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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Why It’s Pointless To Argue Over Our Roman Missal Translation

Jeff Ostrowski · July 27, 2015

466 ICEL Missal EADING COMMENTARY by the early liturgical translators can be infuriating, because many acted as though they were the first to realize that good translators render ideas not words. In their immaturity, they carefully avoided choosing words and phrases resembling the Latin. When all was said and done, their “translations” often looked like this one:

    * *  PDF Download • COMPARISON CHART

This is not to suggest that a “slavish adherence” guarantees a better translation. Moreover, I have no problem with translators taking a free approach if their goal is truly to help people understand—but they must avoid doing too much violence to the original. Therein lies the dilemma, of course, and that’s why the famous Italian phrase (“the translator is a traitor”) contains so much wisdom.

It’s not for me to argue about whether new translation (“MR3”) is more accurate; others can judge that. However, I would point out that MR3 was ultimately inevitable. 1 When the internet was invented, the official Latin became accessible by all—and the old ICEL simply could not stand.

BUT NONE OF THIS MATTERS. The real scandal is how 99% of our Catholic churches replace the official texts of the Church each Sunday. If you start talking about the Propers, most Catholics have no idea what you mean. My generation has never heard the Propers.

With what do we replace the Propers? Texts are supposed to be “approved,” but the USCCB—incredibly!—has said we can ignore the GIRM when it mentions such requirements. When I open my brand new GIA hymnal (2013), I find lyrics like the following:

We have covered earth in shadows, and sorrow thickens its veil.
Peoples stunned in desolation weep softly, tremble, and wail:
Children who die still as children; poor deprived of sun and air;
Women forced to sell their bodies in desperation and fear.

Others can judge whether this is a good hymn. Others can judge whether “air” rhymes with “fear.” Others can judge whether it feels weird for a congregation to publicly sing about “women forced to sell their bodies” in church. It’s not for me to judge such things. My only point is that it’s silly for folks to argue vehemently about liturgical translation principles when 99% of the Propers are being replaced 95% of the time.

One of the reasons I’ve mentioned the Jogues Illuminated Missal so frequently has to do with its large, beautiful typeface. The Propers are celebrated. When we complain about goofy modern hymns, we sound negative and filled with hate. Showing someone the pages of the Jogues is different—it’s a positive approach. It challenges people by asking, “What is so unacceptable about the official texts of the reformed liturgy?”



NOTES FROM THIS ARTICLE:

1   The early ICEL translations would never have been tolerated if the Vatican declaration (26 September 1964) had been obeyed:

“Missals to be used in the liturgy, however, shall contain besides the vernacular version the Latin text as well.”

But in 1969, Archbishop Bugnini’s group overruled the Vatican directives.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Reform of the Reform Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    2-Voice Arrangement for Lent
    Those seeking a two-voice arrangement for LENT and PASSIONTIDE should click here and scroll down. It’s based on number 775 in the Brébeuf Hymnal, with an enchanting melody written by Kevin Allen (the legendary American composer of sacred music). That text—“Pendens In Crucis Cornibus”—is often used for the Feast of our Lady of Sorrows. That link is important because, in addition to the musical score, it provides free rehearsal videos for each individual voice: something volunteer choirs appreciate!
    —Jeff Ostrowski
    “Sanctus VIII” • Organ Accompaniment
    A few days ago, I composed this organ harmonization for SANCTUS VIII. This Mass is traditionally called Missa de ángelis or “Mass of the angels.” In French, it is Messe de Anges. You can evaluate my attempt to simultaneously accompany myself on the pipe organ (click here) while singing the melody. My parish is currently singing this setting.
    —Jeff Ostrowski
    Music List • (5th Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday, 8 February 2026, which is the 5th Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. You will probably notice it isn’t as ‘complete’ or ‘spiffy’ as usual, owing to some difficulties which took place this week.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

I basically don’t favor Cardinal Kasper’s proposal; I don’t think it’s coherent. To my mind, “indissoluble” means “unbreakable.”

— Daniel Cardinal DiNardo (19 October 2015)

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