About this blogger:
A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004), and did graduate work in Musicology. He serves as choirmaster for the new FSSP parish in Los Angeles, where he resides with his wife and children.
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On leaving the Vatican after his abdication: “I was deeply moved. The cordiality of the farewell, also the tears of my collaborators. [His voice breaks with emotion.] On the roof of the Casa Bonus Pastor there was written in huge letters «Dio gliene renda merito» [“May God reward you”]. (The Pope weeps) I was really deeply moved. In any case, while I hovered overhead and began to hear the bells of Rome tolling, I knew that I could be thankful and my state of mind on the most profound level was gratitude.”
— Pope Emeritus Benedict XVI (23 May 2016)

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Polyphonic “Alleluia” for 3 voices • Morales (†1553)
published 24 April 2015 by Jeff Ostrowski

876 manuscript HILE STUDYING musicology in graduate school, I made a series of recordings for a choral methods class. I was attempting to demonstrate—by means of choir recordings—that ladies with low voices and men with high voices mixed together create a beautiful “choral blend.” I have always believed it’s a mistake to have all women in the alto section and all men in the tenor section.

If you attempt this lovely “ALLELUIA” based on a score by Cristóbal de Morales (†1553), you might consider placing high-voiced males with low-voiced females together on the middle line:

    * *  PDF Download • Polyphonic Alleluia (Morales)

REHEARSAL FILES :

EQUAL VOICE : YouTube   •   Mp3 File

HIGHEST VOICE : YouTube   •   Mp3 File

MIDDLE VOICE : YouTube   •   Mp3 File

LOWEST VOICE : YouTube   •   Mp3 File