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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

The Downside Of Dialogue

Aurelio Porfiri · June 25, 2014

339 Fulton Sheen MAGINE THIS SCENE with me: a man, we will call him Andrea, is going to Mass. After the initial rites and the readings he waits for the homily. He hopes to receive some direction and instructions that he can consider, if not follow, in his daily life.

But suddenly the pastor starts to ask a question: “Jesus is risen from the dead: what do you think?”

“What do I think?” mumbles Andrea — “I am at Mass for this very reason.”

What is the meaning of the resurrection of Christ for your life? — I was expecting the answer from you, thinks Andrea. Strange scene? Not real? You may want to think again.

I AM SURE MANY OF US have experienced dialogued homilies, where you are asked to express an opinion on the Gospel heard. But not everything should be an occasion for a debate. In the Mass, with all our weakness and doubts, we should try to abandon ourselves to the healing Presence of Christ: at least, let us try. The homily should help to make sense of that Presence. If the priest seems to be himself trying to make sense of the Gospel, instead of instructing on the truth as received from the tradition of the church, then maybe there is something wrong. You may say that these are things that were alive in the 1960s, but not today. Not really.

An Italian example is given from the catholic news agency Corrispondenza Romana. Thanks to a new report from journalist Mauro Faverzani we learn that in the parish of San Carlo Borromeo in Pognano (province of Bergamo, North Italy) the Lent Season of this year has offered a big program of “Predicazione dialogata” (dialogued preaching).

Now, I believe that the preacher has the best of intentions, but the liturgical documents state that the homily should be preached only by a priest or deacon. 1 On April 9, the theme of the homily was, prophetically “Parola, liberta’ e verita’” (Word, freedom and truth). So, in the case of a debate the freedom of opinions is certainly welcomed, but in the case of the homily shouldn’t the explanation of the gospel have more importance, so as to make us come closer to the truth? We have a saying in Italy: “The road to hell is paved with good intentions.” Maybe, especially in this case, the saying is not really wrong…



NOTES FROM THIS ARTICLE:

1   GIRM §66: The Homily should ordinarily be given by the Priest Celebrant himself or be entrusted by him to a concelebrating Priest, or from time to time and, if appropriate, to the Deacon, but never to a lay person.



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Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Dialogue Homilies Last Updated: January 1, 2020

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About Aurelio Porfiri

Renowned as composer, conductor, theorist, author, pedagogue, and organist, Aurelio Porfiri has served the Church on multiple continents at the highest levels. Born and raised in Italy, he currently serves as Director of Choral Activities and Composer in Residence for Santa Rosa de Lima School (Macao, China).

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President’s Corner

    “Entrance Chant” • 4th Sunday of Easter
    You can download the ENTRANCE ANTIPHON in English for the 4th Sunday of Easter (11 May 2025). Corresponding to the vocalist score is this free organ accompaniment. The English adaptation matches the authentic version (Misericórdia Dómini), which is in a somber yet gorgeous mode. If you’re someone who enjoys rehearsal videos, this morning I tried to sing it while simultaneously accompanying my voice on the pipe organ.
    —Jeff Ostrowski
    Music List • “Repertoire for Weddings”
    Not everyone thinks about sacred music 24/7 like we do. When couples are getting married, they often request “suggestions” or “guidance” or a “template” for their musical selections. I created music list with repertoire suggestions for Catholic weddings. Please feel free to download it if you believe it might give you some ideas or inspiration.
    —Jeff Ostrowski
    Beginning a Men’s Schola
    I mentioned that we recently began a men’s Schola Cantorum. Last Sunday, they sang the COMMUNION ANTIPHON for the 3rd Sunday of Easter, Year C. If you’re so inclined, feel free to listen to this live recording of them. I feel like we have a great start, and we’ll get better and better as time goes on. The musical score for that COMMUNION ANTIPHON can be downloaded (completely free of charge) from the feasts website.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“It introduces us to a still and serious world, deserted and rigid, without colour, without light, without motion; it does not gladden, does not distract; yet we cannot break away from it.”

— ‘Schweitzer on the THEME from Bach’s “Art of Fugue”’

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