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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Do not mistake competence for conservatism.

Richard J. Clark · May 15, 2015

OST PEOPLE LIKE categories. Those who market products demand them. Likewise, we place labels upon each other. (I am guilty of this.) Then when we get to know someone or a situation more deeply, we may find they defy easy classification.

Interestingly, the more knowledgeable a musician is about the Roman Rite, the Vatican II documents, and the GIRM, the more likely that musician is to be labeled “conservative” in their views. This is viewed negatively in some circles and positively in others. This is nonsense. It should be viewed simply as professional competence—no more—no less.

Professional competence is precisely this: you know what you are doing and why you are doing it. And church musicians must do several things well all at once. Therefore, it is incumbent upon them to improve their skills in the following areas:

1 • Play, conduct, sing well.

2 • Know the Church Documents; know the liturgy.

3 • Teach and catechize well.

4 • Be an effective administrator.

5 • Be a pastoral leader with good people skills.

Cultivating and effectively integrating all of these areas takes years if not decades. All-around competence is a matter of professionalism, not ideology. Interestingly, while No. 2 is often viewed as “conservative,” No. 5 is viewed in some circles as “liberal” or “progressive.” This too is nonsense. A pastoral approach is one of the most important aspects of being competent. It must be exercised with at least equal weight with all other areas. I.e., If one has studied music and liturgy at a high level, so must one be highly pastoral.

ERHAPS ANOTHER PERSPECTIVE is the vow of obedience taken by priests. I happen to know some priests who dislike the new translation of the Roman Missal—some, quite vehemently. However, one would never know this by attending any masses they celebrate. They are doing what the Church is asking of them and doing it well. This is obedience. This is also professional competence. Their personal view or opinion did not come into play.

Likewise, musicians must temper their own personal tastes. I have musical interests that are well beyond the scope of this blog or the liturgy. As such, the Mass is not a showcase for my personal ideology or interests. Does such an idea make me conservative? Or do considering pastoral needs in my decisions make me liberal? I don’t care, and I am weary of such labels. But I hope this approach make me better at my job. I hope such views lead to prayer.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 11 January)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Baptism of the Lord (SUNDAY, 11 January 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon—to say nothing of the antiphon itself—are breathtaking. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Epiphany Hymn • “New 2-Voice Arrangement”
    The Von Trapp Family Singers loved a melody that was featured heavily (perhaps even “too heavily”) in the Brébeuf Hymnal. It goes by many names, including ALTONA, VOM HIMMEL HOCH, and ERFURT. If you only have one man and one woman singing, you will want to download this arrangement for two voices. It really is a marvelous tune—and it’s especially fitting during the season of Christmas and Epiphany.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

“Every medicine does not suit every stage of sickness; because the tonic given to those who are recovering from fever would be hurtful to them if given while yet in their feverish condition. So likewise Baptism and Penance are as purgative medicines, given to take away the fever of sin; whereas this sacrament [the Sanctissimum] is a medicine given to strengthen, and it ought not to be given except to them who are quit of sin.”

— Saint Thomas Aquinas Re: the EUCHARIST

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