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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

How I Learned What Liturgy Really Is

Jeff Ostrowski · May 11, 2014

522 Liturgy EARS AGO, as a boy, I was part of an FSSP parish. In those days, their American seminary hadn’t been built, so priests from all over — France, Switzerland, Boston, New Zealand — passed through our parish, which was located in the center of the United States. I served Mass for these priests and created a little notebook filled with their Latin pronunciation “mistakes.”   1

One day, four priests were staying there, and someone suggested they pray their office together. All agreed. Bear in mind, these men came from four different countries: Germany, Australia, France, and Texas.

They entered the Church, pulled out their books, and prayed the Divine Office. The priest from Germany had a nicer voice, and seemed to be given the more demanding sections. I hadn’t even realized the priest from Texas could sing, but he did just fine. 2 It was truly inspiring.

This, my friends, is the meaning of liturgy.

There was no sense of “performance.” There was no unhealthy feeling of “entertainment.” There was no attempt by these priests to “outdo” one another, or impress anyone by belting out a solo. They didn’t applaud at the conclusion of each psalm or hymn. 3

LITURGY, therefore, can be defined as “people who love Jesus Christ coming together and praying the ancient texts assigned by the Church.”

I DON’T REMEMBER ANY OF THEM suggesting that popular tunes be substituted for the ancient chants, or that “upbeat” instruments be used (to make the liturgy more interesting, relevant, or engaging). Nor do I recall any of the priests recommending that the ancient prayers be “adapted” for the sake of “proper inculturation,” in spite of the fact that each came from a different country.

Again, they simply walked into Church, opened their books, and sang the prayers assigned by the Church. And it was beautiful. And they each received grace. And I did, too.

EVEN THOUGH I WAS ONLY A YOUNGSTER, I was greatly moved. The Gregorian prayers were such a perfect vehicle of unity. At least, to me they were. Perhaps I’m not as sophisticated as professional liturgists, who eliminated Gregorian chant in the 1960s. Perhaps if I were smarter, I’d realize that Gregorian chant is a “weapon” (as an SttL drafter referred to it several times in 2010).

After the Council, significant liturgical disintegration set in, often because of changes too quickly introduced. For years, it was not possible to simply “walk into Church and pray the assigned prayers” because the proper books were not available.

Now — at last ! — after five decades, we are witnessing an unbelievable flood of resources which allow us to reclaim our Roman Rite. I’m particularly excited about the Jogues Illuminated Missal, which will begin shipping this week. This book allows every man, woman, and child in our pews to come to know & love the liturgy in an exciting new way!



NOTES FROM THIS ARTICLE:

1   Years later, I’d come to understand these weren’t true “mistakes,” but merely a reflection of each priest’s nationality.

2   Some sections were done recto tono.

3   Congregations in South Texas normally applaud for the singers during Mass. Today being Mother’s Day, the Communion Meditation at a local parish was Mary, Did You Know? (sung during Holy Communion) and everyone applauded at its conclusion.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Reform of the Reform Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Simplified Accomp. • Schubert’s “Ave Maria.”
    Sometimes the organist must simultaneously serve as the CANTOR. (Those who work in the field of church music know exactly what I’m talking about.) One of our contributors composed this simplified keyboard accompaniment for Franz Schubert’s “Ave Maria,” a piece which is frequently requested for Catholic funerals and weddings. In terms of the discussion about whether that piece is too theatrical (‘operatic’) for use in Church, I will leave that discussion to others. All I know is, many church musicians out there will appreciate this simplified version.
    —Jeff Ostrowski
    “Reminder” — Month of April (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Accompaniment (Easter Hymn)
    Number 36 in the Brébeuf Hymnal is “At the Lamb’s high feast we sing,” an English translation for Ad Cenam Agni Próvidi (which was called “Ad Régias Agni Dapes” starting 1631). As of this morning, you can download a simplified keyboard accompaniment for it. Simply click here and scroll to the bottom. Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult—which explains why choirmasters appreciate these simplified keyboard accompaniments. Sadly, many readers will click that link but forget to scroll to the bottom where the simplified PDF file is located.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

Random Quote

“The Church, which so long had preserved Latin consciously as a bond of unity, had quite suddenly decided to discard it as a useless encumbrance. With this rejection, and as an almost inevitable consequence, went out the window also the whole magnificent musical heritage of the Church. For when you change your language you also change your song. The Jewish exiles hanging their harps beside the waters of Babylon, so long ago, made that discovery.”

— Most Rev’d Robert J. Dwyer, Archbishop of Portland (26 October 1973)

Recent Posts

  • Simplified Accomp. • Schubert’s “Ave Maria.”
  • “The Unselected Hymn” • Do You Recognize It?
  • 2026 Sacred Music Pilgrimage (Washington DC) • With Richard J. Clark
  • “Reminder” — Month of April (2026)
  • “Gregorian Chant Isn’t a Platform for Your Personal Theories, Jeff” • (A Letter We Received)

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