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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Extraordinary Form Is Centered On Christ

Jeff Ostrowski · September 25, 2013

382 Extraordinary Form Braque Family Triptych, c. 1450 (Weyden) EOPLE IN FAVOR of legalized abortion often justify it by citing cases of rape and incest. This seems to be their “weapon of choice,” and they put faith in it. Progressives in favor of “updating” Catholic dogma often treat the Extraordinary Form as their “weapon of choice.” They continually denigrate it and feel that doing so helps their case.

Those who oppose abortion point out that very few of the 50 million abortions since Roe v. Wade were related to “rape and incest,” but this is the weaker argument.

Similarly, those in favor of traditional Church morality point out that the “obsession” with the Extraordinary Form by its critics is disproportionate (since not many Catholics currently attend the EF), but this, too, is the weaker argument.

The best way to counter the “rape and incest” argument is to remind folks that no matter how conception occurred, murdering an innocent child never helps. It only makes things worse. Likewise, the best way to counter assaults on the Extraordinary Form is to address them directly.

THE STANDARD ARGUMENT against the Extraordinary Form goes something like this:

The Extraordinary Form uses too much ceremonial, too many medieval gestures, and a dead language nobody understands. These things may be beautiful, but what is needed today is a mode of worship that speaks to “modern man.” The EF is all about Renaissance clothing and obsession with rubrics.

Quite simply, people who make such assertions don’t have a clue what the Extraordinary Form is all about.

The Extraordinary Form is totally centered on our Lord and Saviour, Jesus Christ. The prayers, propers, and readings are completely centered on our personal relationship with Christ. When the EF is offered by a priest who does everything correctly (and with seriousness), attending the traditional Latin Mass is like being transported back 2,000 years to Nazareth, encountering Christ directly.

The EF is, quite simply, a personal encounter with our Lord. Anybody who denigrates the EF is attacking Christ directly. They’re free to do so, since the USA is a free country, but they need to be honest about what they’re doing.

CAN I TELL YOU a secret? I’m glad opponents of the EF can’t stop talking about it. I’m glad they are obsessed. Years ago (c. 1990) very few people knew about the EF, and those who did were looked upon as loons.


Please note:  I sincerely hope nobody will interpret my very strong support for the EF as an “attack” on the OF. However, this is the internet, so anything can happen … and often does.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Extraordinary Form 1962 Missal Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Samaritánæ” (3rd Sunday of Lent)
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF • “Cantus Mariales” (192 pages)
    Andrea Leal has posted an absolutely pristine scan of CANTUS MARIALES (192 pages) which can be downloaded as a PDF file. To access this treasure, navigate to the frabjous article Andrea posted Monday. The file is being offered completely free of charge. The beginning pages of the book have something not to be missed: viz. a letter from Pope Saint Pius X to Dom Pothier, in which the pope calls Abbat Pothier “a man versed above all others in the science of liturgy, and to whom the cause of Gregorian chant is greatly indebted.”
    —Jeff Ostrowski

Quick Thoughts

    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski
    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski

Random Quote

In the Orthodox Churches they have kept that pristine liturgy, so beautiful. We have lost a bit the sense of adoration. They keep, they praise God, they adore God, they sing, time doesn’t count. God is the center, and this is a richness …

— Pope Francis (8/2/2013)

Recent Posts

  • “National Survey” (Order of Christian Funerals) • By the USCCB Secretariat of Divine Worship
  • “Samaritánæ” (3rd Sunday of Lent)
  • Grotesque Pairing • “Passion Chorale”
  • PDF Download • “Ubi Caritas” (SATB)
  • PDF • “Cantus Mariales” (192 pages)

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