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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“When You See Rome, You Will Lose Your Faith.”

Aurelio Porfiri · July 29, 2015

461 Colosseum ECENT MONTHS SAW news dealing with liturgical issues. The most relevant was probably Cardinal Sarah’s article in the Osservatore Romano. In this article, the Cardinal addressed liturgical issues, showing his awareness about abuses and his willingness to fight them, as well as his attention for the dignity and sanctity of the liturgy. I think Pope Francis, having chosen him to lead the Congregation for Divine Worship, is certainly on the same page with the Cardinal. But I also think that the Pope has not an easy life in his own city, Rome. Indeed, only the blind can avoid facing this reality: the biggest crisis in liturgy (and liturgical music) is really in Rome.

Many years ago, a German priest told me a common phrase I had not known: Roma veduta, fede perduta (“When you see Rome, you will lose your faith”). I know this kind of idea can be attached to anti-Roman feelings coming from German people, but this priest was very conservative and a great supporter of the Latin Mass. I think this kind of idea has more to do with bad reputation of Roman curia and so on.

Indeed, there are also saints living and working in Rome, saints that we don’t know well because their work is often in the shadow. But is true that the phrase Roma veduta, fede perduta is not far from reality when we take into account the level of once glorious musical institutions. Also here, not all is terrible—there are still brilliant people trying to do their best, but it’s true that the standards in recent years have fallen dramatically. I think Pope Francis must look to his own city (and my own city) to hope for a general reform in the life and discipline of the Church. He has to fight the terrible disease of clericalism that has such an impact on liturgy and music in Rome. But I know that this disease is so big and serious that it’s difficult to see the day when our Church will be freed from this curse.

Will I ever see that day?

More articles by Aurelio Porfiri can be found on ilnaufrago.com.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: October 10, 2021

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About Aurelio Porfiri

Renowned as composer, conductor, theorist, author, pedagogue, and organist, Aurelio Porfiri has served the Church on multiple continents at the highest levels. Born and raised in Italy, he currently serves as Director of Choral Activities and Composer in Residence for Santa Rosa de Lima School (Macao, China).

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Corpus Christi Watershed

President’s Corner

    (Part 2) • Did they simplify this hymn?
    Choirs love to sing the resplendent tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1929, I discovered what appears to be a simplified version of that hymn. Their harmonization is much less complex than the version found in the Father Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1929 harmonization (PDF) and let me know your thoughts. As always, the Germans added an organ INTRODUCTION. For the record, I posted a different harmonization a few months ago which was downloaded more than 2,000 times.
    —Jeff Ostrowski
    PDF • “Lectionary Comparison Chart”
    Various shell corporations (in an effort to make money selling Sacred Scripture) have tinkered with the LECTIONARY texts in a way that’s shameful. It’s no wonder Catholics in the pews know so few Bible passages by heart. Without authorization, these shell corporations pervert the official texts. Consider the Responsorial Psalm for the 1st Sunday of Advent (Year A). If you download this PDF comparison chart you’ll notice each country randomly omits certain sections. Such tinkering has gone on for 60+ years—and it’s reprehensible.
    —Corpus Christi Watershed
    Monsignor Klaus Gamber Speaks!
    An interesting quotation from the eminent liturgist, Monsignor Klaus Gamber (d. 1989): “According to canon law, a person’s affiliation with a particular liturgical rite is determined by that person’s rite of baptism. Given that the liturgical reforms of Pope Paul VI created a de facto new rite, one could assert that those among the faithful who were baptized according to the traditional Roman rite have the right to continue following that rite; just as priests who were ordained according to the traditional Ordo have the right to exercise the very rite that they were ordained to celebrate.”
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“By no means would I offer the counsel that Mass be celebrated in languages other than Latin.”

— Archbishop Dwyer (one of the Vatican II fathers)

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  • (Part 2) • Did they simplify this hymn?
  • PDF • “Lectionary Comparison Chart”
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