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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Liturgy & Clericalism

Fr. David Friel · June 1, 2014

O PRIEST ever wants to be accused of “clericalism.” To be accused of clericalism is an insult to every priest, from the most progressive to the most traditional. It seems, however, that it is more common for priests who are traditional to be considered “clerical.” Why?

Most “traditional” priests have a special love for liturgy. (Shouldn’t this be true of every priest?) There is life outside the liturgy, to be sure, but should not the sacred liturgy be fundamental to every priest’s existence? There is a sentence in the introduction to the new collected works of Pope Emeritus Benedict XVI that captures this sentiment quite frankly: “The liturgy of the Church has been for me since my childhood the central reality of my life.” That is a profound claim.

Very often, this love for liturgy will be used by a particular priest’s detractors as evidence of his clericalism. Many such accusations, though, boil down to nothing more than a healthy sense of priestly identity. Love of liturgy—and, specifically, employment of its traditional forms—is not clericalism. The liturgy, after all, is not about the priest. It is about Jesus Christ, the spotless, innocent Lamb.

Clericalism subsists, rather, in the priest who believes that the Church and her faithful exist to serve him, instead of the reverse. A true clericalist is one who interiorly rejects the image of Christ as One Who came “not to be served, but to serve.”

Towards the end of my time as a student at Saint Charles Borromeo Seminary, we were blessed by the presence of an old priest who had been assigned to live there and work as a spiritual director. He was well admired by everyone on campus. In some five decades of priestly service, he served as a beloved professor, confessor, and pastor. In his sprier days, he had been the quarterback of his high school football team, but by this point he was tethered to an oxygen tank and never strayed too far from his rollator. Everyone called this priest “Father Meehan.”

Fr. Meehan gave a homily one day, shortly before his death, that struck me deeply. He sat to give this homily, not in defiance of the rubrics, but because he lacked the strength to stand. It was close to the end of the academic year, so ordination was imminent for many of the men in our community. Father spoke movingly about the meaning of priesthood and the life of Christian service to which all priests are called. Some priests, he observed, think of being ordained as an achievement, or a promotion, or a reward for enduring seminary formation. He pleaded with us all to forget those ideas. To the contrary, he explained: “Ordination is not a step up; it is a step down.”

A “clericalist” is not one who loves liturgy, but one who rejects the wisdom of Fr. Meehan.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Latin Mass, Pope Benedict XVI, Summorum Pontificum, Traditional Latin Mass Tridentine Rite Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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President’s Corner

    PDF Download • Dom Murray Harmonies
    Along with so many others, I have deep respect for Dom Gregory Gregory Murray, who produced this clever harmonization (PDF) of “O SANCTISSIMA.” It’s always amazed me that Dom Gregory—a truly inspired composer—was so confused when it came to GREGORIAN CHANT. Throughout his life, he published contradictory statements, veering back-and-forth like a weather vane. Toward the end of his life, he declared: “I see clearly that the need for reform in liturgical music arose, not in the 18th and 19th centuries, but a thousand years earlier—in the 8th and 9th centuries, or even before that. The abuses began, not with Mozart and Haydn, but with those over-enthusiastic medieval musicians who developed the elaborate and flamboyant Gregorian Chant.”
    —Jeff Ostrowski
    “Music List” • 14 September (Holy Cross)
    Readers have expressed interest in perusing the ORDER OF MUSIC I prepared for 14 September 2025, which is the Feast of Exaltation of the Holy Cross. If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    New Bulletin Article • “14 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 14 September 2025) discusses OFFERTORY ANTIPHONS and contains a wonderful quote by Archbishop Fulton J. Sheen.
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

“No one can reasonably find in the dispositions of Vatican II anything out of order, or any extreme opinions or tendencies which restrict the function of sacred music exclusively to the congregational singing of the faithful or on the other hand which replace or eliminate the singing of the congregation entirely by the singing of the choir.”

— Most Rev’d Archbishop D.M.M. y Gómez, Primate of Mexico (at that time, the world’s largest archdiocese)

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