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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Is the 1998 ICEL Missal Translation Worth Another Look?

Fr. David Friel · June 21, 2015

MAKE NO SECRET of my appreciation for the 2011 English translation of the third typical edition of the Roman Missal. I am an unabashed supporter who has publicly sung the praises of this new translation very often (for example, in an article for Homiletic & Pastoral Review and on Views from the Choir Loft HERE, HERE, & HERE).

I would be hard-pressed to think of a parishioner who dislikes the new translation. The occasions when I’ve heard a complaint about it from an ordinary churchgoer are extremely few. This translation received an overwhelmingly positive response from a September 2012 CARA study, which found that 7 in 10 Catholics feel the new translation is “a good thing.”

Yet, when reading certain publications, one gets the sense that every Catholic in the world is up-in-arms about the present translation. Why is there this dichotomy?

One of the most commonly proffered solutions to the “offensive,” “clunky,” and “imposed” new translation is that we should scrap it and simply use the 1998 English translation that was the result of many years of work. In a recent letter to the editor of The Tablet, Father Gerald O’Collins, SJ, made an impassioned plea that permission be given to use the 1998 translation. All such requests have been denied by Archbishop Arthur Roche, Secretary of the CDW.

I will not explore all the issues with the 1998 translation in detail here. Suffice it to say that its creators subscribed to the theory of “dynamic equivalence,” and the result was a very “dynamic” translation. This principle of translation, of course, was supplanted by the method of “formal correspondence” by directive of the 2001 document Liturgiam Authenticam.

The most important reason why the 1998 translation cannot simply be used to replace the 2011 translation, however, is often overlooked. The reason is this: the 1998 text is a translation of the second typical edition of the Roman Missal from 1975. The third typical edition was promulgated in Latin in 2002. How could we reasonably revert to a translation of an outdated Missal, much less such a loose translation that never held any force? The 1998 translation is obsolete in every way.

There is no need to go back to another translation, nor is there a need to craft hastily another translation. The present missal is imperfect, I admit, but it is a monstrous step forward from the previous ICEL translation of 1970. It has many merits of its own accord, independent of comparison to other translations. Its texts & rhythms & beauty have nourished my young priesthood, and it is nourishing the faith of English speakers worldwide. Praise God, from Whom this blessing has flowed!

Editor’s Note : We thank Fr. Friel for another wonderful post. Regarding the “lack of consultation” myth—which Fr. Friel didn’t have time to address in this article—it’s worth pointing out that Msgr. Andrew Wadsworth has utterly repudiated this. He has publicly stated that each bishop remained free to consult whomever they wished throughout the process, and no restrictions whatsoever were placed upon them.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: 1998 Rejected Sacramentary, ICEL New Translation of the Roman Missal, Roman Missal Third Edition, The Old ICEL Translation of the Mass Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF • “Cantus Mariales” (192 pages)
    Andrea Leal has posted an absolutely pristine scan of CANTUS MARIALES (192 pages) which can be downloaded as a PDF file. To access this treasure, navigate to the frabjous article Andrea posted Monday. The file is being offered completely free of charge. The beginning pages of the book have something not to be missed: viz. a letter from Pope Saint Pius X to Dom Pothier, in which the pope calls Abbat Pothier “a man versed above all others in the science of liturgy, and to whom the cause of Gregorian chant is greatly indebted.”
    —Jeff Ostrowski
    Music List • (2nd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 2nd Sunday of Lent (1 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its somber INTROIT is particularly striking—using a haunting tonality—but the COMMUNION with its fauxbourdon verses is also quite remarkable. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski

Quick Thoughts

    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“You have thereby removed from the celebration of the Mass all superstitions, all greed for lucre, and all irreverence … removed its celebrations from private homes and profane places to holy and consecrated sanctuaries. You have banished from the temple of the Lord the more effeminate singing and musical compositions.”

— ‘Bishop Racozonus, speaking at the last session of the Council of Trent (1563)’

Recent Posts

  • PDF Download • “Ubi Caritas” (SATB)
  • PDF • “Cantus Mariales” (192 pages)
  • PDF Download • Fourteen (14) Versions of the Splendid Hymn: “Salve Mater Misericordiae”
  • Fulton J. Sheen • “24-Hour Catechism”
  • Music List • (2nd Sunday of Lent)

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