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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Secret Way The Latin Mass Has Won

Jeff Ostrowski · October 27, 2014

752 Latin Mass OBODY WOULD DISPUTE that Collegeville’s Liturgical Press has been the preëminent propagandist for radical liturgical changes. They have produced three blogs:

PrayTell: geared toward “progressive” liturgists

Rock and Theology: supporting secular music in Catholic liturgies

Raids Across the Color Line: dealing with what they deem “the abhorrent amount of racism” in the USA

I haven’t spent much time reading ROCK AND THEOLOGY. Nor have I found much time for RAIDS ACROSS THE COLOR LINE (which contains posts like Growing Up Racist and Misogynist and Catholic). However, during the months I was bedridden due to illness, I spent some time going through PrayTell, with a mixture of curiosity and horror. Much could be said about PrayTell, but today I will mention one aspect only. 1

THE PRIMARY EDITOR of PrayTell is obsessed with the Extraordinary Form. He abhors it, yet can’t stop talking about it, and broaches the topic constantly—not only in his posts, but also in his comment fields. Following the announcement of Most Rev. Blase Cupich being sent to Chicago, the editor’s VERY FIRST COMMENT was to note that Cupich allegedly persecuted EF Catholics in Rapid City. 2 How embarrassing! It’s as if he’s wearing blinders, and all he cares about is whether someone dares to support in any way the Rite loved for so many centuries by so many saints.

In another post, having spoken about how wonderful it was to attend Vespers in St. Peter’s Basilica, the PrayTell editor couldn’t be content. Instead, he had to exclaim, with a double question mark for emphasis, “After such a beautiful and dignified reformed liturgy, why would anyone hanker after the unreformed preconciliar one??” Many more examples could be provided.

Perhaps you think I am frustrated by such things. After all, PrayTell is hardly alone in their “EF derangement syndrome”—many in the progressive camp do likewise on a daily basis. Some might be tempted to say:

“Why must you denigrate those who prefer the Extraordinary Form? Only a tiny minority of Catholics currently have the EF: why don’t you mind your own business? Why aren’t you bothered by other Catholics using an ancient rite, like the Byzantine Catholics? Why is it an unforgivable sin in your eyes that a small minority of Catholics worship in the EF?”

However, I never will say anything like that, because I’m glad they’re obsessed with the Extraordinary Form. Every time they denigrate it, more Catholics become curious and end up falling in love with it. Those of us who attended daily Mass in the Extraordinary Form during the 1990s remember how small the movement was, yet we knew we had a treasure that speaks directly to the hearts of men. (Even EF opponents secretly realize its power and magnificence.) We have been delighted to see how this movement has flourished.

Yesterday, I attended Mass in a city I’d never heard of. The EF Mass was packed—even though it was scheduled at a bad time—and the choir was wonderful. After Mass, I met a lady who has sixty-four (64) grandchildren and eighty-seven (87) great-grandchildren. All of her kids are practicing Catholics, and most attend the Extraordinary Form. No, friends, this movement will not die. And it certainly will not die at the hands of the PrayTell Blog, no matter how snarky their posts become.



NOTES FROM THIS ARTICLE:

1   For example, one could examine PrayTell’s ruthless and discriminatory suppression of most comments by “conservative Catholics” or their pseudo–intellectual attempts a few weeks ago to put a new spin on clown Masses.

2   I’ve taken a screen shot of this, in case the PrayTell Editor decides to remove his comment. PrayTell often removes posts, usually when their contributors are caught making a technical error describing the liturgy. For myself, I think such things ought to remain, as a matter of honesty, but nobody is asking my opinion!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Extraordinary Form 1962 Missal, PrayTell Blog, Traditional Latin Mass Tridentine Rite Last Updated: April 28, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 28 December)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Holy Family of Jesus, Mary, & Joseph (28 Dec. 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon are particularly gorgeous. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (Xmas Midnight Mass)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Christmas Midnight Mass (“Ad Missam In Nocte”). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is simple, but quite beautiful. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

“Even after 1600 A.D.—despite major changes in musical taste—the compositions of Father Cristóbal de Morales were reprinted at Venice. Indeed, and as late as 1619 A.D. one Venetian publisher found his magnificats still in sufficient demand to make a profitable commercial venture out of issuing a new transcribed version for equal voices.”

— Dr. Robert Murrell Stevenson (d. 2012)

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