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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Church Must Be Countercultural

Dr. Alfred Calabrese · October 15, 2015

321DraperTallLaren3 NE DAY A YEAR OR SO AGO a priest was consulting with a bride on her upcoming wedding. She couldn’t understand why he wasn’t allowing a popular song to be sung during her nuptial Mass. The title sounded sort of sacred, something about ‘raising you up.’ And it was a nice melody, everybody knew it, and it meant a lot to her, and…The young priest finally asked her, “Would you like to have the Ave Maria sung at your reception?” Then she understood that there’s a time and a place for everything. And despite what the popular culture tells us, all things are not equal.

Letting the popular culture into the Mass is dangerous. The Church has been and needs to be countercultural. Consider the generation of Catholics who came of age in the heyday immediately following the implementation of Vatican II. I find it both interesting and ironic that many from that period thought of themselves as countercultural. They were cutting edge, agents of change, new and exciting. The future lay before them and they were shaping it. No innovation was too great for the seismic shift they envisioned for the Catholic Church.

All around this swirl of activity the secular culture was changing as well. In the Church, a vacuum of available music was filled with pop and folk inspired songs. I remember walking into church one summer Sunday and seeing kids from my high school standing up in front with guitars. They were singing music that sounded like it was from the radio. (I never listened much to the pop songs of the day, so I really hated what was happening). Of course, since all of this music was “new” and I didn’t really know any of it, I couldn’t participate in the Mass. At that point I had no idea about “actuoso participatio.” It all just felt weird. But at least the kids doing the music seemed like they were having a good time.

Now some (not all, some) of those same countercultural people, those who embraced radical change, those who were so progressive, hip, open-minded and open-armed, are the very same who, when confronted with a resurgence, or gradual re-discovery of chant, Latin, sung dialogues, solemn liturgical practices and gestures, and solid Catholic hymnody, are now rigid and unwilling to accept change. They don’t want the Church to be countercultural.

Thanks to websites like this and many others, the Church is once again becoming countercultural. Except now, the culture it’s turning away from is the one created by some dubious choices in music, architecture, and sacred language.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Alfred Calabrese

Dr. Alfred Calabrese is Director of Music and Liturgy at St. Rita Catholic Church in Dallas, TX. He and his wife have two children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF • Our Lady of Guadalupe (12 Dec.)
    The Responsorial Psalm may be downloaded as a PDF file (organist & vocalist) for 12 December, which is the Feast of Our Lady of Guadalupe. When it comes to the formulary for this Mass, it’s astounding how infrequently it’s included in official books. Prior to Vatican II, one had to search through “supplemental material” printed in the back of hand-missals and graduals. But since 1970, the feast is virtually nonexistent. According to the UNIVERSAL KALENDAR, 12 December is the “Feast of Saint Jane Frances De Chantal, Religious” (Die 12 decembris: S. Ioannæ Franciscæ de Chantal, religiosæ). Why should that feast overpower Our Lady of Guadalupe? In the United States, OLG is celebrated—and I’d assume in Mexico, Central America, South America, and Canada—but, as I said, the Propria Missae are virtually impossible to locate. I possess only three books which mention this feast.
    —Jeff Ostrowski
    Simplified Accompaniment (Advent Hymn)
    Many organists are forced to simultaneously serve as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult. I invite you to download this simplified organ accompaniment (PDF) which in the Father Brébeuf Hymnal is hymn #661: “Come, Thou Long-Expected Jesus” (for ADVENT). I’m toying with the idea of creating a whole bunch of these, to help amateur organists. The last one I uploaded was downloaded more than 2,900 times in a matter of hours—so there appears to be interest.
    —Jeff Ostrowski
    PDF • “Music List” (Immaculate Concep.)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 8 December 2025, the feast of OUR LADY’S IMMACULATE CONCEPTION. If such a thing interests you, feel free to download it as a PDF file. The fauxbourdon setting of the COMMUNION is exquisite. In Latin, the title of this feast is: In Conceptione Immaculata Beatae Mariae Virginis. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    Pope Leo XIV on Sacred Music
    On 5 December 2025, Pope Leo XIV made this declaration with regard to liturgical music.
    —Corpus Christi Watershed
    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed

Random Quote

“It would be a grave error to imagine that the principle orientation of the sacrificial action is towards the community. If the priest celebrates «VERSUS POPULUM», which is legitimate and often advisable, his spiritual attitude ought always to be «VERSUS DEUM PER JESUM CHRISTUM», as representative of the entire Church.”

— Official Vatican Statement (25 September 2000)

Recent Posts

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  • Simplified Accompaniment (Advent Hymn)
  • Pope Leo XIV on Sacred Music
  • (5 Dec. 2025) • Pope Leo XIV Speaks on Liturgical Music

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