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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Use and Abuse of the “Via Media”

Dr. Peter Kwasniewski · October 23, 2014

0319_Kwasni-93-LG HE ANCIENTS LIKED TO SAY: “Nothing in excess.” Make sure you find a balanced perspective. Give a little, take a little. Don’t go overboard. Life is full of compromises. Whatever you do, avoid the extremes. When it comes to our opinions and modes of behavior, thoughtful people prefer to see themselves as exponents and practitioners of the via media, the middle way.

The problem is, this often becomes a substitute for real thinking, for the hard work of clinging to the truth even when it is so unpopular or unrecognized that it looks extreme. There are times when the middle way is the wrong way. There are times when the middle way is the broad path that leads to destruction.

Let me offer some examples of how easily the via media logic can be abused. “Believers are too credulous, atheists are too assertive in the opposite direction, so the via media is agnosticism.” “Sedevacantists go to one extreme in their rejection of the reigning pope, while most traditional Catholics are too flaccid in their acceptance of him; the via media is the SSPX.” One could play this game for a long time, and always come out sitting pretty.

To show that this is a real intellectual problem, consider the via media that Blessed John Henry Newman actually believed and defended for many years: “Roman Catholicism is at the excess of superstition and corruption, Protestantism is at the extreme of cutting away tradition, Anglicanism is the happy mean in the middle.”

THEN NEWMAN DISCOVERED, when studying the council of Chalcedon, that historically there were three parties—two extremes and a middle; but, in fact, the one extreme was where the Pope and the orthodox faith stood, the other extreme was pure Arianism, and the middle was a clever attempt at a compromise. The Holy Spirit did not choose the via media in this case; He led the Church to choose what looked like the extreme to everyone at the time.

And, perhaps I should add, the Church “on the ground” was a terrible mess on all sides for a long time. You couldn’t simply look to what your bishop was saying, because many of the bishops had fallen into heresy. (One might think that with authoritative catechisms from papal giants St. Pius V, St. Pius X, and St. John Paul II, bishops and cardinals today would know, teach, and defend the faith handed down to us, but sadly, this no longer seems to be part of the job qualification.)

I once saw the claim, in a bulletin from England, that there is a via media between progressivism/liberalism and traditionalism. Interesting. What kind of a mean is it, I wonder? No doubt we can have too much of the wrong kind of progress, or too heavy a dose of that liberalism condemned by Leo XIII and other pontiffs, but can we have too much tradition? Can we receive, embrace, live, love, and pass on the Sacred Tradition of the Church too much?

The same bulletin went on to claim there is a mean between “liturgical silliness or corruption” and “liturgical snobbery.” We know, perhaps, what they mean by the latter, but the way it’s phrased just supports my point: it’s so easy to caricature your opponents so that you end up comfortably as the via media. Maybe we should concentrate less on who the extremes are (for we might be tempted to judgmentalism), and concentrate more on the truths we should adhere to with all our mind, the goods we should aspire to with all our heart, the beauty we should long for with all our soul, the holiness we should pursue with all our strength. In this way, we will be the right kind of extremists.

Please visit THIS PAGE to learn more about Dr. Kwasniewski’s Sacred Choral Works and the audio CDs that contain recordings of the pieces.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Peter Kwasniewski

A graduate of Thomas Aquinas College (B.A. in Liberal Arts) and The Catholic University of America (M.A. and Ph.D. in Philosophy), Dr. Peter Kwasniewski is currently Professor at Wyoming Catholic College. He is also a published and performed composer, especially of sacred music.

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President’s Corner

    Pipe Organ “Answers” in Plainsong?
    In 2003, I copied a book by Félix Bélédin (d. 1895), who was titular organist—from 1841 to 1874—at the Cathedral of Saint John the Baptist in Lyon (France). In 2008, we scanned and uploaded the book to the Lalande Online Library. Nobody knows for sure when the book was published; some believe it first appeared in the 1840s. In any event, one who examines this excerpt, showing GLORIA IX might wonder why it says the organ answers in plainsong. However, the front of the book explains, telling the organist explicitly when to “respond in plainchant.” This is something called organ alternatim. Believe it or not, the pipe organ would take turns with the choir, playing certain texts instrumentally instead of having them sung. I’m not very well-versed in this—pardon the pun—but if memory serves, ORGAN ALTERNATIM was frowned upon by the time of Pope Saint Pius X. Nevertheless, French organists kept doing it, even after it was explicitly condemned as an abuse.
    —Jeff Ostrowski
    Music List • (5th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 5th Sunday of Lent (22 March 2026). If such a thing interests you, feel free to download it as a PDF file. Traditionally, this Sunday was called ‘Passion’ Sunday. Starting in 1956, certain church leaders attempted rename both ‘Passion’ Sunday and ‘Palm’ Sunday—but it didn’t work. For example, Monsignor Frederick McManus tried to get people to call PALM SUNDAY “Second Passion Sunday”—but the faithful rejected that. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    Music List • (Holy Thursday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Holy Thursday, which is 2 April 2026. If such a thing interests you, feel free to download it as a PDF file. I’m not sure I’ve ever heard a more piercingly beautiful INTROIT, and I have come to absolutely love the SATB version of ‘Ubi cáritas’ we are singing (joined by our burgeoning children’s choir). I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“The recitation of the Office of the Dead, the Christmas Office, the spectacle of the days of Holy Week, the sublime chant of the Exultet, beside which the most intoxicating accents of Sophocles and Pindar seemed to me to be insignificant—all of this overwhelmed me with respect and joy, with gratitude, repentance, and adoration!”

— Paul Claudel (1913)

Recent Posts

  • From Sentiment to Sacrament: Reclaiming Sacred Music for the Wedding Mass
  • Pipe Organ “Answers” in Plainsong?
  • “Gregorian Chant Quiz” • 24 March 2026
  • “Versions of the Psalter” • Jeff Interviews Top Biblical Scholar: Dr. Mark Giszczak
  • PDF Download • “Ubi Caritas” (SATB)

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