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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Living for Heaven

Fr. David Friel · May 29, 2014

E LIVE IN a very remarkable age. But I propose that, when future generations look back upon the Modern age, what will be most remembered is not what we might think.

It was in the Modern age that mankind first traveled to the moon. But that is not what makes us stand out. Every culture & every age before us has traveled farther than their predecessors and made discoveries of new lands. Think of Columbus sailing to America and the explorers who first traveled to the North Pole. Traveling to the moon was just the next step, which will some day be surpassed.

In the Modern age, we have treatments & inoculations & even cures for many diseases. But that is not what makes us stand out, either. Every culture & every age before us has contributed knowledge to the field of medicine. Think of DaVinci’s studies in human anatomy and Fleming’s discovery of antibiotics.

In the Modern age, we have computers with enormous amounts of memory and the power to communicate instantly. But even that is not what makes us stand out. Every culture & every age before us has developed new ways to catalog information and to communicate. Think of the great ancient library of Alexandria and the later inventions of the telegraph & telephone.

When future generations look back upon our age, what I think will be most memorable is none of those things. The achievements of our digital age will not seem so exceptional as maybe we would like to think. What will stand out is this: the fact that the Modern age is the first age in all of history to have lost sight of why we are living. From the Garden of Eden to the Aztecs to the ancient Greeks to the Ming dynasty to the British Empire, every culture has recognized, in some fashion or another, that the goal of life on Earth is, ultimately, life in heaven.

Until our own. Our culture has lost the sense that we are made for God and destined to be with Him forever in heaven. This is what makes our age unique, and it is no compliment.

Yet this is the very meaning & significance of the Solemnity of the Ascension. Today, we celebrate the truth that we are not made for this Earth. Our bodies and souls are made for heaven, our true home. The Ascension is not some grand exit, whereby Jesus leaves us behind. Rather, He is showing us the way. We should hope, one day, to follow where Jesus Christ has led. So many people around us live as though comfort & pleasure on Earth are the greatest goods to be most highly prized, yet this life is but a prelude to the fullness of life in heaven.

There is a well known story about one of my favorite saints, St. John Vianney. Back in the year 1818, he was just Father Vianney, a parish priest in France. That year, Fr. Vianney was assigned to a new parish. His new parish was in a town called Ars, a backwoods little village in very rural France. Father Vianney was trying to find his new parish, but he wasn’t sure where to go exactly. While searching for the church & rectory, he came upon a young man named Antoine Givre, whom he asked for directions. The young man happily took Fr. Vianney right to the church in Ars. Then the saintly priest said something about which he was very serious: “My son, you have shown me the way to Ars. Now I shall show you the way to heaven.”

A great many people in our age have no desire to be shown the way to heaven. Do we?

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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President’s Corner

    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    “Samaritánæ” (3rd Sunday of Lent)
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“A striking detail: at Solesmes, we remember hearing Justine Ward criticize accompaniment sometimes or seeing her cover her ears, especially when the organ accompanied a soloist, which is something she could not accept.”

— Dom Pierre Combe

Recent Posts

  • “Dies Irae” • A Monstrous Translation
  • PDF Download • “Holy, Holy, Holy”
  • Music List • (3rd Sunday of Lent)
  • “National Survey” (Order of Christian Funerals) • By the USCCB Secretariat of Divine Worship
  • “Samaritánæ” (3rd Sunday of Lent)

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