About this blogger:
A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004), and did graduate work in Musicology. He serves as choirmaster for the new FSSP parish in Los Angeles, where he resides with his wife and children.
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“To treat harmony and rhythm in this matter was a difficult matter. Facing numerous problems both large and small—that arose constantly—we understood that a flawless harmonization of Gregorian chant cannot be created by improvisation, no matter the competence and ability of the organist or harmonist.”
— Mons. Jules Van Nuffel, NOH Preface

Is Renaissance Music Too Expressive For Holy Mass?
published 20 July 2015 by Jeff Ostrowski

ANY GREAT COMPOSERS have set the “Salve Regina.” The version by Tomás Luis de Victoria (d. 1611) is among the finest. In the following excerpt—recorded on YouTube by an excellent group called Genesis Sixteen—consider his gorgeous treatment of the Latin text:

Ad te suspirámus, geméntes et flentes in hac lacrimárum valle.
To thee do we send up our sighs, mourning and weeping in this valley of tears.

Victoria uses typical Renaissance “tricks.” For tears, the lugubrious flats are added. Moreover, the mournful descending lines in each voice—one after another—bring home the “sad valley” concept. Sing each “lacrimárum valle” as the music plays:

    * *  Mp3 Excerpt • “Salve Regina” (Genesis Sixteen)

493 Lacrimarum Valle Victoria

It just doesn’t get any better than this, folks!