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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

How Liberalism Undermines Itself

Dr. Peter Kwasniewski · November 6, 2014

E’VE HEARD for a long time that the solution to society’s problems, including the problems of Catholics in today’s United States of America, is that everyone should “live and let live”—that we should all be classical liberals who rejoice in a land where people are free to live as they choose, as long as they allow others to live as the others choose to live, and as long as nobody hurts anybody. This sounds nice in theory, but how does it work in practice?

The reality of the situation is that the practice of religion (and, mutatis mutandis, the violent opposition to religion that is modern atheism) is necessarily public and political. For example, if all Catholics are to worship on a given day, they must have part or all of the day off of work; and if there is to be a procession, a main road might need to be shut down during it. The former will make companies less efficient or less profitable or both; the latter will impinge on traffic, perhaps on trade, certainly it may seem an imposition on the unbelieving or the unenthusiastic. Modern atheism, for its part, is no less public and political: it tries to get rid of all religious symbols, like crosses and manger scenes, and if it could, it would abolish Sundays and Holy Days (indeed, this has already largely occurred). If they had their way, there would be no room and no respect left for Christianity in the public square. In this sense, the liberal isn’t one who thinks all views should be allowed to flourish; he believes that the only view that can be allowed is the one that says no view is sufficiently known as true for it to have precedence or prerogatives vis-à-vis the people.

Let us take another comparison: music. When someone plays music in his car (especially with extra speakers and windows open, driving down Main Street), or through his earbuds, or in a restaurant, he makes everyone around him listen to what he is listening to. His “free choice” to listen imposes on the others a situation they did not freely choose. He is forcing them to submit to his freedom. So, “giving everyone freedom” is illusory; one man’s exercise of freedom may and likely will impinge on another’s rights.

We see this playing out dramatically with the aggressive homosexual lobby. If “gay marriage” is legalized, then what happens to the freedom of bakers, decorators, clothiers, musicians, and churches to follow their Christian (and natural law-based) conscience, whereby they would choose only to be involved in heterosexual weddings? Sorry, folks, you have no freedom anymore; liberalism has taken it away. You must now do just what the State tells you, no more, no less.

The most serious example, of course, is the denial of the unborn child’s human right to the care of a mother and father and to legal protection, as Joseph Ratzinger discusses in his superb essay “Truth and Freedom.” Because of liberalism’s intolerant creed, the woman’s freedom means everything, the child’s life, rights, and eventual freedom mean nothing. Only a demonic parody of freedom must destroy and abolish another person’s freedom in order to secure itself.

If the social space is not Catholic, it will be filled, over time, with pagan and anti-Catholic elements. Society, like nature, abhors a vacuum. There is no such thing as a religiously-neutral public square. It will be either religious or irreligious, either Christian or anti-Christian.

Please visit THIS PAGE to learn more about Dr. Kwasniewski’s Sacred Choral Works and the audio CDs that contain recordings of the pieces.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Peter Kwasniewski

A graduate of Thomas Aquinas College (B.A. in Liberal Arts) and The Catholic University of America (M.A. and Ph.D. in Philosophy), Dr. Peter Kwasniewski is currently Professor at Wyoming Catholic College. He is also a published and performed composer, especially of sacred music.

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Corpus Christi Watershed

President’s Corner

    Epiphany Hymn • “New 2-Voice Arrangement”
    The Von Trapp Family Singers loved a melody that was featured heavily (perhaps even “too heavily”) in the Brébeuf Hymnal. It goes by many names, including ALTONA, VOM HIMMEL HOCH, and ERFURT. If you only have one man and one woman singing, you will want to download this arrangement for two voices. It really is a marvelous tune—and it’s especially fitting during the season of Christmas and Epiphany.
    —Jeff Ostrowski
    Simplified Accompaniment (Epiphany Hymn)
    About a month ago, I created a simplified keyboard accompaniment for “Come, Thou Long-Expected Jesus”—the famous ADVENT hymn—using a melody called CROSS OF JESUS. It was soon downloaded more than 1,000 times. As of this morning, you can download a simplified keyboard accompaniment for the belovèd Epiphany hymn “Bethlehem! Of noblest cities” (O Sola Magnarum Urbium) by clicking on this link (PDF file). Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult, which explains why choirmasters appreciate these simplified keyboard accompaniments.
    —Jeff Ostrowski
    Psalm Tone Challenge!
    Many readers know that Tone 1a3 is the most difficult PSALM TONE in the 1962 books (and isn’t called for very often). But what about very short verses—which is the absolute most concise you know? The shortest PSALM TONE segment I know would be the fourth verse (PDF) from Psalm 44, used during Matins at Christmas. It’s literally one word long. If you know a more minuscule one, please email me!
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

From 1827 until the last month of his life, Liszt gave lessons in composition and piano playing. He wrote in 1829 that his schedule was “so full of lessons that each day, from half-past eight in the morning till 10 at night, I have scarcely breathing time”

— Re: Abbé Franz Liszt

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  • “Adeste Fideles” • Too Many Translations!

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