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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Facebook, Scammers, and the Economy of Words

Aurelio Porfiri · July 28, 2014

218 Francis VERY TWO OR THREE DAYS I receive a Facebook message from different (good looking) girls using these lines: “Do you want to know more about me? Please write me at my personal e-mail.” I would like to take this occasion to answer all of them, even if I am a little doubtful that they are reading these articles.

No, dear girls, I do not want to know more about you, but maybe it would be good for you to know something more about me. If you know more about me you will realize that a person like me does not believe you can know someone using words, words and more words (and in your case, I suppose… scams), rather, you should enter into contact with another through deep emotional communication. I want to call this testimony.

Now, I digress to arrive to another point: today we have an inflation of words everywhere. Some people think they can convince us only with the sound of their voices. Of course this is true up to a point: rhetoric is serious matter and works well in our daily life. But when we come to Mass we should allow rhetoric to give space to spiritual involvement. So, indeed, the verbal excesses should be considered against the very purpose of the Mass: giving space to the Presence, that is shown to us through an apparent absence (at least in a physical sense).

I do not want to touch too much on the issue of the homily, but I should say something about that: some priests think that the Mass is the background that gives space to their rhetorical skills. Hey, wait! Rhetoric can be useful for the time of the homily (no more than 7 minutes would be perfect) but if the Mass becomes the excuse to contain the speech of the priest it means we are missing a point. Indeed we need testimonies, priests that show with their example, more than with their words, what it is to be a follower of Christ. Saint Francis is often credited for saying: preach with every means, if necessary with words. What is meant by this is that we should preach with our life more than with thousands of words.

There is also the danger of priests that adopt the homily with extensions. Those priests, besides the half hour of the homily in the canonical place, benefit us also with introductions to every other part of the Mass. But shouldn’t the Mass shine for noble simplicity according to Vatican II? And if you explain every part of it every Sunday it means that it is not so simple (and for sure not so noble either). There is a joke about the homily that would not be out of place here after the way I started this article, it says that the homily should be like a miniskirt: short, adhering to reality and giving a glimpse to the mystery. So girls, even pretending you are not scammers, you will never conquer my heart even with a very long e-mail. And to our dear priests, please stop submerging us in the ocean of your words, and make space for the only Word that is really worth listening to.


BOTTEGA • Aurelio Porfiri is where you can discover
many of Mæstro Porfiri’s compositions in PDF format.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: St Francis of Assisi Last Updated: January 1, 2020

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About Aurelio Porfiri

Renowned as composer, conductor, theorist, author, pedagogue, and organist, Aurelio Porfiri has served the Church on multiple continents at the highest levels. Born and raised in Italy, he currently serves as Director of Choral Activities and Composer in Residence for Santa Rosa de Lima School (Macao, China).

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President’s Corner

    Music List • (1st Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I’ve prepared for this coming Sunday—22 February 2026—the 1st Sunday of Lent (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the outstanding feasts website alongside the official texts in Latin. I spent an enormous amount of time preparing this ORDER OF MUSIC—because the children’s choir will join us—and some of its components came out great. For example, the COMMUNION ANTIPHON with Fauxbourdon is utterly resplendent, yet still ‘Lenten’.
    —Jeff Ostrowski
    2-Voice Arrangement for Lent
    Those seeking a two-voice arrangement for LENT and PASSIONTIDE should click here and scroll down. It’s based on number 775 in the Brébeuf Hymnal, with an enchanting melody written by Kevin Allen (the legendary American composer of sacred music). That text—“Pendens In Crucis Cornibus”—is often used for the Feast of our Lady of Sorrows. That link is important because, in addition to the musical score, it provides free rehearsal videos for each individual voice: something volunteer choirs appreciate!
    —Jeff Ostrowski
    “Sanctus VIII” • Organ Accompaniment
    A few days ago, I composed this organ harmonization for SANCTUS VIII. This Mass is traditionally called Missa de ángelis or “Mass of the angels.” In French, it is Messe de Anges. You can evaluate my attempt to simultaneously accompany myself on the pipe organ (click here) while singing the melody. My parish is currently singing this setting.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“From six in the evening, his martyrdom had continued through the ghastly night until nine o’clock in the morning. After fifteen hours of torture rarely if ever surpassed in the bloody annals of the Iroquois, the soul of Gabriel Lalemant was freed from its charred and mutilated prison and summoned to join his comrade Jean de Brébeuf in the radiant splendor of God. March 17th, 1649, was the date; for Brébeuf it had been the sixteenth.”

— ‘Fr. John A. O’Brien, speaking of St. Gabriel Lalemant’

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