• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

Liturgical Happenings at Notre Dame

Fr. David Friel · November 8, 2015

HE FIGHTIN’ IRISH are having a great season. They have an 8-1 record through this weekend and currently sit in first place among FBS Independent Schools.

But another season of football success is not the only good news on campus.

The Basilica of the Sacred Heart at the University of Notre Dame has been the hub of two recent and exciting bits of liturgical news. The first story is about the construction of a brand new pipe organ custom built to match the magnificent space. The second story is about the arrival of Byzantine liturgy on campus.

HE ORGAN PROJECT began back in 2012 and will be completed in the next year. The new organ, which is set to be premiered in December 2016, has four manuals and 70 stops (totaling 5,164 pipes). It is being built by Paul Fritts & Company, an outfit founded in 1979 and based in Tacoma, Wash. In addition to numerous churches of various denominations, Fritts and his team of builders have previously produced instruments for such venerable institutions as the Eastman School of Music, Princeton Theological Seminary, and the Oberlin Conservatory.

Fritts specializes in building organs that are meant primarily to lead congregational singing. For this reason, they model their building technique after the tradition of organbuilding in northern Germany and the Netherlands. Historical research of these organs reveals how they were built and how they were designed to support the music of composers like Bach, Buxtehude, and Sweelinck. This focus is reflected in the stop list of the new Basilica organ. A few sets of pipes representative of other traditions have been selectively added in order to help support the needs of organ performance.

One stipulation made by the organ company was that the carpet in the Basilica would need to be removed, in order to improve the acoustics of the space. That $500,000 project was completed in 2014.

The new instrument is replacing a Holtkamp organ that was installed in 1978, during the era of Father Hesburgh. With only 40 stops (totaling under 3,000 pipes), this organ was judged undersized for the voluminous Basilica, particularly when it is filled with worshippers. The Holtkamp organ will be reinstalled at St. Pius X Church, being newly built about five miles away in Granger, IN. Fritts Opus 40 will be the fifth pipe organ used in this sanctuary since it was built in the 1850’s. It is being donated by a married couple who are parents and grandparents of Notre Dame alumni. 1

ATHER KHALED ANATOLIOS is new to the theology faculty of the University of Notre Dame this semester. A newly-ordained priest of the Melkite Greek Catholic Church, he offered to make the Divine Liturgy available to the student body. The University has taken him up on the offer.

The Liturgy of St. John Chrysostom, used by the Melkite Rite, will be offered one Sunday a month for now in the Basilica of the Sacred Heart. As Father Anatolios settles in, it may be offered more frequently.

Byzantine liturgy is not commonly found on college campuses. There is a Byzantine Catholic Mission at Penn State, and a Ukrainian Catholic shrine sits close to the campus of the Catholic University of America. The monthly Divine Liturgy at Notre Dame, however, seems to be the first regularly scheduled on campus Eastern liturgy.

There have been calls, from time to time, for more “diversity” among theology faculties. Such requests, of course, have not always been well motivated. Here, however, we have a case of true, authentic, catholic diversity. Here’s hoping that many students, faculty, and visitors will participate in and learn from this new initiative. 2

HE BUILDING of this organ and the offering of Divine Liturgy constitute encouraging news for the world of Catholic higher education. While there are many troubling things happening on our Catholic college campuses, there are also many wonderful things. The positive things deserve more of our attention, praise, and gratitude than they sometimes receive.

Named a Basilica by St. John Paul II in 1992, Sacred Heart has long fit the definition of a place of historical importance, architectural worth, and popular pilgrimage. One of 82 Basilicas in the United States, this campus church now has two more reasons to serve as a place of pilgrimage.




NOTES FROM THIS ARTICLE:

1   Many of the details about the organ project derive from an article by John Nagy, published in the Autumn 2016 edition of Notre Dame Magazine.

2   Information about the introduction of the Eastern liturgy at Notre Dame comes from a piece written by John Burger over at Aleteia.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Byzantine Liturgy, Pipe Organ, Traditional Byzantine Liturgies Last Updated: January 1, 2020

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    PDF Download • Dom Murray Harmonies
    Along with so many others, I have deep respect for Dom Gregory Gregory Murray, who produced this clever harmonization (PDF) of “O SANCTISSIMA.” It’s always amazed me that Dom Gregory—a truly inspired composer—was so confused when it came to GREGORIAN CHANT. Throughout his life, he published contradictory statements, veering back-and-forth like a weather vane. Toward the end of his life, he declared: “I see clearly that the need for reform in liturgical music arose, not in the 18th and 19th centuries, but a thousand years earlier—in the 8th and 9th centuries, or even before that. The abuses began, not with Mozart and Haydn, but with those over-enthusiastic medieval musicians who developed the elaborate and flamboyant Gregorian Chant.”
    —Jeff Ostrowski
    “Music List” • 14 September (Holy Cross)
    Readers have expressed interest in perusing the ORDER OF MUSIC I prepared for 14 September 2025, which is the Feast of Exaltation of the Holy Cross. If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    New Bulletin Article • “14 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 14 September 2025) discusses OFFERTORY ANTIPHONS and contains a wonderful quote by Archbishop Fulton J. Sheen.
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

Soloists are dangerous in any church choir! Their voices frequently do not blend with those of the other singers to form a rich, integrated tone.

— Roger Wagner

Recent Posts

  • Children’s Repertoire: “3 Recommendations”
  • PDF Download • Dom Murray Harmonies
  • “Music List” • 14 September (Holy Cross)
  • Do You Recognize This Hymn? Do You Like It?
  • Charlie Kirk’s Fascination with Traditional Catholic Liturgy

Subscribe

Subscribe

* indicates required

Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.