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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The difference between Anything and Everything.

Veronica Brandt · May 9, 2015

trolley of possibilities When anything is possible, then the temptation is to go for EVERYTHING!

This is one danger in home education. There is the temptation to think that the sky is the limit, then go off in a zillion different directions at once, then wonder why we never seem to get anything done. Taking on too much, many parents crash and burn. This is chaos.

The other danger is that of paralysis. There are so many choices available it can be hard to tell where to start. Some find the whole thing too daunting and stick with the same books they used as children or a particular package of lesson plans.

The same can be said of hymns replacing propers. Take this Thursday for instance. It is the feast of St Matthias, Apostle. It is also Ascension Thursday, although this has been transferred to the Sunday in my diocese. It is also the beginning of the nine days leading up to Pentecost which is credited as being the origin of all novenas. And it is the month of May, so we have to pick something for Mary.

We can look at the Readings and find Peter and the Apostles choosing Matthias by lot. The Gospel tells of Jesus giving the New Commandment of Love.

So, when it comes to choosing hymns, there are many different options open—more options than there is space to use them.

Have you seen all the hymnbooks Jeff uploaded the other day? There are thousands upon thousands of hymns out there! Even just one hymnbook usually contains a few hundred.

It’s worth noting that many Catholic hymns come from the Divine Office, especially Vespers. Looking at Vespers, each day has just one hymn. The main part of the Divine Office or Liturgy of the Hours is the Psalmody. The Psalms are your meat-and-potatoes. The hymn is your ice cream.

So, back to Mass. If we go with the Propers, then our choices would be far simpler. An Ordo can tell you which direction is the one to take. There is also still room for a hymn or two – before and/or after Mass and maybe even another if there’s time at Communion. The important things to sing are the Ordinaries which don’t change and the Propers which reflect the feast or season.

With the Propers you can see a path to take. Everyone can start on the same page. The element of personal preference takes a back seat and the Church’s treasury of sacred music comes forward.

In case you’re wondering about the photo, this is my 2 year old daughter. I planned to get a photo of her wanting everything and thought we could pile the trolley high with toys to illustrate the point. Instead she dismantled my efforts saying “One at a time”.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Hymns Replacing Propers Last Updated: January 1, 2020

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About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

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President’s Corner

    Music List • (1st Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I’ve prepared for this coming Sunday—22 February 2026—the 1st Sunday of Lent (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the outstanding feasts website alongside the official texts in Latin. I spent an enormous amount of time preparing this ORDER OF MUSIC—because the children’s choir will join us—and some of its components came out great. For example, the COMMUNION ANTIPHON with Fauxbourdon is utterly resplendent, yet still ‘Lenten’.
    —Jeff Ostrowski
    2-Voice Arrangement for Lent
    Those seeking a two-voice arrangement for LENT and PASSIONTIDE should click here and scroll down. It’s based on number 775 in the Brébeuf Hymnal, with an enchanting melody written by Kevin Allen (the legendary American composer of sacred music). That text—“Pendens In Crucis Cornibus”—is often used for the Feast of our Lady of Sorrows. That link is important because, in addition to the musical score, it provides free rehearsal videos for each individual voice: something volunteer choirs appreciate!
    —Jeff Ostrowski
    “Sanctus VIII” • Organ Accompaniment
    A few days ago, I composed this organ harmonization for SANCTUS VIII. This Mass is traditionally called Missa de ángelis or “Mass of the angels.” In French, it is Messe de Anges. You can evaluate my attempt to simultaneously accompany myself on the pipe organ (click here) while singing the melody. My parish is currently singing this setting.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“The Jesuits have spoiled the work of Christian antiquity, under pretext of restoring the hymns in accordance with the laws of metre and elegant language.”

— M. Ulysse Chevalier (1891)

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  • 2-Voice Arrangement for Lent

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