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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Sacred Music & Babies

Jeff Ostrowski · November 17, 2015

112 planning ONGRATULATIONS to the Tappan household, which recently welcomed a new child. (You probably remember a recent post in which Dr. Tappan mentioned that he and his wife were expecting.) Let us pray for them; raising children is anything but easy in today’s culture. 1

Bringing children into the world and raising them properly—as I’m sure the Tappan family does—is one step in the right direction of restoring sacrality to our Masses; but is there more?

Most of us spend our energies trying to do our very best at local parishes—which is how it should be. Most of us do not worry about “saving the word” because we realize typing on the internet does very little to advance that goal—and this view is correct. Most of us are not as concerned about the liturgical life in places we will never visit as we are about the liturgical life for our children, friends, and members of our parish—and this is a good thing. Most of us do not worry about everyone else’s business—because saving our own souls (and those of our loved ones) is what God wants us to focus upon preëminently. The internet has become a cesspool of unqualified people (who believe they’re brilliant, of course) spending hours creating unsolicited advice/warnings/ravings for everyone except themselves.

Occasionally, however, it is appropriate to ask the question: “What is our END GAME regarding Sacred music?”

I used to think local parishes could do such a marvelous job with Sacred music that this would spread to the entire Church; but now I’m beginning to think this might be insufficient. There will have to be more institutions created to train Church musicians by folks who have proven their worth in the real world. Moreover, there will have to be excellent (mandatory) programs created for Catholic school kids, and successful Church musicians must visit bishops, convincing them to implement these programs. At this point in time, however, I feel that we’re still in the “germination” stage, which relies on individual priests and musicians working together at individual parishes.



NOTES FROM THIS ARTICLE:

1   By the way, some children don’t begin talking right away. Parents try to teach them, but some children are not easily convinced to start making sounds. Eventually, most do; and this seems to be an “instinct.” Certainly children feel a desire to communicate—which is why interaction with other children can help—but there’s more to it than that. Making sounds (I repeat) appears to be an instinct and something “fun and natural” for kids. I sometimes wonder if this “instinct” has anything to say regarding nature of singing at Mass, in terms of our “need” to create sounds.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Dr. Mahrt explains the ‘Spoken’ Propers
    In 1970, the Church promulgated a new version of the Roman Missal. It goes by various names: Ordinary Form, Novus Ordo, MISSALE RECENS, and so on. If you examine the very first page, you’ll notice that Pope Saint Paul VI explains the meaning of the ‘Spoken Propers’ (which are for Masses without singing). A quote by Dr. William P. Mahrt is also included in that file. The SPOKEN PROPERS—used at Masses without music—are sometimes called The Adalbert Propers, because they were created in 1969 by Father Adalbert Franquesa Garrós, one of Hannibal Bugnini’s closest friends (according to Yves Chiron).
    —Jeff Ostrowski
    PDF • “Music List” (1st Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 30 November 2025, which is the 1st Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is quite memorable, and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Music List” • Christ the King Sunday
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 23 November 2025, which is the 34th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. In the 1970 Missal, this Sunday is known as: Domini Nostri Jesu Christi Universorum Regis (“Solemnity of Our Lord Jesus Christ, King of the Universe”). As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the magnificent feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

The Latin language, “far from being held in little regard, is certainly worthy of being vigorously defended.”

— Pope Saint Paul VI (15 August 1966)

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  • Dr. Mahrt explains the ‘Spoken’ Propers
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  • Kid’s Repertoire • “Jeffrey’s 3 Recommendations”

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