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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Is the 1998 ICEL Missal Translation Worth Another Look?

Fr. David Friel · June 21, 2015

MAKE NO SECRET of my appreciation for the 2011 English translation of the third typical edition of the Roman Missal. I am an unabashed supporter who has publicly sung the praises of this new translation very often (for example, in an article for Homiletic & Pastoral Review and on Views from the Choir Loft HERE, HERE, & HERE).

I would be hard-pressed to think of a parishioner who dislikes the new translation. The occasions when I’ve heard a complaint about it from an ordinary churchgoer are extremely few. This translation received an overwhelmingly positive response from a September 2012 CARA study, which found that 7 in 10 Catholics feel the new translation is “a good thing.”

Yet, when reading certain publications, one gets the sense that every Catholic in the world is up-in-arms about the present translation. Why is there this dichotomy?

One of the most commonly proffered solutions to the “offensive,” “clunky,” and “imposed” new translation is that we should scrap it and simply use the 1998 English translation that was the result of many years of work. In a recent letter to the editor of The Tablet, Father Gerald O’Collins, SJ, made an impassioned plea that permission be given to use the 1998 translation. All such requests have been denied by Archbishop Arthur Roche, Secretary of the CDW.

I will not explore all the issues with the 1998 translation in detail here. Suffice it to say that its creators subscribed to the theory of “dynamic equivalence,” and the result was a very “dynamic” translation. This principle of translation, of course, was supplanted by the method of “formal correspondence” by directive of the 2001 document Liturgiam Authenticam.

The most important reason why the 1998 translation cannot simply be used to replace the 2011 translation, however, is often overlooked. The reason is this: the 1998 text is a translation of the second typical edition of the Roman Missal from 1975. The third typical edition was promulgated in Latin in 2002. How could we reasonably revert to a translation of an outdated Missal, much less such a loose translation that never held any force? The 1998 translation is obsolete in every way.

There is no need to go back to another translation, nor is there a need to craft hastily another translation. The present missal is imperfect, I admit, but it is a monstrous step forward from the previous ICEL translation of 1970. It has many merits of its own accord, independent of comparison to other translations. Its texts & rhythms & beauty have nourished my young priesthood, and it is nourishing the faith of English speakers worldwide. Praise God, from Whom this blessing has flowed!

Editor’s Note : We thank Fr. Friel for another wonderful post. Regarding the “lack of consultation” myth—which Fr. Friel didn’t have time to address in this article—it’s worth pointing out that Msgr. Andrew Wadsworth has utterly repudiated this. He has publicly stated that each bishop remained free to consult whomever they wished throughout the process, and no restrictions whatsoever were placed upon them.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: 1998 Rejected Sacramentary, ICEL New Translation of the Roman Missal, Roman Missal Third Edition, The Old ICEL Translation of the Mass Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Spectacular Communion Setting!
    The FAUXBOURDON setting of the Communion for the Baptism of the Lord (which will occur this coming Sunday) strikes me as quite spectacular. The verses—composed by the fifth century Christian poet, Coelius Sedulius—come from a long alphabetical acrostic and are deservedly famous. The feast of the LORD’S BAPTISM was traditionally the octave day of Epiphany, but in the 1962 kalendar it was made ‘more explicit’ or emphasized. The 1970 MISSALE ROMANUM elevated this feast even further.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 11 January)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Baptism of the Lord (SUNDAY, 11 January 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon—to say nothing of the antiphon itself—are breathtaking. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Epiphany Hymn • “New 2-Voice Arrangement”
    The Von Trapp Family Singers loved a melody that was featured heavily (perhaps even “too heavily”) in the Brébeuf Hymnal. It goes by many names, including ALTONA, VOM HIMMEL HOCH, and ERFURT. If you only have one man and one woman singing, you will want to download this arrangement for two voices. It really is a marvelous tune—and it’s especially fitting during the season of Christmas and Epiphany.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

“[Saint Jerome’s Latin] fairly frequently represents a purer text than does the existing Hebrew, sometimes yielding a plain sense when the Massoretic text fails to do so, and quite often providing a working interpretation of a passage where the Hebrew is doubtful.”

— Sebastian Bullough, O.P. (June 1949)

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