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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

The “Little Rock Nine” & Sacred Music

Jeff Ostrowski · July 22, 2015

478 Little Rock Nine OMETIMES IT CAN FEEL like we’re “all alone” in our battle to promote authentic sacred music, which Fr. John Selner rightly tells us we need in our Catholic churches. When discouraged, it often helps to remember what others have gone through to promote a cause worth fighting for.

Some of us have suffered greatly, but I doubt our trials come anywhere near what was undergone by black children in the 1950s and 1960s. Did you know that in many places, small numbers of children—sometimes only one black child—were sent into schools that were totally white, to promote racial integration? 1 The riots in Little Rock, Arkansas, escalated after nine (9) black students were chosen to attend a white school. The violence forced President Eisenhower to send in federal troops from the 101st Airborne Division of the United States Army. Each black student had a soldier waiting outside the classroom door to make sure nothing bad happened during the school day. The soldiers would escort the “Little Rock Nine” with rifles drawn each morning. This definitely helped the situation, but black children still underwent great sufferings (because the soldiers only stayed for a limited time). But Faubus couldn’t fight the federal troops sent by Eisenhower, so he closed down the schools. Did he really feel that his plan would succeed? How could closing down the schools be a good plan? Governor George Wallace declared in 1963: “Segregation now, segregation tomorrow, segregation forever!” Such words & actions of seem ridiculous and unsustainable, looking back.

Our struggles for sacred music have nothing to do with civil rights. However, perhaps someday we will look back upon our situation and notice progress has been made. Perhaps someday we will look back at our times—when 95% of music directors in Catholic churches “roll the dice” each week to select the hymns instead of using the texts assigned by the Church—and find it strange.

YouTube has a bunch of videos about the Little Rock Nine. Here’s one:


When I consider what the Little Rock Nine underwent, I realize how truly blessed I have been in my life.



NOTES FROM THIS ARTICLE:

1   By the way, not all schools were segregated. For example, in Topeka, KS—where Brown Vs. Board of Education happened—the high schools & middle schools were not segregated. My understanding is that only elementary schools were segregated.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: The Little Rock Nine Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

After sixty years as teacher, composer, and organist, I may state that the Gregorian Chant should be part of the basic material of any musical education, be it religious or secular. The study of it enormously enlarges the spiritual background of any musician. Whereas students in literature will always be required to study Dante, Petrarch and Chaucer, why neglect Gregorian in music education?

— Flor Peeters

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