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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

When Disobedience Is Not Only Good, But Necessary!

Aurelio Porfiri · September 2, 2014

903 obey WANT TO GET this straight: I don’t really like those who bow to everything the Pope says, whoever the Pope is. After all, according our faith, the Pope is infallible only for certain pronouncements; not for everything he does or says. This kind of papolatry—although not absolutely irreconcilable with our Faith—certainly causes disturbance to those desiring to be CATHOLICS in the deep, strong meaning of this word. Now, of course, we must listen to the Pope with attention because we know that most of the time his words are intended for the good of our spiritual life, so—even if we’re not “bound” strictly speaking—it would be wise to follow his advice and teachings. But not everything he says is a definitive pronouncement.

Here’s what often happens: new Pope, new lifestyle. Some who formerly took delight in displaying their lovely high notes singing Gregorian chant during the reign of Benedict XVI now suddenly discover a south American soul with Pope Francis. We are surrounded—both in and beyond the Vatican—by “men without qualities,” to cite a novel of the writer Robert Musil. The problem is, such undisputed acceptance is demanded by some for everything uttered by a cardinal, bishop, or pastor … However, when they say things that our conscience finds unsound, they are announcing a doctrine that misleads us instead of leading us. In such cases, disobeying is good! 1

How many fights I’ve had with priests because of liturgy! How many times concerned Catholics were saying to me that I should respect the pastor, the priest, blah blah blah. To all these people, I have one answer: who cares?!! If the pastor, the priest, the nun, the bishop, the cardinal, and beyond are saying that which my conscience rejects, I follow my conscience. This is not “freedom of conscience,” condemned by Gregory XVI in Mirari vos (1832). Our conscience should never be encouraged to commit evil; so in this sense, the freedom of conscience cannot be encouraged, but also a conscience deciding to walk on wrong ways cannot be stopped.

GOD LEAVES US FREE and ultimately responsible for our actions. But in the case of consenting to certain teachings, if they’re not in line with what an educated conscience feels is good, they have to be rejected, no matter whom they come from. Father Enrico Zoffoli, in one of his pamphlets about clergy, has said that we are not interested in private opinion of priests: they are the announcers of the Gospel, that’s all. We respect Pope, cardinals, bishops, priests … but up to a point. When they cross a line, we need not jump on the other side with them.

Indeed, in the encyclical of Gregory XVI, there’s another interesting point, and in this case I feel quite near to Mauro Cappellari (Gregory XVI’s name before his election):

“The holiness of the sacred is despised; the majesty of divine worship is not only disapproved by evil men, but defiled and held up to ridicule.” —Mirari Vos, §5 (1832)

Mmm … in this very case, I think that if these words were not written almost 200 years ago but today, they would still sound reasonable and sound, even to my own (maybe not very well educated) conscience.


BOTTEGA • Aurelio Porfiri is where you can discover
many of Mæstro Porfiri’s compositions in PDF format.



NOTES FROM THIS ARTICLE:

1   Editor’s Reminder: According to Catholic teaching, those under obedience must refuse obedience if ordered to commit sin.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Aurelio Porfiri

Renowned as composer, conductor, theorist, author, pedagogue, and organist, Aurelio Porfiri has served the Church on multiple continents at the highest levels. Born and raised in Italy, he currently serves as Director of Choral Activities and Composer in Residence for Santa Rosa de Lima School (Macao, China).

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    Our tiny 501(c)3 nonprofit organization exists solely by generous readers who donate $5.00 per month. We have no endowment; we have no major donors; we run no advertisements; we have no savings. A donor wrote to us: “I so appreciate all you do and have done, and your generosity is unprecedented. I am honored to be able to make a monthly contribution.” Another monthly donor says: “Thank you for everything CC Watershed does. We are able to add so much solemnity to Holy Mass due to the resources made available here.” Can you spare a few dollars each month to help us survive?
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    Dom Pothier • Photo from 1904
    Dom Paul Cagin, in a 1904 publication (L’oeuvre de Solesmes dans la restauration du chant grégorien) made sure to include a beautiful image of Dom Pothier, the legendary abbot of St-Wandrille. Also shown is a very young Dom André Mocquereau. Auguste Pécoul—considered the spiritual “son” of Abbat Prosper Guéranger of Solesmes—wrote as follows on 24 June 1901: “To forestall any confusion, let us remember that there is just one Gregorian notation—that restored, according to the ancient manuscripts, by the eminent Abbot of Saint-Wandrille, Dom Pothier.” ✠
    —Jeff Ostrowski
    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski

Quick Thoughts

    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
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    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
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    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

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“In everything of any importance at all, Sarum (and all other mediæval rites) was simply Roman, the rite which we still use.”

— Fr. Adrian Fortescue (1912)

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