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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Liturgy & Clericalism

Fr. David Friel · June 1, 2014

O PRIEST ever wants to be accused of “clericalism.” To be accused of clericalism is an insult to every priest, from the most progressive to the most traditional. It seems, however, that it is more common for priests who are traditional to be considered “clerical.” Why?

Most “traditional” priests have a special love for liturgy. (Shouldn’t this be true of every priest?) There is life outside the liturgy, to be sure, but should not the sacred liturgy be fundamental to every priest’s existence? There is a sentence in the introduction to the new collected works of Pope Emeritus Benedict XVI that captures this sentiment quite frankly: “The liturgy of the Church has been for me since my childhood the central reality of my life.” That is a profound claim.

Very often, this love for liturgy will be used by a particular priest’s detractors as evidence of his clericalism. Many such accusations, though, boil down to nothing more than a healthy sense of priestly identity. Love of liturgy—and, specifically, employment of its traditional forms—is not clericalism. The liturgy, after all, is not about the priest. It is about Jesus Christ, the spotless, innocent Lamb.

Clericalism subsists, rather, in the priest who believes that the Church and her faithful exist to serve him, instead of the reverse. A true clericalist is one who interiorly rejects the image of Christ as One Who came “not to be served, but to serve.”

Towards the end of my time as a student at Saint Charles Borromeo Seminary, we were blessed by the presence of an old priest who had been assigned to live there and work as a spiritual director. He was well admired by everyone on campus. In some five decades of priestly service, he served as a beloved professor, confessor, and pastor. In his sprier days, he had been the quarterback of his high school football team, but by this point he was tethered to an oxygen tank and never strayed too far from his rollator. Everyone called this priest “Father Meehan.”

Fr. Meehan gave a homily one day, shortly before his death, that struck me deeply. He sat to give this homily, not in defiance of the rubrics, but because he lacked the strength to stand. It was close to the end of the academic year, so ordination was imminent for many of the men in our community. Father spoke movingly about the meaning of priesthood and the life of Christian service to which all priests are called. Some priests, he observed, think of being ordained as an achievement, or a promotion, or a reward for enduring seminary formation. He pleaded with us all to forget those ideas. To the contrary, he explained: “Ordination is not a step up; it is a step down.”

A “clericalist” is not one who loves liturgy, but one who rejects the wisdom of Fr. Meehan.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Latin Mass, Pope Benedict XVI, Summorum Pontificum, Traditional Latin Mass Tridentine Rite Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF • “Cantus Mariales” (192 pages)
    Andrea Leal has posted an absolutely pristine scan of CANTUS MARIALES (192 pages) which can be downloaded as a PDF file. To access this treasure, navigate to the frabjous article Andrea posted Monday. The file is being offered completely free of charge. The beginning pages of the book have something not to be missed: viz. a letter from Pope Saint Pius X to Dom Pothier, in which the pope calls Abbat Pothier “a man versed above all others in the science of liturgy, and to whom the cause of Gregorian chant is greatly indebted.”
    —Jeff Ostrowski
    Music List • (2nd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 2nd Sunday of Lent (1 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its somber INTROIT is particularly striking—using a haunting tonality—but the COMMUNION with its fauxbourdon verses is also quite remarkable. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski

Quick Thoughts

    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“Who dreamed on that day that within a few years, far less than a decade, the Latin past of the Church would be all but expunged, that it would be reduced to a memory fading in the middle distance? The thought of it would have horrified us, but it seemed so far beyond the realm of the possible as to be ridiculous. So we laughed it off.”

— Most Rev’d Robert J. Dwyer, Archbishop of Portland (d. 1976)

Recent Posts

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  • PDF Download • Fourteen (14) Versions of the Splendid Hymn: “Salve Mater Misericordiae”
  • Fulton J. Sheen • “24-Hour Catechism”
  • Music List • (2nd Sunday of Lent)

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