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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Quick Takes: Saying No

Andrew R. Motyka · January 15, 2014

UST BECAUSE you shouldn’t be indiscriminate about which arguments you are willing to go to the wall for doesn’t mean that you should never take a stand for principle. I had a conversation with several music directors yesterday about funeral preparation, and the conversation naturally had a sidebar about funerals, weddings, and how to turn down a request from a family.

Naturally, both situations are fraught with peril. On one hand, with funerals you have a grieving family that doesn’t need extra trouble while planning a liturgy for the death of their loved one. On the other hand, you have an angry bride or (shudder) her mother. Nevertheless, sometimes you have to put your foot down and say, “I’m sorry, but perhaps ‘My Humps’ isn’t the best choice we can make for your bridal procession.” Here are some things to keep in mind, my brave fellow director:

1. Be clear that you’re saying no. Here’s a trap I’ve fallen into before. I try to let a bride down gently regarding her choice for a particular piece of music, but what she really hears is, “It isn’t the best choice, but I’ll do it anyway.” When you say No, make sure that it is understood that you really aren’t going to do it.

2. Offer an alternative. It stinks to be in the position of Gatekeeper of the Liturgy, and it also stinks to be on the receiving end, where a bride or family has suggestions that have genuine connections for them, but they feel like they are just trying to get past the censors. Every time you say no, counter with a suggestion and, most importantly, explain why your suggestion fits better without attacking theirs. If you say No, but provide a way out, it’s often all that is needed to diffuse the situation.

3. Take the opportunity to teach. Often, the people with whom we are discussing such matters are people who have not been to Mass in a long time; sometimes they aren’t Catholic at all. Even if they are, usually all they know about liturgical music is that they like That Song and really want it at “their liturgy.” This can be a great opportunity to teach a bit about liturgy, solemnity, and the dignity of our worship. Sometimes they won’t listen, and sometimes (like in the case of a funeral) you have to use your best judgment to determine what will sink in at this particular moment. Once again, many of these problems arise because they just don’t know.

I am currently trying to absorb as much as I can about this skill. Our archdiocesan Director of Worship is the master here. He can not only steer people away from bad choices, but can make them feel like a million dollars while following his guidelines. The trick is to avoid making them feel silly while gently guiding them in the right direction.

And don’t even meet with the mothers.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew R. Motyka

Andrew Motyka is the Archdiocesan Director of Liturgical Music and Cathedral Music for the Archdiocese of Indianapolis.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • “5th Sunday of Easter” (Year A)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for the 5th Sunday of Easter Sunday—a.k.a. “Dominica V Paschae”—which is 3 May 2026. Please feel free to download it as a PDF file if such a thing interests you. The COMMUNION (“Tanto Témpore Vobíscum Sum”) is rather somber, with awesome fauxbourdon psalm verses. The ENTRANCE CHANT is bright and happy.
    —Jeff Ostrowski
    PDF Download • Communion for Sunday
    The COMMUNION ANTIPHON with fauxbourdon psalm verses for this coming Sunday (3 May 2026) is elegant and poignant. It’s such a shame it only comes every three years. This piece—along with all the musical scores for this coming Sunday, which is the 5th Sunday of Easter (Year A)—can be downloaded free of charge from the flourishing feasts website. By the way, how is it already 2026?
    —Jeff Ostrowski
    Season’s End Repertoire
    Looking at the REPERTOIRE SHEET until the end of the choral season, I see that I’ve fallen behind schedule. (The last three months have been extraordinarily busy.) As you know, I have been providing organ harmonies for all the ENTRANCE CHANTS—as well as rehearsal videos—and you can see I’m behind where I planned to be. Now I must make up lost ground. However, the choir picks up the ENTRANCE CHANT with ease, so I’m sure it will all work out. My ‘unofficial’ harmonizations are being posted each week at the flourishing feasts website.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

Random Quote

The “jolly good guy” kind of pastor can be an irritant. […] Ministers of the Gospel are not used car salesmen whose heartiness is a mile wide and an inch deep. A bemused layman told me that a bishop joked with him, but turned away like a startled deer when asked an important question…

— Fr. George Rutler (7 August 2017)

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  • PDF Download • Communion for Sunday
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  • Season’s End Repertoire

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