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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Secret Way The Latin Mass Has Won

Jeff Ostrowski · October 27, 2014

752 Latin Mass OBODY WOULD DISPUTE that Collegeville’s Liturgical Press has been the preëminent propagandist for radical liturgical changes. They have produced three blogs:

PrayTell: geared toward “progressive” liturgists

Rock and Theology: supporting secular music in Catholic liturgies

Raids Across the Color Line: dealing with what they deem “the abhorrent amount of racism” in the USA

I haven’t spent much time reading ROCK AND THEOLOGY. Nor have I found much time for RAIDS ACROSS THE COLOR LINE (which contains posts like Growing Up Racist and Misogynist and Catholic). However, during the months I was bedridden due to illness, I spent some time going through PrayTell, with a mixture of curiosity and horror. Much could be said about PrayTell, but today I will mention one aspect only. 1

THE PRIMARY EDITOR of PrayTell is obsessed with the Extraordinary Form. He abhors it, yet can’t stop talking about it, and broaches the topic constantly—not only in his posts, but also in his comment fields. Following the announcement of Most Rev. Blase Cupich being sent to Chicago, the editor’s VERY FIRST COMMENT was to note that Cupich allegedly persecuted EF Catholics in Rapid City. 2 How embarrassing! It’s as if he’s wearing blinders, and all he cares about is whether someone dares to support in any way the Rite loved for so many centuries by so many saints.

In another post, having spoken about how wonderful it was to attend Vespers in St. Peter’s Basilica, the PrayTell editor couldn’t be content. Instead, he had to exclaim, with a double question mark for emphasis, “After such a beautiful and dignified reformed liturgy, why would anyone hanker after the unreformed preconciliar one??” Many more examples could be provided.

Perhaps you think I am frustrated by such things. After all, PrayTell is hardly alone in their “EF derangement syndrome”—many in the progressive camp do likewise on a daily basis. Some might be tempted to say:

“Why must you denigrate those who prefer the Extraordinary Form? Only a tiny minority of Catholics currently have the EF: why don’t you mind your own business? Why aren’t you bothered by other Catholics using an ancient rite, like the Byzantine Catholics? Why is it an unforgivable sin in your eyes that a small minority of Catholics worship in the EF?”

However, I never will say anything like that, because I’m glad they’re obsessed with the Extraordinary Form. Every time they denigrate it, more Catholics become curious and end up falling in love with it. Those of us who attended daily Mass in the Extraordinary Form during the 1990s remember how small the movement was, yet we knew we had a treasure that speaks directly to the hearts of men. (Even EF opponents secretly realize its power and magnificence.) We have been delighted to see how this movement has flourished.

Yesterday, I attended Mass in a city I’d never heard of. The EF Mass was packed—even though it was scheduled at a bad time—and the choir was wonderful. After Mass, I met a lady who has sixty-four (64) grandchildren and eighty-seven (87) great-grandchildren. All of her kids are practicing Catholics, and most attend the Extraordinary Form. No, friends, this movement will not die. And it certainly will not die at the hands of the PrayTell Blog, no matter how snarky their posts become.



NOTES FROM THIS ARTICLE:

1   For example, one could examine PrayTell’s ruthless and discriminatory suppression of most comments by “conservative Catholics” or their pseudo–intellectual attempts a few weeks ago to put a new spin on clown Masses.

2   I’ve taken a screen shot of this, in case the PrayTell Editor decides to remove his comment. PrayTell often removes posts, usually when their contributors are caught making a technical error describing the liturgy. For myself, I think such things ought to remain, as a matter of honesty, but nobody is asking my opinion!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Extraordinary Form 1962 Missal, PrayTell Blog, Traditional Latin Mass Tridentine Rite Last Updated: April 28, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Sprinkling Rite”
    Liturgical reformers who gained power after Vatican II frequently caused great suffering to musicians. With the stroke of a pen, they sometimes make changes that would require thousands—or even millions—of man hours (work undertaken by composers and editors). The Sprinkling Rite during Eastertide is but one tiny example. The version given in that PDF document was the original melody for Roman Missal, Third Edition. Some still prefer that version. However, at the last moment, an “unknown hand” tinkered with a few notes in the antiphon. Those who examine the current edition can verify this with their own eyes.
    —Jeff Ostrowski
    ‘Sarum’ Good Friday?
    Plainsong of the Roman Rite has many variants—i.e. slight ‘variations’ or ‘alterations’ made to the ancient melodies. Variants often thrive in particular religious orders. Likewise, before Henry VIII broke away from the Catholic Church, Gregorian Chant variants were frequently associated with individual cathedrals in England: Hereford, Lincoln, Salisbury, and so forth. In the early 20th century, the (Anglican) organist at Westminster Abbey married “Let All Mortal Flesh Keep Silence” to this beautiful variant melody from England. Those who sing Gregorian Chant on Good Friday will recognize the melody. What do you think of this pairing?
    —Jeff Ostrowski
    PDF Download • “Eb Organ Postlude”
    Gustav Adolf Merkel (d. 1885) was a German organist, teacher, and composer. Although a Lutheran himself, he held the appointment at the (Roman Catholic) Cathedral of Dresden from 1864 until his death. You can download his Organ Postlude in E-Flat, which I like very much. He has an interesting way of marking the pedal notes. What do you think?
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“The council did not say Latin should be abolished. It said Latin should be used. […] While at Ecclesia Dei, I once received a letter from a chancery office in the United States, asking me if I didn’t know that the council had abolished Latin!”

— Cardinal Mayer, Prefect (1985–1988) of the Vatican’s Congregation for Divine Worship

Recent Posts

  • PDF Download • “Sprinkling Rite”
  • ‘Sarum’ Good Friday?
  • Gregorian Chant • The “Correct” Way of Singing ?
  • PDF Download • “Eb Organ Postlude”
  • Fulton J. Sheen • “24-Hour Catechism”

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