About this blogger:
A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004), and did graduate work in Musicology. He serves as choirmaster for the new FSSP parish in Los Angeles, where he resides with his wife and children.
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“The problem of the new Missal resides in its departure from the continuous history which was going on before and after Pius V, and that it creates definitely a new book (although with old material). Its appearance is accompanied by a type of prohibition of what was traditional, being such a type of prohibition alien to the ecclesiastical history of law and of liturgy. From my personal knowledge of the conciliar debates and from the repeated reading of the speeches of the Fathers of the Council, I can say with certainty, that this was not intended by them.”
— Cardinal Ratzinger, Letter to Wolfgang Waldstein (14 December 1976)

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Polyphonic “Alleluia” for 3 voices • Morales (†1553)
published 24 April 2015 by Jeff Ostrowski

876 manuscript HILE STUDYING musicology in graduate school, I made a series of recordings for a choral methods class. I was attempting to demonstrate—by means of choir recordings—that ladies with low voices and men with high voices mixed together create a beautiful “choral blend.” I have always believed it’s a mistake to have all women in the alto section and all men in the tenor section.

If you attempt this lovely “ALLELUIA” based on a score by Cristóbal de Morales (†1553), you might consider placing high-voiced males with low-voiced females together on the middle line:

    * *  PDF Download • Polyphonic Alleluia (Morales)

REHEARSAL FILES :

EQUAL VOICE : YouTube   •   Mp3 File

HIGHEST VOICE : YouTube   •   Mp3 File

MIDDLE VOICE : YouTube   •   Mp3 File

LOWEST VOICE : YouTube   •   Mp3 File