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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Choir Rehearsal Is Prayer

Richard J. Clark · February 13, 2015

O I JUST FINISHED directing one of the most enjoyable choir rehearsals in quite some time. That is saying a lot because I usually feel highly energized by choir rehearsals. No matter how early in the morning my five year old and/or eleven month old sons wake me up, by the end of a choir rehearsal, I’m flooded with endorphins and can’t sleep — like right now. Ironically, it is quite possible we won’t get to sing the music we rehearsed — a problem everyone in Boston is facing this Sunday.

Oh, it was not the best sounding rehearsal by far. Many, including some of my best singers were unable to attend in part because of the 72” (182.88cm) of snow on the ground in Boston. It seems we are due for another 10-18” on early Sunday morning—the fourth major storm in three weeks. This annoys me. Why does it have to hit Saturday evening into Sunday morning? Even late Sunday morning works for me. I’ll figure out how to get back later. Oh, I almost forgot, I learned the National Guard was in front of my house during tonight’s rehearsal removing snow. I already got work without them. In fact my choirs have been showing up in surprisingly wonderful numbers despite all the recent snow.

I digress.

HIS WAS ONE OF THE BEST REHEARSALS because my volunteers, including two new singers this week, accomplished a great deal in their own right. They beautifully learned the Introit, Esto mihi in Deum protectorem from the Graduale Romanum, choral anthems for Sunday and Ash Wednesday, a beautiful psalm setting by Jeff Ostrowski (one of his best, Psalm 32), a communion proper, etc., etc. Without some of my best singers and many others missing, they responded thoughtfully and sensitively to correction and direction. New singers weren’t completely freaked out by trying to sing Gregorian notation, despite a lack of experience. They tackled various styles, as always, imbuing reverence and nuance. As such, the more I respect a choir’s ability, the more critical I am in rehearsal. I was very critical, and I was very proud of them.

I think many of us are lucky to experience this in choir rehearsal. While we left knowing Sunday’s weather forecast looked dire, I told them I was grateful for this time together in prayer. Rehearsal is prayer. These great texts of the church are prayer. Hopefully, the music we add is sacred, beautiful, and therefore, universal.

Snow annoys me, because selfishly, I’d like to implement what we so lovingly prepared. It may end up being that the prayer of rehearsal will have to be good enough this week. One of the best rehearsals ever might be followed up by a fizzle.

But it won’t be. I am deeply grateful for the beautiful people around me who also want to serve the Church and each other. This will live on in our hearts with more music to pray.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • Communion for Sunday
    The COMMUNION ANTIPHON with fauxbourdon psalm verses for this coming Sunday (3 May 2026) is elegant and poignant. It’s such a shame it only comes every three years. This piece—along with all the musical scores for this coming Sunday, which is the 5th Sunday of Easter (Year A)—can be downloaded free of charge from the flourishing feasts website. By the way, how is it already 2026?
    —Jeff Ostrowski
    Season’s End Repertoire
    Looking at the REPERTOIRE SHEET until the end of the choral season, I see that I’ve fallen behind schedule. (The last three months have been extraordinarily busy.) As you know, I have been providing organ harmonies for all the ENTRANCE CHANTS—as well as rehearsal videos—and you can see I’m behind where I planned to be. Now I must make up lost ground. However, the choir picks up the ENTRANCE CHANT with ease, so I’m sure it will all work out. My ‘unofficial’ harmonizations are being posted each week at the flourishing feasts website.
    —Jeff Ostrowski
    PDF Download • “Funeral Procession”
    From a mediæval Book of Hours, I was sent this glorious depiction of a Roman Catholic funeral procession by Simon Bening (d. 1561). The image resolution is extremely high. I’m not sure I know of a more beautiful illustration of a mediæval church. And I love how the servers are wearing red and pink cassocks!
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

Random Quote

“The Lord’s Prayer, among the Greeks, is said by all the people; among us, by the priest alone.”

— Pope Saint Gregory the Great

Recent Posts

  • PDF Download • Communion for Sunday
  • “Translating the Bible” • Msgr. Ronald Knox (1953)
  • Season’s End Repertoire
  • PDF Download • “Funeral Procession”
  • Re: The “Correct” Way To Sing Gregorian Chant

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