• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

We’re a 501(c)3 public charity established in 2006. We have no endowment, no major donors, no savings, and run no advertisements. We exist solely by the generosity of small donors.

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
    • Repository • “Spanish Music”
    • Ordinary Form Feasts (Sainte-Marie)
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

Weddings: Some Practical Advice – The Very Beginning, Part 1

Andrew R. Motyka · August 27, 2014

OW THAT I’ve gotten that tantrum out of the way, I’d like to write, perhaps with a bit more tact, about parts of the wedding liturgy. I will do my best to make clear which parts of the following are actual liturgical legislation and which parts are my opinion (which is right, obviously). I should also mention that the Rite of Marriage text was written in Latin in 1969, with its English translation coming 1970. The Latin editio typica received a revision in 1991, but we are still waiting on an English translation of the second edition, hopefully coming out in 2015 (and you thought the 10 year wait on the 3rd edition of the Roman Missal was long!). For some information of what will likely change, see here.

First of all, regarding the choice of Mass, the Nuptial Mass (Ritual Mass for the Conferral of Holy Matrimony) is always used for weddings except on days on which Ritual Masses are not allowed (Sundays outside Christmas and Ordinary Time, and Solemnities.). This has ramifications for some of the additions to the Mass that will be explained as we go along. Nuptial Masses are allowed in Lent, though the normal Lenten rubrics need to be followed (no Alleluia, no solo instrumental music, no flowers (gasp), etc.).

The Introductory Rites are probably the part of any wedding that get the most attention, since they contain the procession that everyone has been looking forward to. This is what the rubrics of the Rite of Marriage actually prescribe for this procession:

If there is a procession to the altar, the ministers go first, followed by the priest, and then the bride and bridegroom. According to local custom, they may be escorted by at least their parents and the two witnesses. Meanwhile, the entrance song is sung.

The priest then reverences (and optionally incenses) the altar, then goes to the chair as normal.

Please note that nowhere in this rubric is there a mention of separate entrances by each member of the bridal party, the bride entering by herself, or the groom and priest waiting at the front of the church to receive her. This is entirely co-opted from non-Catholic ceremonies. Ideally, the bride and groom should enter together. What a wonderful sign in this sacrament! The man and woman come, together, to the altar of God to exchange their vows. They are allowed to be escorted by their parents, but the “father giving the bride away” is foreign to this ritual, and is surprisingly anti-feminist for an attempt to ignore the normative rite.

All that said, this is probably the most difficult thing to reform when it comes to fixing the wedding Mass. It absolutely, positively, must be championed by the pastor, and if he is not the source, then it isn’t going to happen. Do not try to impose this without his support and lead. It could be that he is choosing what hill to die on, and this isn’t the one. It will take a long time to fix this in the Church at large. Be patient on this front. As beautiful as the Church’s normative wedding procession is, it probably won’t be reformed in the average parish for a long time.

If you want to press for the normative procession, but also don’t have the energy to fight Bridezilla (or the even greater threat, Mother of Bridezilla), here is an idea at compromise, especially if you have a longer aisle:

Have the cross, ministers, and priest begin the procession as usual, but line up the groomsmen and groom at the cross aisle, which is usually about halfway down the main aisle. Then have each groomsman meet his partnered bridesmaid when they reach the cross aisle and continue on. The “hand off” from the father-of-the-bride to the groom can take place here, and the bride and groom continue together to the altar together. It’s not exactly the ideal, but it’s a good way to meet halfway (literally and figuratively), allowing for the Big Entrance that everyone expects, yet still giving the Rite a shot.

Note that the priest should enter in this procession. As the ordinary minister for the Mass, he should be in the procession following the cross, servers, and other ministers. Also note, however, that the bride and groom enter after the priest. That is because they are also ministers in this rite. The priest does not “marry” a couple. They marry each other. The priest (or deacon) is there as the Church’s official representative, not the minister of the Sacrament of Matrimony.

I had hoped to cover a whole section of the Nuptial Mass during each of these posts, but this is already getting a bit long, and I haven’t even gotten to the meat of music during the procession. That will have to wait until next week. Stay tuned!


Series by Andrew R. Motyka:   “Weddings: Some Practical Advice”

FIRST PART • Introduction

SECOND PART • The Very Beginning, Part 1

THIRD PART • The End Of The Beginning, Part 2

FOURTH PART • Word and Vows

Stay tuned for more additions!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Catholic Wedding Nuptial Mass Music, Nuptial Mass Last Updated: January 1, 2020

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Andrew R. Motyka

Andrew Motyka is the Archdiocesan Director of Liturgical Music and Cathedral Music for the Archdiocese of Indianapolis.—(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    “Yahweh” in church songs?
    My pastor asked me to write a weekly column for our parish bulletin. The one scheduled to run on 22 June 2025 is called “Three Words in a Psalm” and speaks of translating the TETRAGRAMMATON. You can read the article at this column repository. All of them are quite brief because I was asked to keep within a certain word limit.
    —Jeff Ostrowski
    “Music List” • Pentecost Sunday
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for Pentecost Sunday (8 June 2025). If such a thing interests you, feel free to download it as a PDF file. Because our choir is on break this week, the music is relatively simple.
    —Jeff Ostrowski
    “Truly Great Processional” • (Pipe Organ)
    I stumbled upon this live recording of a PROCESSIONAL I played on the pipe organ in 2002. It’s an excerpt from a much longer composition by Sebastian Bach. In those days, there weren’t sophisticated recording devices allowing one “fix” wrong notes. (Perhaps they existed, but we didn’t have machines like that.) So it was necessary to play the entire piece from beginning to end. If you’re a church organist, feel free to download the PDF score. I suppose it’s only a matter of time until some joker uses “artificial intelligence” to play music at church … but there’s something so satisfying about playing an organ in real life.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

At papal Masses, the regulations against tardiness were more stringent than at Masses celebrated by cardinals or bishops. Giovanni Maria Nanino records that any singer who is not in his place—and in his vestments—by the end of the repetition of the “Introit” will be fined eight vinti. At papal Vespers, the singer who is not present at the “Gloria Patri” of the first psalm pays a fine of fifty balocchi.

— Giovanni M. Nanino (d. 1607), Papal “Maestro di Cappella”

Recent Posts

  • PDF Download • “Text by Saint Francis of Assisi” (choral setting w/ organ: Soprano & Alto)
  • “Yahweh” in church songs?
  • “Music List” • Pentecost Sunday
  • “Participation” • Recovering its Receptive Dimension
  • “Breathtaking Photographs” • First Mass of Father Michael Caughey, FSSP (Muskegon, MI)

Subscribe

Subscribe

* indicates required

Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.

The election of Pope Leo XIV has been exciting, and we’re filled with hope for our apostolate’s future!

But we’re under pressure to transfer our website to a “subscription model.”

We don’t want to do that. We believe our website should remain free to all.

Our president has written the following letter:

President’s Message (dated 30 May 2025)

Are you able to support us?

clock.png

Time's up