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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Why Should We Sing the Psalms at Mass?

Richard J. Clark · May 8, 2015

HE PSALMS ARE AN endlessly rich source of spiritual nourishment. Whether it is the liturgy of the hours or the mass, the Psalms—some of the most ancient of scripture—are a central focus of our prayer. But for many who attend mass regularly, this is a head scratcher. Often “The Psalm” only refers to the Responsorial Psalm. And that’s it. No more psalms sung in the mass.

Furthermore, only a few short verses appear in the Responsorial Psalm. This is intentional, of course, as it is a direct reflection or “response” to the previous reading. However, if we do not sing the antiphons proper to the day—and the corresponding psalm verses—this may be all we get.

AM VERY FORTUNATE to have a number of choir members with training in theology, some with advanced degrees. We have lively discussions, and I am often the beneficiary of their insights.

Recently, I received some reflections from one such choir member, comparing the version of Psalm 22 we sing as the Responsorial on Palm Sunday, and the verses of Psalm 22 we sing on the Fifth Sunday of Easter in Cycle B. (Keep in mind, that if one sings the Communion Antiphon on Psalm Sunday, a great deal more of Psalm 22 is sung!)

Each year on Palm Sunday we rehear the striking words “My God, My God, why have you abandoned me?” I would propose for reflection that the many iterations of reflections on this one verse have trapped us into thinking a quite narrow and certain way. A case in point: if we say the word “prodigal,” we immediately add the word “son.” However, the father is much more lavish and generous in a substantial way than the younger son’s wild spending.

The real point in the use of the psalm comes from an understanding of how those who heard it said would have understood. Jesus was preaching from the cross. He was using the words his Father spoke through him [THE WORD] to proclaim his mission to the last breath. The psalms are among the earliest scripture. By and large they were handed over orally. If a person heard the first words of a PSALM it would trigger the recollection of the whole psalm. So, the verses of Ps 22 on Palm Sunday lead us to the verses used here [Easter 5B] as well and those of today looking back to Palm Sunday—certainly much more than a lament and how “abandoned” Jesus felt. We are not abandoned, we are saved.

The final words of Psalm 22 are not well known: Psalm 22:32. “The generation to come will be told of the Lord, that they may proclaim to a people yet unborn the deliverance you have brought.” Jesus’ message from the cross was ultimately that of redemption.

This is what the psalms teach us. Jesus taught through the psalms. Sing the Mass. Sing the Psalms!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Propers, Singing the Mass Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 4 May 2026
    A few days ago, the CORPUS CHRISTI WATERSHED Facebook page posted this Gregorian Chant quiz regarding a rubric for the SEQUENCE for the feast of Corpus Christi: “Lauda Sion Salvatórem.” There is no audience more intelligent than ours—yet surprisingly nobody has been able to guess the rubric. Drop me an email with the right answer, and I’ll affirm your brilliance to everyone I encounter!
    —Jeff Ostrowski
    “Rare Photographs” • Hannibal Bugnini
    On 2 September 2025, we included in this article extremely rare photographs of Archbishop Hannibal Bugnini taken in Iran circa 1979. Bugnini had initially been banished by the pope to Uruguay, but he refused to obey. [This is interesting, since Bugnini relied upon ‘blind obedience’ when it came to modifications of the ancient liturgy.] After he refused to obey the order from the pope, Hannibal Bugnini was banished to Iran. You can also watch a short video of Hannibal Bugnini in Iran, dated 10 November 1979. That’s about a week after the USA embassy hostage crisis began in Tehran, and Pope Saint John Paul II had sent the leader of the Iranian Revolution a special letter.
    —Jeff Ostrowski

Quick Thoughts

    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski
    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski

Random Quote

“Oh, the happy choir director who is hired to start work on a brand new choir, or who walks into his first rehearsal a total stranger to the existing group—what a fortunate man he is! The new choir director who is a former member of the choir, or a member of the congregation, or the nephew of the alto soloist, or a former altar boy, or otherwise well acquainted with the choir, is in for a few headaches.”

— Paul Hume (1956)

Recent Posts

  • Simplified Version • “Canon in D” (Pachelbel)
  • PDF Download • “Organ Accompaniment”
  • “Gregorian Chant Quiz” • 4 May 2026
  • “Rare Photographs” • Hannibal Bugnini
  • “Regina Caeli” • More Than You Wanted To Know

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