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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Choir Rehearsal Is Prayer

Richard J. Clark · February 13, 2015

O I JUST FINISHED directing one of the most enjoyable choir rehearsals in quite some time. That is saying a lot because I usually feel highly energized by choir rehearsals. No matter how early in the morning my five year old and/or eleven month old sons wake me up, by the end of a choir rehearsal, I’m flooded with endorphins and can’t sleep — like right now. Ironically, it is quite possible we won’t get to sing the music we rehearsed — a problem everyone in Boston is facing this Sunday.

Oh, it was not the best sounding rehearsal by far. Many, including some of my best singers were unable to attend in part because of the 72” (182.88cm) of snow on the ground in Boston. It seems we are due for another 10-18” on early Sunday morning—the fourth major storm in three weeks. This annoys me. Why does it have to hit Saturday evening into Sunday morning? Even late Sunday morning works for me. I’ll figure out how to get back later. Oh, I almost forgot, I learned the National Guard was in front of my house during tonight’s rehearsal removing snow. I already got work without them. In fact my choirs have been showing up in surprisingly wonderful numbers despite all the recent snow.

I digress.

HIS WAS ONE OF THE BEST REHEARSALS because my volunteers, including two new singers this week, accomplished a great deal in their own right. They beautifully learned the Introit, Esto mihi in Deum protectorem from the Graduale Romanum, choral anthems for Sunday and Ash Wednesday, a beautiful psalm setting by Jeff Ostrowski (one of his best, Psalm 32), a communion proper, etc., etc. Without some of my best singers and many others missing, they responded thoughtfully and sensitively to correction and direction. New singers weren’t completely freaked out by trying to sing Gregorian notation, despite a lack of experience. They tackled various styles, as always, imbuing reverence and nuance. As such, the more I respect a choir’s ability, the more critical I am in rehearsal. I was very critical, and I was very proud of them.

I think many of us are lucky to experience this in choir rehearsal. While we left knowing Sunday’s weather forecast looked dire, I told them I was grateful for this time together in prayer. Rehearsal is prayer. These great texts of the church are prayer. Hopefully, the music we add is sacred, beautiful, and therefore, universal.

Snow annoys me, because selfishly, I’d like to implement what we so lovingly prepared. It may end up being that the prayer of rehearsal will have to be good enough this week. One of the best rehearsals ever might be followed up by a fizzle.

But it won’t be. I am deeply grateful for the beautiful people around me who also want to serve the Church and each other. This will live on in our hearts with more music to pray.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF • “Cantus Mariales” (192 pages)
    Andrea Leal has posted an absolutely pristine scan of CANTUS MARIALES (192 pages) which can be downloaded as a PDF file. To access this treasure, navigate to the frabjous article Andrea posted Monday. The file is being offered completely free of charge. The beginning pages of the book have something not to be missed: viz. a letter from Pope Saint Pius X to Dom Pothier, in which the pope calls Abbat Pothier “a man versed above all others in the science of liturgy, and to whom the cause of Gregorian chant is greatly indebted.”
    —Jeff Ostrowski
    Music List • (2nd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 2nd Sunday of Lent (1 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its somber INTROIT is particularly striking—using a haunting tonality—but the COMMUNION with its fauxbourdon verses is also quite remarkable. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    Like! Like! Like!
    You won’t believe who recently gave us a “like” on the Corpus Christi Watershed FACEBOOK PAGE. Click here (PDF) to see who it was. We were not only sincerely honored, we were utterly flabbergasted. This was truly a resounding endorsement and unmistakable stamp of approval.
    —Jeff Ostrowski

Quick Thoughts

    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“For me, religious music ceased with the sixteenth century. The fresh, childlike souls of that time alone expressed their vehement, untainted fervor in music free from worldliness. Since then we have had pious musical improvisations more or less made for show. That wonderful man Johann Sebastian Bach only escaped because of his natural genius. He built harmonic edifices as a devout architect and not as an apostle.”

— Claude Debussy (1862-1918)

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