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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Why It’s Pointless To Argue Over Our Roman Missal Translation

Jeff Ostrowski · July 27, 2015

466 ICEL Missal EADING COMMENTARY by the early liturgical translators can be infuriating, because many acted as though they were the first to realize that good translators render ideas not words. In their immaturity, they carefully avoided choosing words and phrases resembling the Latin. When all was said and done, their “translations” often looked like this one:

    * *  PDF Download • COMPARISON CHART

This is not to suggest that a “slavish adherence” guarantees a better translation. Moreover, I have no problem with translators taking a free approach if their goal is truly to help people understand—but they must avoid doing too much violence to the original. Therein lies the dilemma, of course, and that’s why the famous Italian phrase (“the translator is a traitor”) contains so much wisdom.

It’s not for me to argue about whether new translation (“MR3”) is more accurate; others can judge that. However, I would point out that MR3 was ultimately inevitable. 1 When the internet was invented, the official Latin became accessible by all—and the old ICEL simply could not stand.

BUT NONE OF THIS MATTERS. The real scandal is how 99% of our Catholic churches replace the official texts of the Church each Sunday. If you start talking about the Propers, most Catholics have no idea what you mean. My generation has never heard the Propers.

With what do we replace the Propers? Texts are supposed to be “approved,” but the USCCB—incredibly!—has said we can ignore the GIRM when it mentions such requirements. When I open my brand new GIA hymnal (2013), I find lyrics like the following:

We have covered earth in shadows, and sorrow thickens its veil.
Peoples stunned in desolation weep softly, tremble, and wail:
Children who die still as children; poor deprived of sun and air;
Women forced to sell their bodies in desperation and fear.

Others can judge whether this is a good hymn. Others can judge whether “air” rhymes with “fear.” Others can judge whether it feels weird for a congregation to publicly sing about “women forced to sell their bodies” in church. It’s not for me to judge such things. My only point is that it’s silly for folks to argue vehemently about liturgical translation principles when 99% of the Propers are being replaced 95% of the time.

One of the reasons I’ve mentioned the Jogues Illuminated Missal so frequently has to do with its large, beautiful typeface. The Propers are celebrated. When we complain about goofy modern hymns, we sound negative and filled with hate. Showing someone the pages of the Jogues is different—it’s a positive approach. It challenges people by asking, “What is so unacceptable about the official texts of the reformed liturgy?”



NOTES FROM THIS ARTICLE:

1   The early ICEL translations would never have been tolerated if the Vatican declaration (26 September 1964) had been obeyed:

“Missals to be used in the liturgy, however, shall contain besides the vernacular version the Latin text as well.”

But in 1969, Archbishop Bugnini’s group overruled the Vatican directives.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Reform of the Reform Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Dr. Mahrt explains the ‘Spoken’ Propers
    In 1970, the Church promulgated a new version of the Roman Missal. It goes by various names: Ordinary Form, Novus Ordo, MISSALE RECENS, and so on. If you examine the very first page, you’ll notice that Pope Saint Paul VI explains the meaning of the ‘Spoken Propers’ (which are for Masses without singing). A quote by Dr. William P. Mahrt is also included in that file. The SPOKEN PROPERS—used at Masses without music—are sometimes called The Adalbert Propers, because they were created in 1969 by Father Adalbert Franquesa Garrós, one of Hannibal Bugnini’s closest friends (according to Yves Chiron).
    —Jeff Ostrowski
    PDF • “Music List” (1st Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 30 November 2025, which is the 1st Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is quite memorable, and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Music List” • Christ the King Sunday
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 23 November 2025, which is the 34th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. In the 1970 Missal, this Sunday is known as: Domini Nostri Jesu Christi Universorum Regis (“Solemnity of Our Lord Jesus Christ, King of the Universe”). As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the magnificent feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

“The chapter orders that any cathedral singer or instrumentalist who uses a paid leave of absence to try out for a post elsewhere shall automatically forfeit his post at Seville Cathedral.” [From “The Life of Father Francisco Guerrero.”]

— Sevilla Cathedral: Chapter Resolution (7 September 1565)

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