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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The People Deserve Better

Richard J. Clark · November 6, 2015

HE EUCHARIST is the center of the liturgy. The Eucharist is the center of our lives. Christ reigns supreme. The Real Presence is manifested in the Body and Blood of Christ and in the Word. Hence the Word is preeminent in the Mass. As a result, the Mass is the greatest form of evangelization. It is the center of parish life and of all spiritual life.

Apparently, I talk a good game, but I struggle to remember these things. I struggle when it appears that reverence in the Mass is viewed as suspect and the Word treated carelessly. I’m looking for Christ in the liturgy, but I see more and more of the outside world imposed upon it. That makes me very conservative, does it not? No, it has nothing to do with me. It goes to what is established by Christ and the centrality of worship. It goes to that “necessary link between the lex orandi and the lex credendi.” (Redemptionis Sacramentum, §10)

Clearly, much confusion and challenge has faced the Church in the last fifty years. Confronted with declining attendance (quite the opposite in many places), the pressure is palpable to do away with traditional worship hoping this will get (young) people back in the pews with instant results. This is well intended, but fraught with a miscalculation of the nature and intelligence of our youth especially, who long for transcendence when the world offers none. Compounding this misperception are grave misunderstandings surrounding the nature of the Word in worship, the role of the celebrant acting In persona Christi, and the very purpose of sacred music which in large part is to help us pray the words of the Mass.

E’RE HUMAN AND WE’RE NOT PERFECT. But the people deserve better, and it is our pastoral responsibility to expand our knowledge and understanding of the liturgy and sacraments. In the long run, what always seems to work best to get the faithful back in the pews is to evangelize with the truths of the Catholic faith, most effectively spread through the liturgy. Goffredo Boselli asserts there is “an indissoluble link between the liturgy and the transmission of faith. We can say, in fact, that the celebration of the liturgy is the most important act of evangelization.” (pg. 209, The Spiritual Meaning of the Liturgy)

Therefore, what is said here about clergy also applies to musicians:

“Priests should go to the trouble of properly cultivating their liturgical knowledge and ability, so that through their liturgical ministry, God the Father, Son and Holy Spirit will be praised in an ever more excellent manner by the Christian communities entrusted to them”. Above all, let them be filled with that wonder and amazement that the Paschal Mystery, in being celebrated, instills in the hearts of the faithful. (Redemptionis Sacramentum, §33)

The Mass is a jewel and our greatest prayer. Strangely, there is a great deal of anxiety in allowing it to speak for itself and therefore shape our spiritual formation. As a result, a pervasive problem is experimentation with the Mass. For example, “These or similar words” — a well intended idea — sometimes devolves into “These or highly dis-similar words” which are often applied in inappropriate places, such as the Eucharistic prayers or during the Gospel reading. This is a common problem that began well before Liturgiam authenticam (LA) and the new English translation of the Roman Missal. Long ago, something well intended went sideways, and the faithful deserve better.

NTERESTINGLY, TWO DOCUMENTS SPEAK QUITE DIRECTLY to the issue of liturgical experimentation and abuse. The first was promulgated by Pope Paul VI from the Sacred Congregation for Divine Worship: Liturgicae Instaurationes — Instruction on the Orderly Carrying out of the Constitution on the Liturgy. The second is from the Congregation for Divine Worship and the Discipline of the Sacraments: Redemptionis Sacramentum — On certain matters to be observed or to be avoided regarding the Most Holy Eucharist.

A notable passage from Liturgicae Instaurationes regarding the indulgence of personal preferences:

The effectiveness of liturgy does not lie in experimenting with rites and altering them over and over, nor in a continuous reductionism, but solely in entering more deeply into the word of God and the mystery being celebrated. It is the presence of these two that authenticates the Church’s rites, not what some priest decides, indulging his own preferences.

Keep in mind, then, that the private recasting of ritual introduced by an individual priest insults the dignity of the believer and lays the way open to individual and idiosyncratic forms in celebrations that are in fact the property of the whole Church.

This last paragraph does not mince words that the liturgy belongs to the people! Nor do the final words of the document, which encourages “persistent catechesis”, that we “put aside personal differences” and “repudiates the secular and arbitrary as lethal to itself.” This is an astounding conclusion to the document!

While Redemptionis Sacramentum has a good deal of encouragement, it too speaks plainly about the consequences of individuals imposing personal and arbitrary preferences upon the liturgy:

[6.] For abuses “contribute to the obscuring of the Catholic faith and doctrine concerning this wonderful sacrament…

[7.] Not infrequently, abuses are rooted in a false understanding of liberty. Yet God has not granted us in Christ an illusory liberty by which we may do what we wish, but a liberty by which we may do that which is fitting and right.

[8.] It is therefore to be noted with great sadness that “ecumenical initiatives which are well-intentioned, nevertheless indulge at times in Eucharistic practices contrary to the discipline by which the Church expresses her faith”. Yet the Eucharist “is too great a gift to tolerate ambiguity or depreciation”.

[10.] The Church herself has no power over those things which were established by Christ himself and which constitute an unchangeable part of the Liturgy.…For the Sacred Liturgy is quite intimately connected with principles of doctrine, so that the use of unapproved texts and rites necessarily leads either to the attenuation or to the disappearance of that necessary link between the lex orandiand and the lex credendi.

[11.] The Mystery of the Eucharist “is too great for anyone to permit himself to treat it according to his own whim, so that its sacredness and its universal ordering would be obscured”. On the contrary, anyone who acts thus by giving free reign to his own inclinations, even if he is a Priest, injures the substantial unity of the Roman Rite, which ought to be vigorously preserved…”

There is much to digest here. Allow the Mass to speak for itself. Proclaim the Word. Sing the Mass. Serve God and His people. This is what they deserve.

Soli Deo gloria

ADVENT IS NEAR! BE SURE TO CHECK OUT these Communion Antiphons for Advent, published with World Library Publications.

You can listen to recordings directed by Paul French here.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Samaritánæ” (3rd Sunday of Lent)
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF • “Cantus Mariales” (192 pages)
    Andrea Leal has posted an absolutely pristine scan of CANTUS MARIALES (192 pages) which can be downloaded as a PDF file. To access this treasure, navigate to the frabjous article Andrea posted Monday. The file is being offered completely free of charge. The beginning pages of the book have something not to be missed: viz. a letter from Pope Saint Pius X to Dom Pothier, in which the pope calls Abbat Pothier “a man versed above all others in the science of liturgy, and to whom the cause of Gregorian chant is greatly indebted.”
    —Jeff Ostrowski

Quick Thoughts

    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski
    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski

Random Quote

“This chapter hereby extends the prohibition of 13 June 1561 against loaning singers or instrumentalists on any account whatsoever to include even the humblest choirboy.” [From “The Life of Father Francisco Guerrero.”]

— Sevilla: Chapter Resolution (10 June 1562)

Recent Posts

  • “Samaritánæ” (3rd Sunday of Lent)
  • Grotesque Pairing • “Passion Chorale”
  • PDF Download • “Ubi Caritas” (SATB)
  • PDF • “Cantus Mariales” (192 pages)
  • PDF Download • Fourteen (14) Versions of the Splendid Hymn: “Salve Mater Misericordiae”

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