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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

St. Cecilia Academy for Pastoral Musicians

Fr. David Friel · November 22, 2015

APPY FEAST DAY to all our musician readers! Although St. Cecilia’s feast is eclipsed liturgically this year by the Solemnity of Christ the King, there is nothing stopping us from celebrating her privately.

In honor of her feast, I would like to draw attention to a wonderful initiative that bears her name. Begun just over a year ago, the St. Cecilia Academy for Pastoral Musicians is a fantastic program offered by the Archdiocese of New York in order to educate, train, and form parish musicians.

The St. Cecilia Academy is largely the work of Fr. Matthew Ernest, Director of the Office of Liturgy for the Archdiocese of New York. Father Ernest is a Professor and Director of Liturgy at St. Joseph’s Seminary, Dunwoodie.

Credit is also due to Dr. Jennifer Donnelson, who serves as the Director of Sacred Music at Dunwoodie. She is also a board member of the Society for Catholic Liturgy & the CMAA and played an instrumental role in organizing Sacra Liturgia USA 2015 (summaries available here, here, here, and here).

Comprised of fully accredited, Masters level courses, the Academy operates through St. Joseph’s Seminary. Its purpose is to bring parish musicians to an understanding of liturgical principles while also forming them in the history and theology of sacred music. In this way, the program seeks to broaden the knowledge of already well trained musicians so that they can become well trained liturgical musicians.

In a post over at NLM, Dr. Donelson shares more insights about the program. She includes this quote from Fr. Ernest about how the Academy came to be:

In the New York area, some parishes are able to hire trained musicians as parish music directors. Other parishes rely on dedicated volunteers to provide music ministry. While these individuals are talented musicians, they often come to these positions, both salaried and unsalaried, with limited or no formation in the principles of liturgy and sacred music. For many years, there has not been a comprehensive formation program for pastoral musicians offered in the greater New York area. Numerous requests have been made by pastors of the archdiocese for a program wherein musicians can receive the education they need to effectively serve as pastoral musicians. With the support of Cardinal Dolan, the staff of the archdiocese’s Office of Liturgy and the faculty of St. Joseph’s Seminary began to discuss ways in which this need could be met in our area. The result of these discussions is the St. Cecilia Academy.

This initiative addresses real needs in the liturgical life of the Church. There is such a wealth in our faith, and the more people with whom these treasures can be shared, the better. It would be wonderful to see similar programs developed in many other dioceses.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Authentic Liturgical Renewal Reform, Evangelization, Sacra Liturgia, Saint Cecilia, Simple Steps To Improve Parish Music Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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President’s Corner

    “Music List” • All Souls (2 November)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    2-Voice Arr. • “Creator of the Starry Height”
    Do you direct a choir consisting of women or children only? (Some call this a “treble” choir.) Download a two-voice arrangement of Creator of the Starry Height set to the tune of IOANNES by clicking here and then scrolling to the bottom. In our times, this hymn is normally used during ADVENT, and the Latin title is: Cónditor alme síderum. It’s important to say “cónditor”—placing the accent on the antepenult—because ‘condítor’ in Latin means “one who embalms the dead.”
    —Jeff Ostrowski
    “Equal Voices” Choir Pieces
    My colleague, CORRINNE MAY, has posted some delightful compositions for equal voices: that is, choirs consisting of all men or all women. Included there are settings of the “Ave Maria” and “Tantum Ergo.” They strike me as relatively simple and not excessively lengthy. (In other words, within reach of volunteer singers.) Even better, all the scores have been made available as instant PDF downloads, completely free of charge. Bravo!
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

“Gregorian chant is the sacred chant, proper and principal of the Roman Church. Therefore, not only can it be used in all liturgical actions, but unless there are mitigating circumstances, it is preferable to use it instead of other kinds of sacred music.”

— “De musica sacra et sacra liturgia” (3 September 1958)

Recent Posts

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  • Gospel Options for 2 November (“All Souls”)
  • “Music List” • All Souls (2 November)
  • 2-Voice Arr. • “Creator of the Starry Height”
  • PDF Download • Christmas Piece (SATB) — “Angels We Have Heard on High” with Text in Latin

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