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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Book Review: Killing Jesus

Fr. David Friel · April 20, 2014

DMITTEDLY, I am a little late to throw my hat in the ring. Nevertheless, I would like to share my thoughts about one of the best-selling books of the last year, since one of my Lenten projects was to read it. Co-authored by Bill O’Reilly and Martin Dugard, Killing Jesus: A History is an exploration of the Person of Jesus and a view into the experience of life in ancient times.

[DISCLAIMER: I don’t like television; I seldom watch television; I don’t even own a television. As such, my reasons for reading this book and blogging about it have nothing to do with Bill O’Reilly, his politics (about which I know little), or his news show (which I understand draws sharply divided responses from the general populace). My interest is Jesus and what this book has to say about Him.]

With its concise subtitle, this book claims to be “A History.” What is meant by that would be difficult to intuit without reading the book. Categorizing this text in the history genre, to me, seems at once accurate and inaccurate. If the purpose of the subtitle is to dissuade potential readers from expecting a devotional work, then the term “history” works well. The book includes more than a few imaginative sections, however, wherein historical events are told in narrative format, and at these times the term “history” appears misapplied. A librarian could have real difficulty assigning a Dewey Decimal System number to this volume, but arguments could be made for the 200’s, the 900’s, or even the 92 biography section.

What I enjoyed most about this book was its presentation of major characters in the life and times of Jesus. These characters include Herod & Pompey the Great, John the Baptist & Mary Magdalene, Caiaphas & Pontius Pilate. So often, these can become mere names confined to the pages of history texts, rather than dynamic persons who shaped history. In developing these characters and others, the authors obviously utilized extra-Biblical sources. The book also describes in great detail for readers several important locations, such as Sepphoris, Jerusalem, and the Kidron Valley. In general, the sketches of both characters and places were helpful in establishing the wider context of Biblical life & times.

Another aspect of the work that I enjoyed is the authors’ decision not to divide the supposed “historical Jesus” from the “Christian God.” Since the advent of the historical critical method, it has become vogue to separate the “Jesus of history” from the “Christ of faith,” but O’Reilly and Dugard seem content to address matters factually and leave it to the reader to determine whether Jesus constitutes a divide or a unity.

Many reviewers have criticized the authors’ tendency to take the Gospels at face value, rather than treating them with the trenchant skepticism that is more acceptable in modern academia. For my own part, as a believing Christian who accepts wholeheartedly the canon of Sacred Scripture, I do not question the historicity of the Gospels. Actually, I rather appreciate the matter-of-fact acceptance of what the Evangelists have written. What other sources exist that are more worthy of trust?

Most of the “inaccuracies” highlighted by other reviewers are not so much true historical inaccuracies as points of squabble among the authors’ adversaries. For instance, was Paul a “former Pharisee who became a convert to Christianity,” as the authors describe him? Presuming that by “Christian,” one means a follower of Christ, this seems like a perfectly true statement.

I possess no faculties to grant an imprimatur, but for those who are concerned about issues of orthodoxy or scandal, I found nothing questionable in Killing Jesus. What I found was an eminently readable portrait of Jesus of Nazareth that has helped me to see His life in fuller context and to recognize some of the many factors that precipitated His death.

Is this book the definitive account of Jesus’ life? No, we still have the four Gospels for that. But is it a worthwhile companion that might spark new ideas, perspectives, and questions in the heart and mind of a believer? I believe so.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 4 May 2026
    A few days ago, the CORPUS CHRISTI WATERSHED Facebook page posted this Gregorian Chant quiz regarding a rubric for the SEQUENCE for the feast of Corpus Christi: “Lauda Sion Salvatórem.” There is no audience more intelligent than ours—yet surprisingly nobody has been able to guess the rubric. Drop me an email with the right answer, and I’ll affirm your brilliance to everyone I encounter!
    —Jeff Ostrowski
    “Rare Photographs” • Hannibal Bugnini
    On 2 September 2025, we included in this article extremely rare photographs of Archbishop Hannibal Bugnini taken in Iran circa 1979. Bugnini had initially been banished by the pope to Uruguay, but he refused to obey. [This is interesting, since Bugnini relied upon ‘blind obedience’ when it came to modifications of the ancient liturgy.] After he refused to obey the order from the pope, Hannibal Bugnini was banished to Iran. You can also watch a short video of Hannibal Bugnini in Iran, dated 10 November 1979. That’s about a week after the USA embassy hostage crisis began in Tehran, and Pope Saint John Paul II had sent the leader of the Iranian Revolution a special letter.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski
    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski

Random Quote

“The plan to definitively abolish the traditional Tridentine Mass … if it is true, seems to me to be an insult to the history of the Church and to Sacred Tradition, a diabolical project that seeks to break with the Church of Christ, the apostles, and the saints.”

— The Vatican’s chief liturgist (appointed by Pope Francis) from 2014-2021

Recent Posts

  • “Reminder” — Month of May (2026)
  • “Englished” Gregorian Chant • 5 Considerations
  • Simplified Version • “Canon in D” (Pachelbel)
  • PDF Download • “Organ Accompaniment”
  • “Gregorian Chant Quiz” • 4 May 2026

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