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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Reflections Upon The Death Of Francis Cardinal George This Morning At 10:45am

Jeff Ostrowski · April 17, 2015

904 Francis Cardinal George WAS SADDENED to hear of the death of Francis Cardinal George. I hope readers will permit me a few reflections about this great Church leader. Many will remember the courageous role he played in the creation of a more faithful translation of the Roman Missal. I enjoyed reading his comments—especially in the bishops’ meetings as recorded and printed by Helen Hull Hitchcock—which at times 1 could be rather pointed.

What I wish to relate, however, is my own memory of Francis Cardinal George, who offered Mass during a CMAA Colloquium in Chicago. Some of our readers know that not all CMAA liturgies attain the same level of perfection. This one happened early in the week. To be brutally honest, our singing was very poor. (If memory serves, it was a Wednesday Mass, which means the participants had only one day of training before this Mass.) Someone told me in advance that the cardinal was a trained musician; was he ever!

I’ll never forget when Cardinal George sang his parts. His singing was glorious! Only 2-3 other clerics I know could sing as nicely. Because our singing was so poor—for the reasons I’ve already explained—I felt like crawling underneath a rock!

By the way, this was quite a contrast to another high-ranking cleric, who shall remain nameless. His diocese paid me to present at a conference focusing on the music in MR3. During the Mass, it was obvious the bishop had done zero preparation, because he sang everything exactly as it was before MR3. Whereas Cardinal George had not missed a single note, this bishop sang not one note correctly. During the rest of the conference, we were forced to keep talking about “how amazing” and “how wonderful” the tones in MR3 sounded…and what an improvement they were!  Perhaps if I had more integrity, I would have pointed out that the bishop sang everything incorrectly, but I made the decision to “go with the flow.” (I suppose that makes me a hypocrite.)

Francis Cardinal George had a deep love for music, and personally called into his office several friends of mine. He told them how important their work was. He told them they must continue to fight for QUALITY church music…instead of the “garbage” (his word) so often thrust upon the faithful.

Cardinal George, in some ways, was very serious; he didn’t have time for nonsense. I remember seeing him on Meet the Press, speaking to David Gregory (who was not Catholic). Gregory said something like, “So, now that Pope Francis has been elected, I hear everything in your Church is going to change. Tell us, Cardinal George, about some radical changes Pope Francis will soon make.” Cardinal George’s response was something to the effect of, “As far as I know, David, his job is no different than it always has been: preach the Gospel.”

I hope my reflections don’t come across as too random. We at CCW don’t prepare comments in advance of someone’s death. From what I understand, Cardinal George has skirted death many times in the past, so I’m sure news organizations have their articles “primed and ready.”

Francis Cardinal George had a good sense of humor and probably would have enjoyed this skit, poking fun at people who prepare obituaries in advance:


(Many people dislike Dana Carvey, but his Tom Brokaw is excellent.)



NOTES FROM THIS ARTICLE:

1   If my memory is correct, one of the bishops was insisting that MR3 continue to be delayed, and Cardinal George said something to the effect of, “Our people have already waited a decade; a decade is long enough to delay.” (Remember that the Latin edition of MR3 came out around 2001, yet the American bishops took almost 10 years to release its translation!)

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Francis Cardinal George Of Chicago Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Music List • (4th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 4th Sunday of Lent (15 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has sublime propers. It is most often referred to as “Lætare Sunday” owing to its INTROIT. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • Communion (4th Snd. Lent)
    The COMMUNION ANTIPHON for this coming Sunday, which is the Fourth Sunday of Lent (Year A), is particularly beautiful. There’s something irresistible about this tone; it’s neither happy nor sad. As always, I encourage readers to visit the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski

Quick Thoughts

    Stumped by “Episcopalian Hymnal” (1910)
    Some consider Songs of Syon (1910) the greatest Episcopalian hymnal ever printed. As a Roman Catholic, I have no right to weigh in one way or the other. However, this particular page has me stumped. I just know I’ve heard that tune somewhere! If you can help, please email me. I’m talking about the text which begins: “This is the day the Lord hath made; In unbeclouded light array’d.” The book is by George Ratcliffe Woodward, and its complete title is: Songs of Syon: A Collection of Psalms, Hymns, and Spiritual Songs. Back in 2016, Corpus Christi Watershed scanned and uploaded this insanely rare book. For years our website was the sole place one could download it as a PDF file.
    —Jeff Ostrowski
    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“The introduction of the vernacular will certainly be a great sacrifice for those who know the beauty, the power and the expressive sacrality of Latin. We are parting with the speech of the Christian centuries; we are becoming like profane intruders in the literary preserve of sacred utterance. We will lose a great part of that stupendous and incomparable artistic and spiritual thing, the Gregorian chant. We have reason indeed for regret […] We are giving up something of priceless worth.”

— Pope Paul VI

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