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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

How I Learned What Liturgy Really Is

Jeff Ostrowski · May 11, 2014

522 Liturgy EARS AGO, as a boy, I was part of an FSSP parish. In those days, their American seminary hadn’t been built, so priests from all over — France, Switzerland, Boston, New Zealand — passed through our parish, which was located in the center of the United States. I served Mass for these priests and created a little notebook filled with their Latin pronunciation “mistakes.”   1

One day, four priests were staying there, and someone suggested they pray their office together. All agreed. Bear in mind, these men came from four different countries: Germany, Australia, France, and Texas.

They entered the Church, pulled out their books, and prayed the Divine Office. The priest from Germany had a nicer voice, and seemed to be given the more demanding sections. I hadn’t even realized the priest from Texas could sing, but he did just fine. 2 It was truly inspiring.

This, my friends, is the meaning of liturgy.

There was no sense of “performance.” There was no unhealthy feeling of “entertainment.” There was no attempt by these priests to “outdo” one another, or impress anyone by belting out a solo. They didn’t applaud at the conclusion of each psalm or hymn. 3

LITURGY, therefore, can be defined as “people who love Jesus Christ coming together and praying the ancient texts assigned by the Church.”

I DON’T REMEMBER ANY OF THEM suggesting that popular tunes be substituted for the ancient chants, or that “upbeat” instruments be used (to make the liturgy more interesting, relevant, or engaging). Nor do I recall any of the priests recommending that the ancient prayers be “adapted” for the sake of “proper inculturation,” in spite of the fact that each came from a different country.

Again, they simply walked into Church, opened their books, and sang the prayers assigned by the Church. And it was beautiful. And they each received grace. And I did, too.

EVEN THOUGH I WAS ONLY A YOUNGSTER, I was greatly moved. The Gregorian prayers were such a perfect vehicle of unity. At least, to me they were. Perhaps I’m not as sophisticated as professional liturgists, who eliminated Gregorian chant in the 1960s. Perhaps if I were smarter, I’d realize that Gregorian chant is a “weapon” (as an SttL drafter referred to it several times in 2010).

After the Council, significant liturgical disintegration set in, often because of changes too quickly introduced. For years, it was not possible to simply “walk into Church and pray the assigned prayers” because the proper books were not available.

Now — at last ! — after five decades, we are witnessing an unbelievable flood of resources which allow us to reclaim our Roman Rite. I’m particularly excited about the Jogues Illuminated Missal, which will begin shipping this week. This book allows every man, woman, and child in our pews to come to know & love the liturgy in an exciting new way!



NOTES FROM THIS ARTICLE:

1   Years later, I’d come to understand these weren’t true “mistakes,” but merely a reflection of each priest’s nationality.

2   Some sections were done recto tono.

3   Congregations in South Texas normally applaud for the singers during Mass. Today being Mother’s Day, the Communion Meditation at a local parish was Mary, Did You Know? (sung during Holy Communion) and everyone applauded at its conclusion.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Reform of the Reform Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “For Pentecost Sunday”
    Yesterday morning, I recorded myself singing the ENTRANCE CHANT for Pentecost Sunday while simultaneously accompanying myself on the pipe organ. Click here to see how that came out. At the end of the antiphon, there’s a triple Allelúja and I just love the chord at the end of the 2nd iteration. The organ accompaniment—along with the musical score for singers—can be downloaded free of charge at the flourishing feasts website. For the record, the antiphon on Pentecost Sunday doesn’t come from a psalm; it comes from the book of Wisdom.
    —Jeff Ostrowski
    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 4 May 2026
    A few days ago, the CORPUS CHRISTI WATERSHED Facebook page posted this Gregorian Chant quiz regarding a rubric for the SEQUENCE for the feast of Corpus Christi: “Lauda Sion Salvatórem.” There is no audience more intelligent than ours—yet surprisingly nobody has been able to guess the rubric. Drop me an email with the right answer, and I’ll affirm your brilliance to everyone I encounter!
    —Jeff Ostrowski

Quick Thoughts

    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski
    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski

Random Quote

At the Council of Trent, the subject was raised whether it was correct to refer to the unconsecrated elements of bread and wine as “immaculata hostia” (spotless victim) and “calix salutaris” (chalice of salvation) in the offertory prayers. Likewise the legitimacy of the making the sign of the cross over the elements after the Eucharistic consecration was discussed.

— ‘Fr. Uwe Michael Lang, Cong. Orat.’

Recent Posts

  • “Unfair Characterization” • (But Good Question)
  • “Thee” + “Thou” + “Thine”
  • PDF Download • “For Pentecost Sunday”
  • “Reminder” — Month of May (2026)
  • “Englished” Gregorian Chant • 5 Considerations

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