About this blogger:
A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004), and did graduate work in Musicology. He serves as choirmaster for the new FSSP parish in Los Angeles, where he resides with his wife and children.
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“Since the ability of Francisco Guerrero is now abundantly known to all […] he shall henceforth act as master of the boys so long as: ( 1) he must teach them to read, write, and to sing the responsories, versicles, antiphons, lessons, and kalends, and other parts of divine service; (2) he shall teach them plainchant, harmony, and counterpoint, his instruction in counterpoint to include both the art of adding a melody to a plainsong and to an already existing piece of polyphonic music; (3) he shall always clothe them decently and properly, see that they wear good shoes, and ensure that their beds are kept perfectly clean; (4) he shall feed them the same food that he himself eats and never take money from them for anything having to do with their services in church or their musical instruction…” [cont’d]
— Málaga Cathedral Document (11 September 1551)

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“Sacred Vs. Secular Music” • Fr. John C. Selner
published 20 July 2015 by Jeff Ostrowski

EOPLE OFTEN ASK about the difference between SACRED and SECULAR music. Fr. John C. Selner, known for his work with the Society of Saint Gregory before the Second Vatican Council, attempted to provide an answer in this 1965 essay:

    * *  PDF Download • “Singing The New Songs” (1965)

This paragraph was particularly thought-provoking:

495 Fr. Selner


His writing style reminds me of Msgr. Francis P. Schmitt, who ran a “rival” publication—Caecilia Magazine. The “rivalry” ended when both organizations came together in 1965, forming the Church Music Association of America, and this essay appeared in the inaugural CMAA Journal.