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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Christ, the Wounded Healer

Richard J. Clark · April 18, 2014

THOUGHT IT STRANGE when looking at my bookcase. Grouped together are some of my favorite and essential books: the Graduale Romanum, Campion Missal, Lumen Christi Missal, and The Musical Shape of the Liturgy. But somehow, wedged right in the middle, as if to say, “Pay attention to me!” was Henri Nouwen’s 1972 classic, The Wounded Healer – Ministry in Contemporary Society. How did it get there?

Nouwen’s book recounts a story from the Talmud, summarizing:

“The Messiah, the story tells us, is sitting among the poor, binding his wounds, one at a time, waiting for the moment when he will be needed. So too it is with the minister…he is called to be the wounded healer, the one who must look after his own wounds but at the same time be prepared to heal the wounds of others.

”Jesus has given this story a new fullness by making his own broken body the way to health, to liberation and new life. Thus like Jesus, he who proclaims liberation is called not only to care for his own wounds and the wounds of others, but also to make his wounds into a major source of his healing power.” (The Wounded Healer, pg. 84, Doubleday and Co.)

So, the general premise of Nouwen’s books is that through our wounds, through our brokenness and perhaps even human imperfection, we are capable of helping others heal. We must be mindful of this through our work in the Church, and as musicians, through liturgy.

ROFESSIONALLY, MANY CHURCH MUSICIANS face challenges which may include some “war stories.” But with the frailty of human life sadly on display all around us, these are nothing in comparison. There is much needed perspective on what is true suffering and what are the common travails of a life of service. But in a profession in which it is difficult—indeed often impossible—to separate our spiritual, personal, and professional lives, our personal wounds must be cared for so that we may be ready to serve when called upon. To take it a step further, it is often because of our wounds that we can better serve others, provided that we have learned from them.

Distance helps heal wounds. But so does forgiveness. When distance is not possible, forgiveness many times every day is necessary. Then what you have suffered leads to wisdom, perspective, and understanding, providing a rock upon which others may lean. While joy and suffering are natural parts of human existence, challenge and pain is necessary for growth. Adversity builds strength. As such, suffering may come as a seemingly strange, yet potent blessing.

From suffering flowers great beauty. Therefore, as servants of the liturgy, we have an obligation to foster beauty and prayer. Our work will always find ways to humble us, as it should. In this humility, we can also find the healing prayer that our brothers and sisters need.

In Jesus, the Unblemished Lamb, we find the ultimate sacrifice. In Him we find our healer and Savior. May our work in sacred music lead people to Christ, the Great Healer who bore for us His wounds.

Yet it was our infirmities that he bore,

our sufferings that he endured,

while we thought of him as stricken,

as one smitten by God and afflicted.

But he was pierced for our offenses,

crushed for our sins;

upon him was the chastisement that makes us whole,

by his stripes we were healed.

— Isaiah 53: 4-5
Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 4 May 2026
    A few days ago, the CORPUS CHRISTI WATERSHED Facebook page posted this Gregorian Chant quiz regarding a rubric for the SEQUENCE for the feast of Corpus Christi: “Lauda Sion Salvatórem.” There is no audience more intelligent than ours—yet surprisingly nobody has been able to guess the rubric. Drop me an email with the right answer, and I’ll affirm your brilliance to everyone I encounter!
    —Jeff Ostrowski
    “Rare Photographs” • Hannibal Bugnini
    On 2 September 2025, we included in this article extremely rare photographs of Archbishop Hannibal Bugnini taken in Iran circa 1979. Bugnini had initially been banished by the pope to Uruguay, but he refused to obey. [This is interesting, since Bugnini relied upon ‘blind obedience’ when it came to modifications of the ancient liturgy.] After he refused to obey the order from the pope, Hannibal Bugnini was banished to Iran. You can also watch a short video of Hannibal Bugnini in Iran, dated 10 November 1979. That’s about a week after the USA embassy hostage crisis began in Tehran, and Pope Saint John Paul II had sent the leader of the Iranian Revolution a special letter.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski
    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski

Random Quote

Never before have men had so many time-saving devices. Yet, never before have they had so little free time. When the world unnecessarily accelerates, the Church must slow down.

— Archbishop Fulton J. Sheen

Recent Posts

  • “Reminder” — Month of May (2026)
  • “Englished” Gregorian Chant • 5 Considerations
  • Simplified Version • “Canon in D” (Pachelbel)
  • PDF Download • “Organ Accompaniment”
  • “Gregorian Chant Quiz” • 4 May 2026

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