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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Use and Abuse of the “Via Media”

Dr. Peter Kwasniewski · October 23, 2014

0319_Kwasni-93-LG HE ANCIENTS LIKED TO SAY: “Nothing in excess.” Make sure you find a balanced perspective. Give a little, take a little. Don’t go overboard. Life is full of compromises. Whatever you do, avoid the extremes. When it comes to our opinions and modes of behavior, thoughtful people prefer to see themselves as exponents and practitioners of the via media, the middle way.

The problem is, this often becomes a substitute for real thinking, for the hard work of clinging to the truth even when it is so unpopular or unrecognized that it looks extreme. There are times when the middle way is the wrong way. There are times when the middle way is the broad path that leads to destruction.

Let me offer some examples of how easily the via media logic can be abused. “Believers are too credulous, atheists are too assertive in the opposite direction, so the via media is agnosticism.” “Sedevacantists go to one extreme in their rejection of the reigning pope, while most traditional Catholics are too flaccid in their acceptance of him; the via media is the SSPX.” One could play this game for a long time, and always come out sitting pretty.

To show that this is a real intellectual problem, consider the via media that Blessed John Henry Newman actually believed and defended for many years: “Roman Catholicism is at the excess of superstition and corruption, Protestantism is at the extreme of cutting away tradition, Anglicanism is the happy mean in the middle.”

THEN NEWMAN DISCOVERED, when studying the council of Chalcedon, that historically there were three parties—two extremes and a middle; but, in fact, the one extreme was where the Pope and the orthodox faith stood, the other extreme was pure Arianism, and the middle was a clever attempt at a compromise. The Holy Spirit did not choose the via media in this case; He led the Church to choose what looked like the extreme to everyone at the time.

And, perhaps I should add, the Church “on the ground” was a terrible mess on all sides for a long time. You couldn’t simply look to what your bishop was saying, because many of the bishops had fallen into heresy. (One might think that with authoritative catechisms from papal giants St. Pius V, St. Pius X, and St. John Paul II, bishops and cardinals today would know, teach, and defend the faith handed down to us, but sadly, this no longer seems to be part of the job qualification.)

I once saw the claim, in a bulletin from England, that there is a via media between progressivism/liberalism and traditionalism. Interesting. What kind of a mean is it, I wonder? No doubt we can have too much of the wrong kind of progress, or too heavy a dose of that liberalism condemned by Leo XIII and other pontiffs, but can we have too much tradition? Can we receive, embrace, live, love, and pass on the Sacred Tradition of the Church too much?

The same bulletin went on to claim there is a mean between “liturgical silliness or corruption” and “liturgical snobbery.” We know, perhaps, what they mean by the latter, but the way it’s phrased just supports my point: it’s so easy to caricature your opponents so that you end up comfortably as the via media. Maybe we should concentrate less on who the extremes are (for we might be tempted to judgmentalism), and concentrate more on the truths we should adhere to with all our mind, the goods we should aspire to with all our heart, the beauty we should long for with all our soul, the holiness we should pursue with all our strength. In this way, we will be the right kind of extremists.

Please visit THIS PAGE to learn more about Dr. Kwasniewski’s Sacred Choral Works and the audio CDs that contain recordings of the pieces.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Peter Kwasniewski

A graduate of Thomas Aquinas College (B.A. in Liberal Arts) and The Catholic University of America (M.A. and Ph.D. in Philosophy), Dr. Peter Kwasniewski is currently Professor at Wyoming Catholic College. He is also a published and performed composer, especially of sacred music.

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “21 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 21 September 2025) discusses some theological items—supported by certain verses in ancient Catholic hymns—and ends by explaining why certain folks become delirious with jealousy when they observe feats by Monsignor Ronald Knox.
    —Jeff Ostrowski
    Cheap! Cheap! Cheap!
    It’s always amusing to see old diocesan newspapers—in huge capital letters—advertising the Cheapest Catholic Paper in the United States. The correspondent who sent this to me added: “I can think of certain composers, published by large companies in our own day, who could truthfully brag about the most tawdry compositions in the world!” I wonder what she could have meant by such a cryptic comment…
    —Jeff Ostrowski
    PDF Download • Dom Murray Harmonies
    Along with so many others, I have deep respect for Dom Gregory Gregory Murray, who produced this clever harmonization (PDF) of “O SANCTISSIMA.” It’s always amazed me that Dom Gregory—a truly inspired composer—was so confused when it came to GREGORIAN CHANT. Throughout his life, he published contradictory statements, veering back-and-forth like a weather vane. Toward the end of his life, he declared: “I see clearly that the need for reform in liturgical music arose, not in the 18th and 19th centuries, but a thousand years earlier—in the 8th and 9th centuries, or even before that. The abuses began, not with Mozart and Haydn, but with those over-enthusiastic medieval musicians who developed the elaborate and flamboyant Gregorian Chant.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

The local church should be conscious that church worship is not really the same as what we sing in a bar, or what we sing in a convention for youth.

— Francis Cardinal Arinze (2005)

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