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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Living for Heaven

Fr. David Friel · May 29, 2014

E LIVE IN a very remarkable age. But I propose that, when future generations look back upon the Modern age, what will be most remembered is not what we might think.

It was in the Modern age that mankind first traveled to the moon. But that is not what makes us stand out. Every culture & every age before us has traveled farther than their predecessors and made discoveries of new lands. Think of Columbus sailing to America and the explorers who first traveled to the North Pole. Traveling to the moon was just the next step, which will some day be surpassed.

In the Modern age, we have treatments & inoculations & even cures for many diseases. But that is not what makes us stand out, either. Every culture & every age before us has contributed knowledge to the field of medicine. Think of DaVinci’s studies in human anatomy and Fleming’s discovery of antibiotics.

In the Modern age, we have computers with enormous amounts of memory and the power to communicate instantly. But even that is not what makes us stand out. Every culture & every age before us has developed new ways to catalog information and to communicate. Think of the great ancient library of Alexandria and the later inventions of the telegraph & telephone.

When future generations look back upon our age, what I think will be most memorable is none of those things. The achievements of our digital age will not seem so exceptional as maybe we would like to think. What will stand out is this: the fact that the Modern age is the first age in all of history to have lost sight of why we are living. From the Garden of Eden to the Aztecs to the ancient Greeks to the Ming dynasty to the British Empire, every culture has recognized, in some fashion or another, that the goal of life on Earth is, ultimately, life in heaven.

Until our own. Our culture has lost the sense that we are made for God and destined to be with Him forever in heaven. This is what makes our age unique, and it is no compliment.

Yet this is the very meaning & significance of the Solemnity of the Ascension. Today, we celebrate the truth that we are not made for this Earth. Our bodies and souls are made for heaven, our true home. The Ascension is not some grand exit, whereby Jesus leaves us behind. Rather, He is showing us the way. We should hope, one day, to follow where Jesus Christ has led. So many people around us live as though comfort & pleasure on Earth are the greatest goods to be most highly prized, yet this life is but a prelude to the fullness of life in heaven.

There is a well known story about one of my favorite saints, St. John Vianney. Back in the year 1818, he was just Father Vianney, a parish priest in France. That year, Fr. Vianney was assigned to a new parish. His new parish was in a town called Ars, a backwoods little village in very rural France. Father Vianney was trying to find his new parish, but he wasn’t sure where to go exactly. While searching for the church & rectory, he came upon a young man named Antoine Givre, whom he asked for directions. The young man happily took Fr. Vianney right to the church in Ars. Then the saintly priest said something about which he was very serious: “My son, you have shown me the way to Ars. Now I shall show you the way to heaven.”

A great many people in our age have no desire to be shown the way to heaven. Do we?

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • Introit (2nd Sn. Ord.)
    This coming Sunday, 18 January 2026, is the 3rd Sunday in Ordinary Time (Year A). The ENTRANCE CHANT is set according to the fourth mode, which sounds ‘serious’ or ‘dark’ or ‘haunting’ or ‘mysterious’—and its English adaptation corresponds to the authentic version (“Omnis terra adóret”) found in the GRADUALE ROMANUM. In this rehearsal video (click here) I attempt to sing the melody while simultaneously accompanying myself on the organ. I encourage you to print off the organ accompaniment (PDF) and play through it, because the harmonies are delightful.
    —Jeff Ostrowski
    Spectacular Communion Setting!
    The FAUXBOURDON setting of the Communion for the Baptism of the Lord (which will occur this coming Sunday) strikes me as quite spectacular. The verses—composed by the fifth century Christian poet, Coelius Sedulius—come from a long alphabetical acrostic and are deservedly famous. The feast of the LORD’S BAPTISM was traditionally the octave day of Epiphany, but in the 1962 kalendar it was made ‘more explicit’ or emphasized. The 1970 MISSALE ROMANUM elevated this feast even further.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 11 January)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Baptism of the Lord (SUNDAY, 11 January 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon—to say nothing of the antiphon itself—are breathtaking. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

[Speaking about the Silent Canon, with audible “per ómnia”] — “So in all such cases it is usual for the otherwise silent celebrant occasionally to sing a clause aloud, to show how far he has arrived.”

— Father Fortescue (pages 313-314) • “A Study of the Roman Liturgy”

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