About this blogger:
A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004), and did graduate work in Musicology. He serves as choirmaster for the new FSSP parish in Los Angeles, where he lives with his wife and two children.
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It should be borne in mind that there is no preference expressed in the liturgical legislation for either “versus populum” or “ad orientem.” Since both positions enjoy the favor of law, the legislation may not be invoked to say that one position or the other accords more closely with the mind of the Church.
— Congregation for Divine Worship (Vatican City), 10 April 2000

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Is Renaissance Music Too Expressive For Holy Mass?
published 20 July 2015 by Jeff Ostrowski

ANY GREAT COMPOSERS have set the “Salve Regina.” The version by Tomás Luis de Victoria (d. 1611) is among the finest. In the following excerpt—recorded on YouTube by an excellent group called Genesis Sixteen—consider his gorgeous treatment of the Latin text:

Ad te suspirámus, geméntes et flentes in hac lacrimárum valle.
To thee do we send up our sighs, mourning and weeping in this valley of tears.

Victoria uses typical Renaissance “tricks.” For tears, the lugubrious flats are added. Moreover, the mournful descending lines in each voice—one after another—bring home the “sad valley” concept. Sing each “lacrimárum valle” as the music plays:

    * *  Mp3 Excerpt • “Salve Regina” (Genesis Sixteen)

493 Lacrimarum Valle Victoria


It just doesn’t get any better than this, folks!