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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

Why It’s Pointless To Argue Over Our Roman Missal Translation

Jeff Ostrowski · July 27, 2015

466 ICEL Missal EADING COMMENTARY by the early liturgical translators can be infuriating, because many acted as though they were the first to realize that good translators render ideas not words. In their immaturity, they carefully avoided choosing words and phrases resembling the Latin. When all was said and done, their “translations” often looked like this one:

    * *  PDF Download • COMPARISON CHART

This is not to suggest that a “slavish adherence” guarantees a better translation. Moreover, I have no problem with translators taking a free approach if their goal is truly to help people understand—but they must avoid doing too much violence to the original. Therein lies the dilemma, of course, and that’s why the famous Italian phrase (“the translator is a traitor”) contains so much wisdom.

It’s not for me to argue about whether new translation (“MR3”) is more accurate; others can judge that. However, I would point out that MR3 was ultimately inevitable. 1 When the internet was invented, the official Latin became accessible by all—and the old ICEL simply could not stand.

BUT NONE OF THIS MATTERS. The real scandal is how 99% of our Catholic churches replace the official texts of the Church each Sunday. If you start talking about the Propers, most Catholics have no idea what you mean. My generation has never heard the Propers.

With what do we replace the Propers? Texts are supposed to be “approved,” but the USCCB—incredibly!—has said we can ignore the GIRM when it mentions such requirements. When I open my brand new GIA hymnal (2013), I find lyrics like the following:

We have covered earth in shadows, and sorrow thickens its veil.
Peoples stunned in desolation weep softly, tremble, and wail:
Children who die still as children; poor deprived of sun and air;
Women forced to sell their bodies in desperation and fear.

Others can judge whether this is a good hymn. Others can judge whether “air” rhymes with “fear.” Others can judge whether it feels weird for a congregation to publicly sing about “women forced to sell their bodies” in church. It’s not for me to judge such things. My only point is that it’s silly for folks to argue vehemently about liturgical translation principles when 99% of the Propers are being replaced 95% of the time.

One of the reasons I’ve mentioned the Jogues Illuminated Missal so frequently has to do with its large, beautiful typeface. The Propers are celebrated. When we complain about goofy modern hymns, we sound negative and filled with hate. Showing someone the pages of the Jogues is different—it’s a positive approach. It challenges people by asking, “What is so unacceptable about the official texts of the reformed liturgy?”



NOTES FROM THIS ARTICLE:

1   The early ICEL translations would never have been tolerated if the Vatican declaration (26 September 1964) had been obeyed:

“Missals to be used in the liturgy, however, shall contain besides the vernacular version the Latin text as well.”

But in 1969, Archbishop Bugnini’s group overruled the Vatican directives.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Reform of the Reform Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski
    “Entrance Chant” • 4th Sunday of Easter
    You can download the ENTRANCE ANTIPHON in English for the 4th Sunday of Easter (11 May 2025). Corresponding to the vocalist score is this free organ accompaniment. The English adaptation matches the authentic version (Misericórdia Dómini), which is in a somber yet gorgeous mode. If you’re someone who enjoys rehearsal videos, this morning I tried to sing it while simultaneously accompanying my voice on the pipe organ.
    —Jeff Ostrowski
    Music List • “Repertoire for Weddings”
    Not everyone thinks about sacred music 24/7 like we do. When couples are getting married, they often request “suggestions” or “guidance” or a “template” for their musical selections. I created this music list with repertoire suggestions for Catholic weddings. Please feel free to download it if you believe it might give you some ideas or inspiration.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“The authority of the Pope is not unlimited. It is at the service of Sacred Tradition. Still less is any kind of general ‘freedom’ of manufacture, degenerating into spontaneous improvisation, compatible with the essence of faith and liturgy. The greatness of the liturgy depends—we shall have to repeat this frequently—on its lack of spontaneity.”

— Josef Cardinal Ratzinger (2000)

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