitars. They were singing music that sounded like it was from the radio. (I never listened much to the pop songs of the day, so I really hated what was happening). Of course, since all of this music was “new” and I didn’t really know any of it, I couldn’t participate in the Mass. At that point I had no idea about “actuoso participatio.” It all just felt weird. But at least the kids doing the music seemed like they were having a good time.

Now some (not all, some) of those same countercultural people, those who embraced radical change, those who were so progressive, hip, open-minded and open-armed, are the very same who, when confronted with a resurgence, or gradual re-discovery of chant, Latin, sung dialogues, solemn liturgical practices and gestures, and solid Catholic hymnody, are now rigid and unwilling to accept change. They don’t want the Church to be countercultural.

Thanks to websites like this and many others, the Church is once again becoming countercultural. Except now, the culture it’s turning away from is the one created by some dubious choices in music, architecture, and sacred language.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Alfred Calabrese

Dr. Alfred Calabrese is Director of Music and Liturgy at St. Rita Catholic Church in Dallas, TX. He and his wife have two children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (4th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 4th Sunday of Lent (15 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has sublime propers. It is most often referred to as “Lætare Sunday” owing to its INTROIT. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • Communion (4th Snd. Lent)
    The COMMUNION ANTIPHON for this coming Sunday, which is the Fourth Sunday of Lent (Year A), is particularly beautiful. There’s something irresistible about this tone; it’s neither happy nor sad. As always, I encourage readers to visit the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski

Quick Thoughts

    Stumped by “Episcopalian Hymnal” (1910)
    Some consider Songs of Syon (1910) the greatest Episcopalian hymnal ever printed. As a Roman Catholic, I have no right to weigh in one way or the other. However, this particular page has me stumped. I just know I’ve heard that tune somewhere! If you can help, please email me. I’m talking about the text which begins: “This is the day the Lord hath made; In unbeclouded light array’d.” The book is by George Ratcliffe Woodward, and its complete title is: Songs of Syon: A Collection of Psalms, Hymns, and Spiritual Songs. Back in 2016, Corpus Christi Watershed scanned and uploaded this insanely rare book. For years our website was the sole place one could download it as a PDF file.
    —Jeff Ostrowski
    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“In my opinion, there should be reached the aim that all priests could continue to use the old Missal.”

— ‘Cardinal Ratzinger, Letter to Wolfgang Waldstein (14 December 1976)’

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