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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Extraordinary Form Is Centered On Christ

Jeff Ostrowski · September 25, 2013

382 Extraordinary Form Braque Family Triptych, c. 1450 (Weyden) EOPLE IN FAVOR of legalized abortion often justify it by citing cases of rape and incest. This seems to be their “weapon of choice,” and they put faith in it. Progressives in favor of “updating” Catholic dogma often treat the Extraordinary Form as their “weapon of choice.” They continually denigrate it and feel that doing so helps their case.

Those who oppose abortion point out that very few of the 50 million abortions since Roe v. Wade were related to “rape and incest,” but this is the weaker argument.

Similarly, those in favor of traditional Church morality point out that the “obsession” with the Extraordinary Form by its critics is disproportionate (since not many Catholics currently attend the EF), but this, too, is the weaker argument.

The best way to counter the “rape and incest” argument is to remind folks that no matter how conception occurred, murdering an innocent child never helps. It only makes things worse. Likewise, the best way to counter assaults on the Extraordinary Form is to address them directly.

THE STANDARD ARGUMENT against the Extraordinary Form goes something like this:

The Extraordinary Form uses too much ceremonial, too many medieval gestures, and a dead language nobody understands. These things may be beautiful, but what is needed today is a mode of worship that speaks to “modern man.” The EF is all about Renaissance clothing and obsession with rubrics.

Quite simply, people who make such assertions don’t have a clue what the Extraordinary Form is all about.

The Extraordinary Form is totally centered on our Lord and Saviour, Jesus Christ. The prayers, propers, and readings are completely centered on our personal relationship with Christ. When the EF is offered by a priest who does everything correctly (and with seriousness), attending the traditional Latin Mass is like being transported back 2,000 years to Nazareth, encountering Christ directly.

The EF is, quite simply, a personal encounter with our Lord. Anybody who denigrates the EF is attacking Christ directly. They’re free to do so, since the USA is a free country, but they need to be honest about what they’re doing.

CAN I TELL YOU a secret? I’m glad opponents of the EF can’t stop talking about it. I’m glad they are obsessed. Years ago (c. 1990) very few people knew about the EF, and those who did were looked upon as loons.


Please note:  I sincerely hope nobody will interpret my very strong support for the EF as an “attack” on the OF. However, this is the internet, so anything can happen … and often does.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Extraordinary Form 1962 Missal Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Dom Pothier • Photo from 1904
    Dom Paul Cagin, in a 1904 publication (L’oeuvre de Solesmes dans la restauration du chant grégorien) made sure to include a beautiful image of Dom Pothier, the legendary abbot of St-Wandrille. Also shown is a very young Dom André Mocquereau. Auguste Pécoul—considered the spiritual “son” of Abbat Prosper Guéranger of Solesmes—wrote as follows on 24 June 1901: “To forestall any confusion, let us remember that there is just one Gregorian notation—that restored, according to the ancient manuscripts, by the eminent Abbot of Saint-Wandrille, Dom Pothier.” ✠
    —Jeff Ostrowski
    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski
    PDF Download • “Hymn for 2 Voices”
    Readers who click on this video will see that it starts with verses of the “Pange Lingua” hymn by Saint Thomas Aquinas (d. 1274) arranged for two voices. However, there’s a polyphonic refrain (“Tantum Ergo”) for three voices, taken from Kevin Allen’s Motecta Trium Vocum. If your choir is very small, this piece is for you! You can download the PDF score free of charge—and you can also utilize the rehearsal videos for each individual voice—by navigating yourself to #20323.
    —Jeff Ostrowski

Quick Thoughts

    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“Edwin Fischer was, on the concert platform, a short, leonine, resilient figure, whose every fibre seemed to vibrate with elemental musical power.”

— Daniel Barenboim (1960)

Recent Posts

  • Dom Pothier • Photo from 1904
  • PDF Chart • “Plainsong Rhythm”
  • PDF • “3-Voice Motet” (Father De Laet)
  • PDF Download • “Hymn for 2 Voices”
  • (January 2026) • “Children Singing Plainsong”

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