About this blogger:
A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004), and did graduate work in Musicology. He serves as choirmaster for the new FSSP parish in Los Angeles, where he lives with his wife and two children.
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"In the Orthodox Churches they have kept that pristine liturgy, so beautiful. We have lost a bit the sense of adoration. They keep, they praise God, they adore God, they sing, time doesn’t count. God is the center, and this is a richness …"
— Pope Francis (8/2/2013)

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Polyphonic “Alleluia” for 3 voices • Morales (†1553)
published 24 April 2015 by Jeff Ostrowski

876 manuscript HILE STUDYING musicology in graduate school, I made a series of recordings for a choral methods class. I was attempting to demonstrate—by means of choir recordings—that ladies with low voices and men with high voices mixed together create a beautiful “choral blend.” I have always believed it’s a mistake to have all women in the alto section and all men in the tenor section.

If you attempt this lovely “ALLELUIA” based on a score by Cristóbal de Morales (†1553), you might consider placing high-voiced males with low-voiced females together on the middle line:

    * *  PDF Download • Polyphonic Alleluia (Morales)

REHEARSAL FILES :

EQUAL VOICE : YouTube   •   Mp3 File

HIGHEST VOICE : YouTube   •   Mp3 File

MIDDLE VOICE : YouTube   •   Mp3 File

LOWEST VOICE : YouTube   •   Mp3 File