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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

My Funeral

Aurelio Porfiri · June 20, 2014

348 Requiem AM DEAD. And now, here I am viewing my own funeral. The people in attendance are not aware that I am looking at them. My coffin is entering at the sound of irreverent songs.

“Hey, it’s me!” I want to shout. “Why are you showing such disrespect? Yes, I am a sinner but one who devoted his life to sacred liturgical music. Sing my compositions.” Oh… the priest is now explaining that unfortunately the choir was not available today because they have a retreat which is a polite way to say that the choir cannot manage to sing my music.

The Mass is going on… and now to my dismay they are reading the responsorial psalm! With all that I have written about that already forgotten … the responsorial psalm should be sung, should be sung, should be sung … but no one can hear me anymore. The Mass with its spoken psalm and tired songs is going on and on.

I can see people standing there out of a sense of obligation. Just my family is really mourning me, while the others are mourning the homily that is too long. Ahh… the homily… in the homily the priest that barely knew me is explaining to everyone how good I was. Well that’s what my family told him anyway. But, if you ask my family what do you expect them to tell you? That I was a scum? Why not just take three minutes to say: “he was a sinner and he fell many times but even when he was on the floor his eyes were still looking to Jesus and his hand was yearning for a saving hand” … isn’t that true?

Ok, the Mass is ending: no chant, no songs from my thousands of compositions, no Latin… I should suggest to my family not to pay the church. What’s happening now? Oh no… someone has to share the memories he has about me. OK, you will miss me and I was good, so good that in the whole time I was in need you were so kind as to never make a phone call. Please “friend”, make it short. OK, it is finished. My family has had the good taste to be silent; we don’t need words to share our love. Now I am going out and the people are clapping. Clapping?! Clapping because I passed away? Maybe it was a good performance? Maybe they are happy I am dead?

OK, OK… NOW YOU’VE CAUGHT ME: I am still alive. I’m just thinking about the many funerals I have seen and imagining my own funeral liturgy, glib and ineffective. I would like to make a proposal for priests: when planning a funeral liturgy, imagine that it’s your own funeral, and then understand more the need for a dignified and sacred service. Do you agree? Good! And no clapping, please…


BOTTEGA • Aurelio Porfiri is where you can discover
many of Mæstro Porfiri’s compositions in PDF format.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Responsorial Psalm Last Updated: January 1, 2020

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About Aurelio Porfiri

Renowned as composer, conductor, theorist, author, pedagogue, and organist, Aurelio Porfiri has served the Church on multiple continents at the highest levels. Born and raised in Italy, he currently serves as Director of Choral Activities and Composer in Residence for Santa Rosa de Lima School (Macao, China).

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Corpus Christi Watershed

President’s Corner

    Which Mass?
    In 1905, when the Vatican Commission on Gregorian Chant began publishing the EDITIO VATICANA—still the Church’s official edition— they assigned different Masses to different types of feasts. However, they were careful to add a note (which began with the words “Qualislibet cantus hujus Ordinarii…”) making clear “chants from one Mass may be used together with those from others.” Sadly, I sometimes worked for TLM priests who weren’t fluent in Latin. As a result, they stubbornly insisted Mass settings were ‘assigned’ to different feasts and seasons (which is false). To understand the great variety, one should examine the 1904 KYRIALE of Dr. Peter Wagner. One should also look through Dom Mocquereau’s Liber Usualis (1904), in which the Masses are all mixed up. For instance, Gloria II in his book ended up being moved to the ‘ad libitum’ appendix in the EDITIO VATICANA.
    —Jeff Ostrowski
    Like! Like! Like!
    You won’t believe who recently gave us a “like” on the Corpus Christi Watershed FACEBOOK PAGE. Click here (PDF) to see who it was. We were not only sincerely honored, we were utterly flabbergasted. This was truly a resounding endorsement and unmistakable stamp of approval.
    —Jeff Ostrowski
    PDF Download • “Atténde Dómine”
    Although it isn’t nearly as ancient as other hymns in the plainsong repertoire, Atténde Dómine, et miserére, quía peccávimus tíbi (“Look down, O Lord, and have mercy, for we have sinned against Thee”) has become one of the most popular hymns for LENT—perhaps because it was included in the famous Liber Usualis of Solesmes. This musical score (PDF file) has an incredibly accurate version in English, as well as a nice version in Spanish, and also the original Latin. Although I don’t claim to have a great singing voice, this morning I recorded this rehearsal video.
    —Jeff Ostrowski

Quick Thoughts

    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“We turn to the East when we stand to pray, since this is where the sun and the stars rise. It is not, of course, as if God were there alone and had forsaken the rest of creation. Rather, when these earthly bodies of ours are turned towards the more excellent, heavenly bodies, our minds are thereby prompted to turn towards the most excellent being, that is, to our Lord.”

— Saint Augustine of Hippo

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