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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Church Must Be Countercultural

Dr. Alfred Calabrese · October 15, 2015

321DraperTallLaren3 NE DAY A YEAR OR SO AGO a priest was consulting with a bride on her upcoming wedding. She couldn’t understand why he wasn’t allowing a popular song to be sung during her nuptial Mass. The title sounded sort of sacred, something about ‘raising you up.’ And it was a nice melody, everybody knew it, and it meant a lot to her, and…The young priest finally asked her, “Would you like to have the Ave Maria sung at your reception?” Then she understood that there’s a time and a place for everything. And despite what the popular culture tells us, all things are not equal.

Letting the popular culture into the Mass is dangerous. The Church has been and needs to be countercultural. Consider the generation of Catholics who came of age in the heyday immediately following the implementation of Vatican II. I find it both interesting and ironic that many from that period thought of themselves as countercultural. They were cutting edge, agents of change, new and exciting. The future lay before them and they were shaping it. No innovation was too great for the seismic shift they envisioned for the Catholic Church.

All around this swirl of activity the secular culture was changing as well. In the Church, a vacuum of available music was filled with pop and folk inspired songs. I remember walking into church one summer Sunday and seeing kids from my high school standing up in front with guitars. They were singing music that sounded like it was from the radio. (I never listened much to the pop songs of the day, so I really hated what was happening). Of course, since all of this music was “new” and I didn’t really know any of it, I couldn’t participate in the Mass. At that point I had no idea about “actuoso participatio.” It all just felt weird. But at least the kids doing the music seemed like they were having a good time.

Now some (not all, some) of those same countercultural people, those who embraced radical change, those who were so progressive, hip, open-minded and open-armed, are the very same who, when confronted with a resurgence, or gradual re-discovery of chant, Latin, sung dialogues, solemn liturgical practices and gestures, and solid Catholic hymnody, are now rigid and unwilling to accept change. They don’t want the Church to be countercultural.

Thanks to websites like this and many others, the Church is once again becoming countercultural. Except now, the culture it’s turning away from is the one created by some dubious choices in music, architecture, and sacred language.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Alfred Calabrese

Dr. Alfred Calabrese is Director of Music and Liturgy at St. Rita Catholic Church in Dallas, TX. He and his wife have two children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Spectacular Communion Setting!
    The FAUXBOURDON setting of the Communion for the Baptism of the Lord (which will occur this coming Sunday) strikes me as quite spectacular. The verses—composed by the fifth century Christian poet, Coelius Sedulius—come from a long alphabetical acrostic and are deservedly famous. The feast of the LORD’S BAPTISM was traditionally the octave day of Epiphany, but in the 1962 kalendar it was made ‘more explicit’ or emphasized. The 1970 MISSALE ROMANUM elevated this feast even further.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 11 January)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Baptism of the Lord (SUNDAY, 11 January 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon—to say nothing of the antiphon itself—are breathtaking. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Epiphany Hymn • “New 2-Voice Arrangement”
    The Von Trapp Family Singers loved a melody that was featured heavily (perhaps even “too heavily”) in the Brébeuf Hymnal. It goes by many names, including ALTONA, VOM HIMMEL HOCH, and ERFURT. If you only have one man and one woman singing, you will want to download this arrangement for two voices. It really is a marvelous tune—and it’s especially fitting during the season of Christmas and Epiphany.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

The Princess of the Palatinate once described German Protestantism to Louis XIV with this formula: “In our country, everyone makes up his own little religion.” Every priest, or almost every priest, is at this point today. All the faithful have to say is “Amen.” They are still blessed when the pastor’s religion does not change every Sunday, at the whim of his reading, the foolery he has seen others at, or at his own pure fancy.

— Professor Louis Bouyer (1968)

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