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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Colloquium Friends & Chant Workshops

Fr. David Friel · November 16, 2014

F YOU’VE BEEN to a CMAA Colloquium before, chances are that you have “Colloquium friends.” I certainly do. These are people whom you might not see except for those seven days each summer. Throughout the other 51 weeks of the year, you might encounter them virtually someplace in the blogosphere or on the forum, but that’s the extent of it. Still, the simple knowledge that they are out there—like-minded folks trying to think with the heart of the Church out in the trenches—lends motivation to our work for the sacred liturgy.

I was ecstatic to receive an email from one such Colloquium friend the other day. Mona Hauslik emailed to tell me about a chant workshop she has been organizing at her parish, Immaculate Heart of Mary Parish in Ramona, CA, where she serves as Liturgical Music Coordinator. The event is being organized together with her colleague and Music Director at the parish, Steven Holc, another Colloquium friend.

I first met Mona & Steven at Colloquium 2012 in Salt Lake City. They have attended the last three Colloquia together, and they even managed to bring their parish priest along as we gathered in Indy in 2014. They are a terrific witness of parish musicians trying to improve liturgical music at the grassroots level.

A flyer with details about the workshop is available HERE.

The upcoming workshop is entitled Adventus Dona (“The Gifts of Advent”), and it will focus on the chants of the Advent season. Presenters will include Dr. Jon Naples & Mary Ann Carr-Wilson. Jon Naples is organist and Director of Sacred Music at St. Margaret Parish in Oceanside, CA, and he has published music through CanticaNOVA and Corpus Christi Watershed. Mary Ann Carr-Wilson is the organizer of the Gregorian Chant Camp for Children at St. Anne’s in San Diego, where she is also a choir director.

Another highlight of the workshop will be a presentation on the vestments and vessels of the Eastern & Western Churches, given by the Society of Saint John Chrysostom. In addition, the Brothers of the Little Oratory will be present to sing Vespers for the First Sunday in Advent in the Extraordinary Form.

If I weren’t so far from the West coast, I would love to attend this workshop and catch up with some Colloquium friends. If you live anywhere in the San Diego/Los Angeles area, try to make it to Adventus Dona. You will certainly learn a few things, and perhaps even make a new friend!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: CanticaNOVA Publications, Church Music Association of America CMAA, Gregorian Chant, Propers, Sacred Music Colloquium, Simple Steps To Improve Parish Music Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (3rd Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday: the 3rd Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Holy Name Hymn” (2-Voice Arrangement)
    When we post a direct URL link, we frequently get thousands of downloads. But when scrolling is required, very few take the time. I mention this because those who click on this URL link and scroll to the bottom can download—completely free of charge—a clever 2-voice arrangement for a famous hymn to the Most Holy Name of Jesus. In a pinch, it can be nicely sung by one male and one female! It will be of interest to those who seek arrangements for two voices.
    —Jeff Ostrowski
    PDF Download • Introit (3rd Sn. Ord.)
    This coming Sunday, 25 January 2026, is the 3rd Sunday in Ordinary Time (Year A). The ENTRANCE CHANT (“Dóminus secus mare”) is somewhat rare because it comes from the New Testament. The authentic version in Latin—of astounding antiquity—was jettisoned in 1955 but restored in 1970. This rehearsal video has me attempting to sing the melody while simultaneously accompanying myself on the organ. I encourage you to print off the organ accompaniment (PDF) and play through it because it has extremely ‘happy’ harmonies.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

Ronald Knox explained why the Modernists do not compose hymns: “Birds of prey have no song.”

— Fr. George William Rutler (2016)

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