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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

From Every Oops

Andrew R. Motyka · September 4, 2013

E ARE ALL AWARE, at least peripherally, that every mistake carries with it a learning experience. Some have big impacts on our lives, some give us insights about ourselves, and others we just say, “Wow, I never knew that.” This story is one of those last kinds, with a little bit of forced humility added in.

As most of you know, I just started a new position last November. As my first Easter in this parish drew to a close and we re-entered Ordinary Time, I learned something about my parish’s celebration of their feast day, Saints Peter and Paul. I learned that for many years now, the parish had shifted their titular feast from June 29 to the nearest Sunday.

I thought that was a particularly odd practice, and ran it by the director of worship. He agreed that the Sunday celebration should always take precedence when the Solemnity doesn’t actually fall on the Sunday. We talked it over with the rector, and there was much disappointment among the people. Hey, at least we were doing it right, right?

Cut to 2 weeks ago, when the director of worship emails me two different articles by the inimitable Gary Penkala over at CanticaNOVA Publications addressing this very subject. Well, fine. The parish feast day (as well as, as Penkala rightly points out, the patron feast day and the anniversary of dedication) can be celebrated as solemnities in their respective parishes. Of course I knew that. Furthermore, when June 29 falls on a Sunday (as it does next year), it’s a Solemnity anyway, so it will trump the Sunday. No problem. It’s all in the Table of Precedence in the Calendar.

Oh, what’s that it says? No way. I’ll have to check…um…yup. There it is, in the Universal Norms on the Liturgical Year and the General Roman Calendar:

#58. For the pastoral good of the faithful, it is permitted to observe on Sundays in Ordinary Time those celebrations that fall during the week and that are agreeable to the devotion of the faithful, provided the celebrations rank above that Sunday in the Table of Liturgical Days. The Mass of such celebrations may be used at all the celebrations of Mass at which the people are present.

Well, shoot. Even if SS. Peter and Paul wasn’t a Solemnity, it would become one by virtue of it being the titular feast of the parish. So yes, they can transfer it to the nearest Sunday in Ordinary Time.

I wasn’t just slightly off in my focus. I was unabashedly, flat-out wrong. We’ll make it right next time. Now that I’ve had a couple of weeks to wipe the egg off of my face, isn’t that an interesting distinction in the calendar? Your parish has many opportunities to celebrate its titular feast, its patronal feast, and its anniversary of dedication.

Get partying!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew R. Motyka

Andrew Motyka is the Archdiocesan Director of Liturgical Music and Cathedral Music for the Archdiocese of Indianapolis.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Liturgical Round (“Canon”) in C-Major
    Those who direct children’s choirs are always on the lookout for repertoire that’s dignified, inspired, and pleasing—yet still within reach of young choristers. Such directors will want to investigate this haunting liturgical round (PDF download) which has been married to the KYRIE from Mass VI (EDITIO VATICANA). I have provided an accompaniment, but it’s only for use during rehearsal; i.e. when teaching this round to your choristers. I also provided an organ accompaniment for the KYRIE—which some know by its trope (Kyrie Rex Genitor)—so that your congregation can take part when this round is used as a choral extension during Mass.
    —Jeff Ostrowski
    Latin Liturgy Association
    We note with pleasure that Mrs. Regina Morris, president of the Latin Liturgy Association, has featured—on page 4 of Volume CXXIX of their official newsletter—the three (3) terrific versions of the Stations of the Cross found in the Brébeuf Hymnal. One of the main authors for the blog of the Church Music Association of America said (6/10/2019) about this pew book: “It is such a fantastic hymnal that it deserves to be in the pews of every Catholic church.”
    —Corpus Christi Watershed
    “Music List” • 28th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 12 October 2025, which is the 28th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the dazzling feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“The chants of the Proper of the Mass—that is, the Introit, Gradual, Offertory, Communion—in sung Masses may be chanted in the vernacular to melodies legitimately approved.”

— Statement (20 April 1964) by the Consilium, the group Paul VI put in charge of inventing the New Mass

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