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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Pope Francis & Mike Rowe Are in Agreement

Fr. David Friel · October 5, 2014

N A CHURCH filled with volunteer choirs and cantors, the talent level runs the gamut. It would be nice if every parish could afford to hire professional singers for every Mass, but that is not the reality in most situations. Where it is possible, of course, that should be encouraged and supported. But what should be done the rest of the time, particularly when you get a volunteer with more enthusiasm than talent?

This week, two well-known figures gave similar answers to this conundrum. The first was Pope Francis, who has been discussing various charisms during his general audiences. During last week’s audience, the Holy Father stressed that charisms must be recognized and acknowledged by the wider ecclesial community:

Someone cannot figure out by himself if he has a charism and which one. It’s a bit like that kind of person everyone has heard about, who says, “Oh I have this talent, I know how to sing so well.” And yet no one has the courage to tell him, “Hmm, it’s better you keep your mouth shut. You torment us when you sing.”

The other figure who spoke out this week is Mike Rowe, host of the TV series “Dirty Jobs.” Months ago, Rowe gave a speech in which he characterized the cliché “Follow your passion” as bad advice. One of his listeners took issue with this and wrote him a note. Defending his original position, Rowe had this to say:

Like all bad advice, “Follow Your Passion” is routinely dispensed as though its wisdom were both incontrovertible and equally applicable to all. It’s not. Just because you’re passionate about something doesn’t mean you won’t suck at it. And just because you’re determined to improve doesn’t mean that you will.

I’m fascinated by the beginning of American Idol. Every year, thousands of aspiring pop-stars show up with great expectations, only to learn that they don’t have anything close to the skills they thought they did. What’s amazing to me isn’t their lack of talent—it’s their lack of awareness, and the resulting shock of being rejected. How is it that so many people are so blind to their own limitations? How did these people get the impression they could sing in the first place?

This is a real issue that needs real solutions. The liturgy has too often served as a sort of fallback coffeehouse for lackluster musicians who cannot find an audience elsewhere. These men & women are often wonderful, active parishioners—the sort of people the parish can rely upon to volunteer for many needs throughout the year. But, if they lack sufficient talent to be of true service to the sacred liturgy, something must be done so that the parish’s worship does not suffer.

So, what to do? Fundamentally, both Pope Francis & Mike Rowe agree that the first step is to muster up enough courage to be honest. We shouldn’t fear confrontation, but it is also good to remember that the messenger (and his or her manner) can make a world of difference. If you have a wretched cantor or organist who needs to be addressed, try to think of who might be the best person to have a talk with them; it could be the music director, the priest, a deacon, or even a senior member of the choir. Then, in the conversation, be sure to affirm the person’s generosity & reliability & other good qualities. A good idea may be to have in mind another role that you could invite the person to take on—something that is better suited to their gifts & talents.

It is hard to be this honest, but the worthy celebration of the liturgy requires it. As the Holy Father stressed, charisms are never self-declared; they are always discerned in the context of the community.

If you have occasion to confront a poor musician in your parish, it may be difficult at first. Down the road, however, that person may come to be grateful for your intervention. Consider Mike Rowe’s retrospection:

When I was 16, I wanted to follow in my grandfather’s footsteps. I wanted to be a tradesman. I wanted to build things, and fix things, and make things with my own two hands. This was my passion, and I followed it for years. I took all the shop classes at school, and did all I could to absorb the knowledge and skill that came so easily to my granddad. Unfortunately, the handy gene skipped over me, and I became frustrated. But I remained determined to do whatever it took to become a tradesman.

One day, I brought home a sconce from woodshop that looked like a paramecium, and after a heavy sigh, my grandfather told me the truth. He explained that my life would be a lot more satisfying and productive if I got myself a different kind of toolbox. This was almost certainly the best advice I’ve ever received, but at the time, it was crushing.

Saying things that people need to hear is often frightening, sometimes heroic, and rarely easy. When motivated by true charity, it can be a great blessing to everyone involved.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Liturgical Abuse, Pope Francis, Simple Steps To Improve Parish Music Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (2nd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 2nd Sunday of Lent (1 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its somber INTROIT is particularly striking—using a haunting tonality—but the COMMUNION with its fauxbourdon verses is also quite remarkable. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    Like! Like! Like!
    You won’t believe who recently gave us a “like” on the Corpus Christi Watershed FACEBOOK PAGE. Click here (PDF) to see who it was. We were not only sincerely honored, we were utterly flabbergasted. This was truly a resounding endorsement and unmistakable stamp of approval.
    —Jeff Ostrowski
    Which Mass?
    In 1905, when the Vatican Commission on Gregorian Chant began publishing the EDITIO VATICANA—still the Church’s official edition— they assigned different Masses to different types of feasts. However, they were careful to add a note (which began with the words “Qualislibet cantus hujus Ordinarii…”) making clear “chants from one Mass may be used together with those from others.” Sadly, I sometimes worked for TLM priests who weren’t fluent in Latin. As a result, they stubbornly insisted Mass settings were ‘assigned’ to different feasts and seasons (which is false). To understand the great variety, one should examine the 1904 KYRIALE of Dr. Peter Wagner. One should also look through Dom Mocquereau’s Liber Usualis (1904), in which the Masses are all mixed up. For instance, Gloria II in his book ended up being moved to the ‘ad libitum’ appendix in the EDITIO VATICANA.
    —Jeff Ostrowski

Quick Thoughts

    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“The following few hints on the selection of voices may be useful: (1) Reject all boys who speak roughly, or sing coarsely; (2) Choose bright, intelligent-looking boys, provided they have a good ear; they will much more readily respond to the choirmaster’s efforts than boys who possess a voice and nothing more; therefore, (3) Reject dull, sulky, or scatter-brained boys, since it is hard to say which of the three has the most demoralizing effect on his more willing companions.”

— Sir Richard Runciman Terry (1912)

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