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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Assumption Mass

Fr. David Friel · August 13, 2014

OR ALL THOSE in striking distance of the Delaware Valley, please make note of the open invitation to the Assumption Mass being offered this Friday evening in Philadelphia. The Assumption Mass tradition began fourteen years ago as an act of gratitude to God for the establishment of Mater Ecclesiae, the first diocesan-owned and staffed TLM parish in the United States (part of the Camden Diocese). This is the first year that the Mass will be celebrated in the Cathedral Basilica of Ss. Peter & Paul in Philadelphia.

The Celebrant of the Mass, who will also deliver the sermon, is Msgr. Andrew Wadsworth. Originally a priest of the Diocese of Westminster, London, he is now the superior of the Oratorian Community of St Philip Neri, an oratory in formation in the Archdiocese of Washington. Msgr. Wadsworth has also served as Executive Director of the International Commission for English in the Liturgy (ICEL) since 2009, responsible for the English translations of Latin liturgical texts for use in the Anglophone world.

Each year, the Assumption Mass features terrific orchestral and choral music. This year, the Ordinary of the Mass will be the Missa in Angustiis, or “Lord Nelson Mass,” of Franz Joseph Haydn, sung with full orchestra. Other works will include the motets Salve Regina by Antonio Salieri, Salutatio D.N.I.C. by Ludwig Senfl, Beata Viscera Gregor Aichinger, the Adagio from Tomaso Albioni’s Concerto for 2 Oboes in G Major, the Hodie Maria Virgo by Luca Marenzio, and the Tantum Ergo by Mozart. The postlude will be Concerto for 2 trumpets in D Major by Giuseppe Maria Jacchini. The traditional hymns O Sanctissima and Hail, Holy Queen, arranged by the Music Director, Dr Timothy McDonnell, will also be sung.

This Solemn High Mass of the Assumption, celebrated in the Extraordinary Form, will begin at 7 PM at the Cathedral Basilica of Ss. Peter & Paul (18th Street & Benjamin Franklin Parkway). All are welcome.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Beauty in the Catholic Liturgy, Extraordinary Form 1962 Missal, Latin Mass, Roman Missal Third Edition, Summorum Pontificum, Traditional Latin Mass Tridentine Rite Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • “Ascension of the Lord”
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for the The Ascension of the Lord—“Festum Ascensionis Domini”—which is transferred to 17 May 2026 in our diocese. Please feel free to download it as a PDF file if such a thing interests you. The OFFERTORY (“Ascéndit Deus in jubilatióne”) is particularly beautiful and the ENTRANCE CHANT is simply splendid. As always, readers may go directly to the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    PDF Download • “For Pentecost Sunday”
    Yesterday morning, I recorded myself singing the ENTRANCE CHANT for Pentecost Sunday while simultaneously accompanying myself on the pipe organ. Click here to see how that came out. At the end of the antiphon, there’s a triple Allelúja and I just love the chord at the end of the 2nd iteration. The organ accompaniment—along with the musical score for singers—can be downloaded free of charge at the flourishing feasts website. For the record, the antiphon on Pentecost Sunday doesn’t come from a psalm; it comes from the book of Wisdom.
    —Jeff Ostrowski
    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski

Quick Thoughts

    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski
    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski

Random Quote

“Victoria not only made his professional debut as church organist: he also continued active on the organ bench until the very eve of his death. Indeed, during his last seven years at Madrid (1604-1611) he occupied no other musical post but that of convent organist.”

— Dr. Robert Stevenson (1961)

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