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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Important Resources for Liturgical Reform (6 of 7)

Andrew R. Motyka · August 13, 2014

ET’S SEE: CanticaNOVA, CPDL, the nearly-infinite number of resources offered here on CCW. All these have already been presented by my esteemed colleagues. I liked this “series” idea better when I could go first and take all the good ideas.

In seriousness, though, here are some good resources for the primary tools we each have at our disposal: cantor, choir, and organ.

An often overlooked resource for the parish choir is the Graduale Simplex. This book, which originally was published in 1967, has much simpler settings of chant propers than the Graduale Romanum. One challenge is that, since the first edition was released before we even had a revised order of Mass, it can be difficult to line up and use liturgically. Thankfully, we have several derivative works that make it more accessible in the average parish. First is Paul Ford’s By Flowing Waters. It is a relatively straightforward English adaptation of the chants found in the Simplex, with some accommodations to the tunes to more easily accept the English text. A second, more unknown resource is Aristotle Esguerra’s Choral Simplex, another English language setting, but in SATB harmony. Esguerra’s treatment of the melodies and adaptations for choir shows an elegance and a clear mind for choral singing. I strongly recommend it.

Since most parishes only have one “choir Mass” per weekend, resources for cantors can be helpful, too. I would be far too selfless if I didn’t mention these Communion Antiphons, and selflessness is something I can only aspire to. They are antiphons settings that are free, simple, free, congregational, accompanied, modal, complete, and free.

Lastly, I would like to call to attention a not-specifically-Catholic resource, but one I think needs to be known nonetheless. Just like CPDL (the Choral Public Domain Library) offers thousands of free choral scores online, IMSLP (the International Music Score Literacy Project) offers free choral AND instrumental scores. This is a great resource if you are an organ hack like me who needs to broaden your organ-literature horizons greatly. There are thousands of free scores, searchable by many criteria, including instrumentation, genre, solo type, etc. Care needs to be taken about whether or not each score is actually in the public domain in your country, however. Since IMSLP is based in Canada, where everything falls into the public domain in 50 years, there are some scores that are free on that website that are illegal to download in the US. Watch your dates and you’ll be fine. This is a pretty minor drawback considering the volume of usable scores on the site.

We directors are always on the lookout for free resources for our choirs and music programs in general. Hopefully you can find some use for these, as well as the others in this series.


7-part series:   “Important Resources for Liturgical Reform”

FIRST PART • Richard Clark

SECOND PART • Veronica Brandt

THIRD PART • Fr. David Friel

FOURTH PART • Jeff Ostrowski

FIFTH PART • Jon Naples

SIXTH PART • Andrew Motyka

SEVENTH PART • Peter Kwasniewski

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew R. Motyka

Andrew Motyka is the Archdiocesan Director of Liturgical Music and Cathedral Music for the Archdiocese of Indianapolis.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (5th Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday, 8 February 2026, which is the 5th Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. You will probably notice it isn’t as ‘complete’ or ‘spiffy’ as usual, owing to some difficulties which took place this week.
    —Jeff Ostrowski
    PDF • “Communion” (5th Sunday in Ordin.)
    The COMMUNION ANTIPHON for this coming Sunday, 8 February 2026—which is the 5th Sunday in Ordinary Time (Year A)—is truly delightful. You can download the musical score completely free of charge. This text will be familiar to altar boys, because it’s PSALM 42. The Feder Missal makes the following claim about that psalm: “A hymn of a temple musician from Jerusalem: he is an exile in a heathen land, and he longs for the holy city and his ministry in the Temple there. The Church makes his words her own.”
    —Jeff Ostrowski
    Funeral Music “Template” • For Families
    Many have requested the MUSICAL TEMPLATE for funerals we give to families at our parish. The family of the deceased is usually involved in selecting Number 12 on that sheet. This template was difficult to assemble, because the “Ordo Exsequiarum” has never been translated into English, and the assigned chants and hymns are given in different liturgical books (Lectionary, Gradual, Order of Christian Funerals, and so on). Please notify me if you spot errors or broken links. Readers will be particularly interested in some of the plainsong musical settings, which are truly haunting in their beauty.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“Many of those who have influenced the reform […] have no love, and no veneration of that which has been handed down to us. They begin by despising everything that is actually there.”

— Cardinal Antonelli (Peritus during the Second Vatican Council)

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