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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Weddings: Some Practical Advice – Word and Vows

Andrew R. Motyka · October 1, 2014

HEW. It took a long time to get to this post; nearly as long as wedding processions seem when you are playing the organ through 11 bridesmaids.

The Liturgy of the Word in the Nuptial Mass is fairly straightforward. Any of the readings from that ritual Mass section of the Lectionary may be used in their respective places. One point I would ask you to pay attention to, and I can’t believe I even have to say this, is that you should be sure that your chosen readers can actually read. Seriously. Often, this is the role that people are asked to perform when they aren’t quite best-friendy or close-family enough with the bride or groom to become one of the eleventy-six bridesmaids or groomsmen, so they are asked to read instead. Make sure whomever you ask has experience reading at Mass, and that they practice doing so before the Mass. Otherwise, you will end up with the reader who double-clutches during Ephesians 5, or breaks out into giggles during sexy, sexy Tobit.

After the homily, the meat of the wedding ritual comes in. The vows are the sacramental form of Matrimony, so careful attention should be given to this part. While it is not required, I strongly recommend brides and grooms memorizing their vows. This is a solemn promise that you are making for the rest of your life. If you can’t remember what it is, what are you doing? It’s three sentences:

I, Y, take you, X, to be my wife. I promise to be true to you in good times and in bad, in sickness and in health. I will love you and honor you all the days of my life.

(I did that off the top of my head, by the way. 8 years married BOOM.)

There is an option for a different set of vows in the United States, as well.

There is nothing wrong with being assisted by the priest or deacon if you stumble. I think it should be relatively easy to do this from memory, however. The blessing and exchange of rings is even easier:

Y, take this ring as a sign of my love and fidelity, in the name of the Father, and of the Son, and of the Holy Spirit.

That’s it. Those are literally the only lines you have in this part of the rite.

Which brings us to the “Unity Candle.” While this practice has been allowed in many Catholic weddings in recent history, it is not a part of the Catholic Wedding at all. Before you go hog wild in unifying that candle, ask yourself this question: What is this a symbol of?

Is it a symbol of the unity of your families brought about by marriage? That’s not what marriage is. It is a unifying of two individuals.

Is it a symbol of the sacramental promise between the bride and groom? You just exchanged rings for that.

Is it a symbol of the physical unity of the spouses, that “two become one flesh?” You have sex for that. It’s a million times better than lighting a candle.

The Unity Candle isn’t just not a part of the Catholic Wedding; it’s either a false statement, or it’s redundant, or it’s trite. Of course, this might be one of those hills, depending on your parish and liturgical history.

Couples getting married should familiarize themselves with this part of the liturgical celebration more than any other. This is, after all, their part of the liturgy. The bride and the groom are the ministers of the sacrament, and deficiencies due to laziness or lack of preparation are not acceptable. This is the moment you’ve been waiting for. Do it well.


Series by Andrew R. Motyka:   “Weddings: Some Practical Advice”

FIRST PART • Introduction

SECOND PART • The Very Beginning, Part 1

THIRD PART • The End Of The Beginning, Part 2

FOURTH PART • Word and Vows

Stay tuned for more additions!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew R. Motyka

Andrew Motyka is the Archdiocesan Director of Liturgical Music and Cathedral Music for the Archdiocese of Indianapolis.—(Read full biography).

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President’s Corner

    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    “Samaritánæ” (3rd Sunday of Lent)
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“In older times we referred to humans as the human race, but according to this foundation we are being classed with the animals on the farm, the cow, the horse, the mule […] According to this foundation, I have no right to be born, for I am the youngest of 16 children, and God bless my mother for every one of them!”

— Archbishop Schrembs (d. 1945) vs. a foundation promoting artificial contraception

Recent Posts

  • “Dies Irae” • A Monstrous Translation
  • PDF Download • “Holy, Holy, Holy”
  • Music List • (3rd Sunday of Lent)
  • “National Survey” (Order of Christian Funerals) • By the USCCB Secretariat of Divine Worship
  • “Samaritánæ” (3rd Sunday of Lent)

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