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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

It’s impossible to please everyone so do what is right and just.

Richard J. Clark · March 7, 2014

GENERALLY DON’T ADVOCATE taking liturgical advice from TV shows, no less from a fictional character who is an amoral psychopath. However, this quote from “The Sopranos” rings true: “A wrong decision is better than indecision.”– Tony Soprano

I learned at a very young age that different people may react strongly and in polar opposite ways to the very same piece of music. You will receive credit and blame for the very same work. When I was twenty-one years old and still a student at the Berklee College of Music, I was directing music for the Sunday evening liturgy. All of the musicians and singers were talented Berklee students, and I encouraged them not to hold back. (I was also young and clueless.)

After mass a man approached me and said with a wide-eyed smile, “Thank GOD someone is doing what you are doing!” The feel-good vibes were short lived. Less than fifteen seconds later a young woman stormed up and asked one of the singers “WHO is in charge here?” Immediately, everyone pointed to me. No one wanted to touch this encounter with a ten-foot pole. “You RUINED my communion experience!!!” She continued to chew me out, repeating this phrase several times.

I don’t recall my exact response, but I do remember keeping calm, listening to her, and being unperturbed by the experience. I didn’t take her rant personally because I was mindful that I couldn’t control how other people react. I can only control my decisions. But I thought about my musical choices and learned from it. I was able to see both points of view which helped me make better decisions down the road. But more interestingly, it opened my eyes to a simple truth: people experience music differently. Therefore, you will never please everyone, nor should you.

ECENTLY, I CAME ACROSS yet anther nondescript poll about liturgical music. For the most part, it simply asked what kind of music people liked and how they felt about the state of music in the Church today. The article made no reference to liturgy documents or put forth any catechesis on the role of sacred music in the liturgy. It only addressed people’s personal preferences. The results of the poll, which expressed a wide spectrum of opinions on a wide range of musical styles hammered home the same message: It is impossible to please everyone.

Likewise, there may be factions or individuals within your community that are difficult to please. So what do we do?

Here is what not to do: Musicians and pastors (who can relate to this problem more than we’ll ever know) must avoid something I call “Reactionary Management.” Reactionary Management is when the tail wags the dog. Here’s how it works:

Someone complained! Oh, no! Therefore, change it!

No. Someone complained? OK. Step back and see if the complaint or aspects of the complaint are valid. Evaluate the complaint regardless of how it was delivered, charitably or otherwise. Then, make a decision, which may or may not please the person who complained. (In fact, it’s unlikely.)

RULY, HERE IS WHAT WE MUST DO: Since it is impossible to please everyone, forget trying. (This can be liberating!) Instead, we must approach our decisions with doing what is right and just. Our responsibilities are to God, the liturgy, and the community as a whole. We have guidance from the Vatican II documents and the GIRM. Furthermore, the principles of Lex Orandi, Lex Credendi, and Lex Vivendi remind us if we believe what we pray, we must respond to God’s call by the way that we live. This is what is right and just.

HERE ARE THREE SIGNS that you are on the right track:
1 • Doing what is right and just for the faithful will likely mean you are not making decisions based solely on your own personal preferences. In fact, you are probably not doing what you prefer most or much of the time.
2 • If you receive resistance, especially strong resistance, you are probably doing what is right and just. (There’s an old military saying: “If you are not catching flak, you are not over the target.”)
3 • If you are doing the hard work of long-term catechesis and resisting easy quick-fix solutions, you are probably doing what is right and just.

ACK TO TONY SOPRANO’S ADVICE — “A wrong decision is better than indecision.” I have discovered about human nature, that while many people are willing to voice very strong opinions (especially about music), very few are willing to take responsibility for implementing their vision. They may even give excellent advice worth listening to, but would rather that someone else take the heat if (when) there are complaints. Taking on this responsibility creates too much stress for some, often resulting in indecision (not to be confused with true discernment). Indecision based on avoidance of responsibility fosters dysfunction, decay, and abuse even in a religious environment.

Rabbi Edwin H. Friedman writes in his book A Failure of Nerve (Leadership in the Age of the Quick Fix): “The conventional view of stress is that it has to do with overwork…Trying to be creative and imaginative is stressful, being responsible is stressful, being on the lookout for and trying to deal with sabotage is stressful.” (A Failure of Nerve, pg. 219-220) In other words, taking responsibility for doing what is right and just is stressful. Don’t envy a pastor’s or music director’s job!

Furthermore, no one likes a conductor or boss who blames others. If my tenors missed their entrance, maybe my cue wasn’t clear or I didn’t prepare them well enough. I have to look at that. Will this be perceived as weakness? No. It will earn respect and I’ll become a better conductor. Blaming others and unwillingness to take responsibility for problems or decisions are clear signs of poor leadership. If you see that, beware.

In Summary:
• Do not make decisions based upon appeasing others. Try to do the right thing at the right time for the right reason.
• In doing so, don’t fear making mistakes or a wrong decision. Admit mistakes and build on them. Admitting a wrong decision may garner you more respect than trying to appear to be right all the time.
• Don’t fear adversity. It’s a sign you are on the right path. Adversity builds strength.

Finally, true service and leadership stem from a willingness to take responsibility. Pray for the strength and wisdom. The Holy Spirit will guide you.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF • “Music List” (Sunday, 28 December)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Holy Family of Jesus, Mary, & Joseph (28 Dec. 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon are particularly gorgeous. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (Xmas Midnight Mass)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Christmas Midnight Mass (“Ad Missam In Nocte”). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is simple, but quite beautiful. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (4th Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 21 December 2025, which is the 4th Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is the famous “Roráte Coeli” and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

Had the Church never spoken on this matter, it would still be repugnant to our Catholic people’s sense of what is fit and proper in the holiest of places, that a priest should have to struggle through the prayers of the Holy Mass, because of such tunes as “Alice, where art thou?” the “Vacant Chair,” and others of more vulgar title, which, through the carelessness or bad judgment of organists, sometimes find their way into our choirs.

— Preface to a Roman Catholic Hymnal (1896)

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