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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

How I Learned What Liturgy Really Is

Jeff Ostrowski · May 11, 2014

522 Liturgy EARS AGO, as a boy, I was part of an FSSP parish. In those days, their American seminary hadn’t been built, so priests from all over — France, Switzerland, Boston, New Zealand — passed through our parish, which was located in the center of the United States. I served Mass for these priests and created a little notebook filled with their Latin pronunciation “mistakes.”   1

One day, four priests were staying there, and someone suggested they pray their office together. All agreed. Bear in mind, these men came from four different countries: Germany, Australia, France, and Texas.

They entered the Church, pulled out their books, and prayed the Divine Office. The priest from Germany had a nicer voice, and seemed to be given the more demanding sections. I hadn’t even realized the priest from Texas could sing, but he did just fine. 2 It was truly inspiring.

This, my friends, is the meaning of liturgy.

There was no sense of “performance.” There was no unhealthy feeling of “entertainment.” There was no attempt by these priests to “outdo” one another, or impress anyone by belting out a solo. They didn’t applaud at the conclusion of each psalm or hymn. 3

LITURGY, therefore, can be defined as “people who love Jesus Christ coming together and praying the ancient texts assigned by the Church.”

I DON’T REMEMBER ANY OF THEM suggesting that popular tunes be substituted for the ancient chants, or that “upbeat” instruments be used (to make the liturgy more interesting, relevant, or engaging). Nor do I recall any of the priests recommending that the ancient prayers be “adapted” for the sake of “proper inculturation,” in spite of the fact that each came from a different country.

Again, they simply walked into Church, opened their books, and sang the prayers assigned by the Church. And it was beautiful. And they each received grace. And I did, too.

EVEN THOUGH I WAS ONLY A YOUNGSTER, I was greatly moved. The Gregorian prayers were such a perfect vehicle of unity. At least, to me they were. Perhaps I’m not as sophisticated as professional liturgists, who eliminated Gregorian chant in the 1960s. Perhaps if I were smarter, I’d realize that Gregorian chant is a “weapon” (as an SttL drafter referred to it several times in 2010).

After the Council, significant liturgical disintegration set in, often because of changes too quickly introduced. For years, it was not possible to simply “walk into Church and pray the assigned prayers” because the proper books were not available.

Now — at last ! — after five decades, we are witnessing an unbelievable flood of resources which allow us to reclaim our Roman Rite. I’m particularly excited about the Jogues Illuminated Missal, which will begin shipping this week. This book allows every man, woman, and child in our pews to come to know & love the liturgy in an exciting new way!



NOTES FROM THIS ARTICLE:

1   Years later, I’d come to understand these weren’t true “mistakes,” but merely a reflection of each priest’s nationality.

2   Some sections were done recto tono.

3   Congregations in South Texas normally applaud for the singers during Mass. Today being Mother’s Day, the Communion Meditation at a local parish was Mary, Did You Know? (sung during Holy Communion) and everyone applauded at its conclusion.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Reform of the Reform Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • Communion for Sunday
    The COMMUNION ANTIPHON with fauxbourdon psalm verses for this coming Sunday (3 May 2026) is elegant and poignant. It’s such a shame it only comes every three years. This piece—along with all the musical scores for this coming Sunday, which is the 5th Sunday of Easter (Year A)—can be downloaded free of charge from the flourishing feasts website. By the way, how is it already 2026?
    —Jeff Ostrowski
    Season’s End Repertoire
    Looking at the REPERTOIRE SHEET until the end of the choral season, I see that I’ve fallen behind schedule. (The last three months have been extraordinarily busy.) As you know, I have been providing organ harmonies for all the ENTRANCE CHANTS—as well as rehearsal videos—and you can see I’m behind where I planned to be. Now I must make up lost ground. However, the choir picks up the ENTRANCE CHANT with ease, so I’m sure it will all work out. My ‘unofficial’ harmonizations are being posted each week at the flourishing feasts website.
    —Jeff Ostrowski
    PDF Download • “Funeral Procession”
    From a mediæval Book of Hours, I was sent this glorious depiction of a Roman Catholic funeral procession by Simon Bening (d. 1561). The image resolution is extremely high. I’m not sure I know of a more beautiful illustration of a mediæval church. And I love how the servers are wearing red and pink cassocks!
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

Random Quote

“If I could only make the faithful sing the Kyrie, the Gloria, the Credo, the Sanctus, and the Agnus Dei…that would be to me the finest triumph sacred music could have, for it is in really taking part in the liturgy that the faithful will preserve their devotion. I would take the Tantum Ergo, the Te Deum, and the Litanies sung by the people over any piece of polyphony.”

— ‘Giuseppe Cardinal Sarto, Letter to Msgr. Callegari (1897)’

Recent Posts

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  • “Translating the Bible” • Msgr. Ronald Knox (1953)
  • Season’s End Repertoire
  • PDF Download • “Funeral Procession”
  • Re: The “Correct” Way To Sing Gregorian Chant

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